BGM

Electric guitar, Aggressive, Hard rock, Fast tempo

flamenco, energetic, fast-paced

Instrumental only, A tense cinematic WWII battlefield BGM inspired by Tiger tank versus T-34 combat, Dark, heavy, restrained atmosphere with no heroism or triumph, Low tempo, deep analog bass drones, slow heavy percussion, muted brass, cold strings, Oppressive, realistic, psychological tension, No vocals, no melody-driven theme, Suitable for historical war visuals and serious documentary-style footage, cold atmosphere, sparse arrangement, bleak tone

Instrumental only, A tragic and solemn WWII naval battle BGM inspired by a Japanese battleship at its final stage, Themes of inevitability, national fate, and quiet resolve, Slow tempo, deep bass drones, low solemn strings, distant muted brass, No heroic climax, no triumphant melody, Emotional but restrained, cinematic and respectful, Suitable for serious historical or reflective war visuals

Instrumental only, A cinematic WWII aerial BGM inspired by the F4U Corsair, Themes of reclaiming air superiority, strength, and forward momentum, Moderate to fast tempo, strong rhythmic pulse, wide brass and strings, Confident, powerful, and clear-headed, Freedom is restored through control, not emotion

Instrumental with powerful choir, A WWII Soviet propaganda-style BGM inspired by the Yak-7, Rigid marching structure with strong forward motion, Very powerful male choir in strict unison, voices loud, dense, and forceful without emotion, Choral voices function as ideological pressure, like a broadcast amplified through loudspeakers, No solo vocals, no expressive phrasing, no emotional singing, Repetition and vocal density over musical development, The music should feel relentless, authoritative, physically forceful, and impersonal

Pure orchestral background music inspired by the German BF 109 fighter, No vocals, no choir, No rock, no jazz, no swing, no groove, No electric guitars, no drum kit, Very short and restrained intro with minimal motion, followed by continuous high-speed violin ostinato, High-speed violins express aerial speed, acceleration, and maneuvering, Low strings provide steady tension and weight, Brass is minimal and tightly controlled, Cold, disciplined, mechanical tone, Focused on precision, awareness, and control rather than emotion, Designed as background music for aerial combat visuals, Approximately 2 minutes in length with a loop-friendly ending

Wwii Soviet Military Propaganda BGM, Heavy orchestral foundation with low strings and brass, Rigid, disciplined rhythm with steady forward motion, Large male choir in strict unison, Indistinct vocals, words not clearly intelligible, Voices used as mass and pressure, not melody, No solo voices, no individuality, Oppressive, overcast atmosphere, Cold, industrial, authoritative tone, No rock, no jazz, no modern instruments, Not emotional, not heroic, not cinematic, Inevitable, commanding, and advancing

Italian cinematic ballad, tender male vocal, intimate whisper-like delivery, slow tempo, warm strings and gentle piano, subtle mandolin/guitar, soft brush drums, nostalgic film score mood, bittersweet, minimal instrumentation, no rock, no jazz, no EDM, no big choir, close-mic vocal, wide reverb tail, emotional restraint

Instrumental only, A cinematic WWII aerial BGM inspired by the Spitfire during the Battle of Britain, Themes of national defense, resilience, and unbroken spirit under adversity, Moderate tempo, wide orchestral strings, steady restrained percussion, subtle brass, Hopeful but not triumphant, determined but calm, Suitable for historical, cinematic, or reflective visuals

Italian cinematic ballad, female vocal, Tender, intimate whisper-like delivery, Very slow tempo, restrained dynamics, Warm strings and gentle piano, Subtle mandolin or soft guitar textures, Minimal instrumentation, near silence at times, Close-mic vocal with wide, lingering reverb tail, Strong use of silence and breath, Emotional restraint, unresolved atmosphere, No rock, No jazz, No EDM, No choir, No heroism, No grandeur, Not a song of action, A song of remaining and waiting

Cinematic Ambient Background Music, Minimal Vocals (Quiet Spoken Monologue Only At Beginning And End), Male Vocal, Spoken Voice Only, Low, Calm, Intimate Delivery, Duration Around 1:30, Cold, Minimal Atmosphere, Snow, Fog, Stillness, Slow To Mid Tempo (90–105 BPM), No Steady Beat, No Marching Feel, Sparse Low Piano Notes, Soft Distant String Or Pad Texture, Subtle Wind-Like Noise Texture, Very Low Dynamic Range, No Build-Up, No Climax, Tension Without Action, Waiting, Breath In Cold Air, Unresolved Ending Or Gentle Fade, [male vocals] No Anthem, No Epic, No Heroic Tone, No Choir, No Percussion-Driven Rhythm, No Military March, No Call And Response

