4:39

Ashes Bloom
v4.5
Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Beck-inspired melodic leads—volume swells, harmonics, delay tails, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned wide, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Occasional reversed guitar ghosts between sides, Sparse, high piano notes (like broken glass) flicker far left, Lead vocals center-panned, raw and dry with subtle slap delay, Final chorus widens via multitrack vocals and chorus effect, Room hiss and ambient noise wrap the edges, Mid-side processing adds immersive width, Dry center, wet edges—sound stretches outward, emotional yet grounded
3:04

Walk It Off
v4.5
Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Jeff Beck–style expressive lead—volume swells, lyrical phrasing, slide touches, harmonic pinches, and lingering bends that speak between vocal lines, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Reversed guitar textures ghost across sides, Sparse high piano flickers far left like broken glass, Lead vocals center-panned, dry and raw with light slap delay, Final chorus widens with layered vocals and subtle chorus effect, Room hiss and ambient edges wrap the mix, Mid-side processing enhances width, Dry center, wet edges—emotion stretched across space
2:49

Mirror Sky
v4.5
Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Jeff Beck–style expressive lead—volume swells, lyrical phrasing, slide touches, harmonic pinches, and lingering bends that speak between vocal lines, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Reversed guitar textures ghost across sides, Sparse high piano flickers far left like broken glass, Lead vocals center-panned, dry and raw with light slap delay, Final chorus widens with layered vocals and subtle chorus effect, Room hiss and ambient edges wrap the mix, Mid-side processing enhances width, Dry center, wet edges—emotion stretched across space
2:42

A stereo-driven analog rock mix where each instrument keeps its voice while forming a unified emotional soundscape, Lead Guitar (Left): Hard-panned, Swells, slides, and lyrical bends create a melodic, expressive tone, Rhythm Guitar (Right): Hard-panned, Wah textures, fuzz, and chaotic bends add raw energy, Bass (Left-Center): Warm and melodic, with octave jumps and playful runs adding bounce, Drums: Deep kick anchors the center, Wide toms, snare slightly right, cymbals hard-panned, Tight and explosive, Vocals (Center): Dry and raw with slap delay, Final chorus expands with soft harmonies, Other Elements: Sparse piano flickers far left, Reversed guitars ghost across, Plucked strings and music box tones drift mid-L/R, Texture: Light tape hiss and analog warmth unify the mix, Mid-side processing adds width, Each part remains distinct—melody, rhythm, noise, and breath in balance
3:14

Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Beck-inspired melodic leads—volume swells, harmonics, delay tails, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned wide, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Occasional reversed guitar ghosts between sides, Sparse, high piano notes (like broken glass) flicker far left, Lead vocals center-panned, raw and dry with subtle slap delay, Final chorus widens via multitrack vocals and chorus effect, Room hiss and ambient noise wrap the edges, Mid-side processing adds immersive width, Dry center, wet edges—sound stretches outward, emotional yet grounded
3:44

Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Jeff Beck–style expressive lead—volume swells, lyrical phrasing, slide touches, harmonic pinches, and lingering bends that speak between vocal lines, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Reversed guitar textures ghost across sides, Sparse high piano flickers far left like broken glass, Lead vocals center-panned, dry and raw with light slap delay, Final chorus widens with layered vocals and subtle chorus effect, Room hiss and ambient edges wrap the mix, Mid-side processing enhances width, Dry center, wet edges—emotion stretched across space
3:24

Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Jeff Beck–style expressive lead—volume swells, lyrical phrasing, slide touches, harmonic pinches, and lingering bends that speak between vocal lines, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Reversed guitar textures ghost across sides, Sparse high piano flickers far left like broken glass, Lead vocals center-panned, dry and raw with light slap delay, Final chorus widens with layered vocals and subtle chorus effect, Room hiss and ambient edges wrap the mix, Mid-side processing enhances width, Dry center, wet edges—emotion stretched across space
3:54

Wordfire
v4.5
Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Jeff Beck–style expressive lead—volume swells, lyrical phrasing, slide touches, harmonic pinches, and lingering bends that speak between vocal lines, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Reversed guitar textures ghost across sides, Sparse high piano flickers far left like broken glass, Lead vocals center-panned, dry and raw with light slap delay, Final chorus widens with layered vocals and subtle chorus effect, Room hiss and ambient edges wrap the mix, Mid-side processing enhances width, Dry center, wet edges—emotion stretched across space
3:33

Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Jeff Beck–style expressive lead—volume swells, lyrical phrasing, slide touches, harmonic pinches, and lingering bends that speak between vocal lines, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Reversed guitar textures ghost across sides, Sparse high piano flickers far left like broken glass, Lead vocals center-panned, dry and raw with light slap delay, Final chorus widens with layered vocals and subtle chorus effect, Room hiss and ambient edges wrap the mix, Mid-side processing enhances width, Dry center, wet edges—emotion stretched across space
3:09

Backseat Boogie
v4.5
Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Jeff Beck–style expressive lead—volume swells, lyrical phrasing, slide touches, harmonic pinches, and lingering bends that speak between vocal lines, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Reversed guitar textures ghost across sides, Sparse high piano flickers far left like broken glass, Lead vocals center-panned, dry and raw with light slap delay, Final chorus widens with layered vocals and subtle chorus effect, Room hiss and ambient edges wrap the mix, Mid-side processing enhances width, Dry center, wet edges—emotion stretched across space
4:58

Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Jeff Beck–style expressive lead—volume swells, lyrical phrasing, slide touches, harmonic pinches, and lingering bends that speak between vocal lines, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Reversed guitar textures ghost across sides, Sparse high piano flickers far left like broken glass, Lead vocals center-panned, dry and raw with light slap delay, Final chorus widens with layered vocals and subtle chorus effect, Room hiss and ambient edges wrap the mix, Mid-side processing enhances width, Dry center, wet edges—emotion stretched across space
2:49

Street Gone Mad
v4.5
Stereo-driven analog rock mix, Backing guitars doubled and hard-panned L/R: left with Hendrix-style wah and fuzzed rhythm, right with Jeff Beck–style expressive lead—volume swells, lyrical phrasing, slide touches, harmonic pinches, and lingering bends that speak between vocal lines, Bass is McCartney-style: off-center left, warm, melodic with octave jumps and slides, Drums are Bonham-esque: explosive and roomy, Kick is deep, snare slightly right with ambient reverb, toms sweep stereo in triplet fills, cymbals hard-panned, Eerie music box and plucked strings float mid-L/R, shifting with dynamics, Reversed guitar textures ghost across sides, Sparse high piano flickers far left like broken glass, Lead vocals center-panned, dry and raw with light slap delay, Final chorus widens with layered vocals and subtle chorus effect, Room hiss and ambient edges wrap the mix, Mid-side processing enhances width, Dry center, wet edges—emotion stretched across space
