
BACK LINE -サマクロ2025(レッドステージ)-
2025年8月29日~31日の3日間で開催されたAIフェス。
BACK LINEのセットリスト。
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13 songs
3:32

振回天 ~Full Kaiten~
v4.5+
Digital hardcore × punk at BPM 210–220 with a live rock band feel, Real drums (heavy tight kick, bouncing snare, d-beat drive), solid/tight distorted guitars with aggressive fast riffs, and an overdriven growling distortion bass (Drop D), Raspy, dirty, distorted vocal (JP main + a few EN shouts), Keep amp feedback, pick/stick noise, and small-club room ambience, Chorus uses call & response (e, g, “Revolve! / 振回天!”) for a catchy hook, Mix: drums & bass upfront, guitars sharp in upper mids, vocal gritty and forward, Avoid EDM leads, synth-forward mixes, trap hats, heavy autotune, strict quantization, Tags: live rock band, digital hardcore, punk, d-beat, catchy chorus
3:38

Dope Pitch
v4.5+
Explosive digital hardcore punk, BPM 200, Solid, razor-sharp, ferocious distorted guitar riffs cutting like blades, Overdriven distorted bass growling with violent low-end power, Relentless, heavy, tight kick drums smashing through the mix, Aggressively bouncing snare drums driving the chaos forward, Raspy, dirty distorted rock vocals screaming with raw anger, Unleash the raw, brutal energy of a live band exploding at maximum intensity
4:04

Title: Fish Out of Code
A brutal digital hardcore track at BPM 200, combining glitchy industrial noise with raw band energy, Features pounding heavy kick drums, aggressive distorted guitars, chaotic overdriven basslines, and a fusion of shouted vocals and distorted screams, Explosive and relentless, the song captures the defiance of a creature born to break the surface—a fish out of code, rebelling against the synthetic system, Inspired by Atari Teenage Riot and The Mad Capsule Markets in a post-human soundscape
3:03

ギシキ (Remastered)
v4.5
Title: "GISHIKI"
A violent digital hardcore track with BPM 200+, Features solid distorted guitars, ultra-heavy low-end distorted bass, and heavy, tight kick drums, Add chaotic breakcore elements to intensify the rhythm, Vocals are aggressively screamed and heavily distorted, blending human and machine, The sound should feel raw, destructive, and ritualistic—no melody, just explosive noise and controlled chaos, Use industrial glitch textures and distortion walls, Lyrical fragments (shouted or glitched): “前任狂人 明日は我れ化 / 美貌にデッド えぐる本音 / したたる悦 我いざ行かん”
3:16

"Goodbye, Say Hello" is a high-energy, emotionally charged digital hardcore punk track where heavy distortion and fragile memories collide in a soundscape that’s both fierce and strangely catchy, Beneath its raw intensity lies a sense of pop sensibility, making the chaos feel unexpectedly uplifting, The song begins with a calm, spacious intro, evoking the image of a clear blue sky and drifting smoke, Suddenly, it erupts with tight distorted guitars, precise, hard-hitting kicks, and a deep, growling bass, while raspy, distorted vocals scream with unfiltered emotional release, Inspired by the sight of cremation smoke rising into the sky, this is a powerful sonic journey of farewell and rebirth, where “Goodbye” slowly transforms into “Hello, ”
The track runs at a blistering BPM 180, dirty voce, dirty voice, dirty voice, powerful beat
3:08

防音と暴音
v4.5
A solid and edgy digital hardcore track featuring intense, aggressive distorted guitar riffs with sharp, cutting edges, Growling and chaotic distorted bass rumbles beneath, matched by heavy, tight kick drums that drive the track forward with brutal energy, Vocals are raspy, distorted, and emotionally raw, shouting with desperation and fury, The atmosphere blends industrial noise with tribal elements, creating a primal and dystopian vibe, The track should sound like a violent outburst breaking through a soundproof wall, bursting with uncontrollable energy, BPM around 190–200
2:27

Red G
v4.5+
BPM 190–210 digital hardcore punk, Solid distorted guitar riffs, sharp and aggressive, exchanging phrases with the bass, Overdriven, heavy, growling distorted bass lines, chaotic and dominant, acting as a lead instrument and trading riffs with the guitar, The guitar and bass form a twin-lead attack, clashing and intertwining with unpredictable fills and distorted leads, Pounding, tight kick drums with explosive, bouncing snare hits, Raspy, dirty distorted rock vocals full of raw energy, Emphasize the rock band feeling with brutal, high-volume intensity and chaotic power
3:39

BPM 170–180, Starts as an ultra-catchy, high-energy party punk rock anthem, Bright distorted guitars, pounding drums, rebellious pop-punk vocals, Feels like a chaotic festival scene—loud, fun, and a bit reckless, Suddenly, at the break section, the music shifts into explosive hardcore, Downtuned guitars, aggressive kick drums, walls of noise, A rough, almost broken voice delivers a spoken-word section—a scream from the soul, filled with surprising tenderness, It’s rage, it’s sorrow, it’s love—all crashing together, Then comes the final chorus, returning to party rock, now infused with punk fire and emotional release, It’s loud, liberating, and powerful—like past and present selves moshing together, A genre-bending, cathartic ride full of fun, fury, forgiveness, and freedom
3:08

Hardcore punk song with aggressive low-end focus and heavy down-tuned guitars, Fast-paced 2-beat rhythm, intense distorted bass, and powerful kick drums, Vocals are mostly English with occasional Japanese shouts, Screamed and shouted vocal delivery with raw energy, The mood is dark, defiant, and emotionally explosive, Influences: The Mad Capsule Markets, early Slipknot, and Knocked Loose, BPM 180-200, Theme: being a sinner, rejecting fake morality, screaming one’s truth, with electronic glitch elements and industrial textures, add growl/harsh vocals and breakdowns, dirty voice
3:12

Downpour -祈り花-
v4.5
A digital hardcore song with a melancholic and emotional atmosphere, starting with soft ambient textures and clean guitar tones, The first verses are calm and introspective, featuring raspy, sorrowful vocals, Suddenly erupts into a wall of sound with heavy distorted guitars, intense kick drums, and screaming vocals in the chorus, Harsh bass distortion and glitchy noise textures drive the chaos, An eerie string orchestra subtly plays in the background throughout, In the bridge, everything slows down into a spoken-word section with deep reverb and tension, The final chorus is explosive, emotional, and overwhelming — a violent storm of love, pain, and hope, Ends in a fading silence with only strings remaining, Structure Overview:
Starts with ambient textures and clean guitar, Verses feature raspy, emotional vocals with a reflective mood, The chorus erupts into a wall of sound with distorted guitars, screaming vocals, heavy drums, and glitchy noise, The bridge slows down with spoken word
2:47

A digital hardcore track by a full rock band, fusing heavy distorted guitars, wild distortion bass, and aggressive live drums with digital chaos and glitchy textures, Screamed, raspy vocals, tight kick and snare, catchy but destructive energy, BPM 200–210, Sounds like a riot between analog fury and digital noise, digital punk energy, for an explosive live show, dirty voice, industrial cybercore
2:56

mixture, dropD, デスボイス, female voice, female vocal, female voice, jungle, drum and bass, guitar riff, punk, metal, pop, noise, pop punk
3:28

punk, acoustic, acoustic guitar, acoustic guitar, acoustic