Cinematic instrumental background music for a movie trailer, Fast-tempo orchestral piece led by cello and low strings, creating tension and forward motion, Dense harmonies with sustained string chords, gradual build-up, and controlled dynamics, Minimal percussion, no drums at the beginning, subtle pulses only if needed, Strong sense of space, silence, and anticipation, No singing, no melody-led vocals, Designed to support narration and short spoken lines, Dark, restrained, serious tone — not heroic, not emotional exposition, Focus on atmosphere, structure, and cinematic pacing

Cinematic instrumental background music for a movie trailer, Fast-tempo orchestral piece led by cello and low strings, creating tension and forward motion, Dense harmonies with sustained string chords, gradual build-up, and controlled dynamics, Minimal percussion, no drums at the beginning, subtle pulses only if needed, Strong sense of space, silence, and anticipation, No singing, no melody-led vocals, Designed to support narration and short spoken lines, Dark, restrained, serious tone — not heroic, not emotional exposition, Focus on atmosphere, structure, and cinematic pacing

Cinematic Instrumental Background Music For A Movie Trailer, Fast-Tempo Orchestral Piece Led By Cello And Low Strings, Creating Tension And Forward Motion, Dense Harmonies With Sustained String Chords, Gradual Build-Up, And Controlled Dynamics, Minimal Percussion, No Drums At The Beginning, Subtle Pulses Only If Needed, Strong Sense Of Space, Silence, And Anticipation, No Singing, No Melody-Led Vocals, Designed To Support Narration And Short Spoken Lines, Dark, Restrained, Serious Tone — Not Heroic, Not Emotional Exposition, Focus On Atmosphere, Structure, And Cinematic Pacing, [male vocals]

Cinematic Instrumental Background Music For A Movie Trailer, Fast-Tempo Orchestral Piece Led By Cello And Low Strings, Creating Tension And Forward Motion, Dense Harmonies With Sustained String Chords, Gradual Build-Up, And Controlled Dynamics, Minimal Percussion, No Drums At The Beginning, Subtle Pulses Only If Needed, Strong Sense Of Space, Silence, And Anticipation, No Singing, No Melody-Led Vocals, Designed To Support Narration And Short Spoken Lines, Dark, Restrained, Serious Tone — Not Heroic, Not Emotional Exposition, Focus On Atmosphere, Structure, And Cinematic Pacing

Ambient military background music, British air defense context, Spitfire era, without heroism, drama, or narrative, Low-layer background music that never comes forward, The music functions only as a fixed state in time, not as a song or story, Viola is the core texture: long sustained tones only, minimal vibrato, no melody, no phrasing, Low cello used sparingly to add weight and air pressure, non-rhythmic, non-melodic, Background choir is present as distant texture only: vowel sound “ah” exclusively, no lyrics, no consonants, no emotional expression, Voices are non-unison, slightly detuned, blurred, and placed far in the background so they function as atmosphere rather than human presence, No percussion, no pulse, no rhythm, No guitar, No violin, No build-up, no climax, no resolution, No sense of beginning or ending; the piece feels cut from an ongoing duration, Silence and empty space are part of the structure, The sound remains restrained, unresolved, observational, and unfinis

Monumental orchestral music with restrained classical instrumentation, combined with mass choir textures, Slow to mid tempo (BPM 72–84), strict and unwavering pulse, No tempo changes, Instrumentation • Low strings–focused orchestra (cellos, double basses) • Limited brass reinforcement (trombones, horns for weight only) • Timpani as primary percussion • Choir supported at all times by orchestra, free in phrasing Harmony • Natural minor or Dorian • Very slow harmonic rhythm • No romantic modulation • Avoid heroic or lyrical cadences Arrangement • Orchestra establishes gravity and time • Choir floats freely above, never leading • Texture evolves by density, not melody Mood Cold, large-scale, impersonal, Classical in size, not in emotion

Monumental orchestral music with restrained classical instrumentation, combined with mass choir textures, Slow to mid tempo (BPM 72–84), strict and unwavering pulse, No tempo changes, Instrumentation • Low strings–focused orchestra (cellos, double basses) • Limited brass reinforcement (trombones, horns for weight only) • Timpani as primary percussion • Choir supported at all times by orchestra, free in phrasing Harmony • Natural minor or Dorian • Very slow harmonic rhythm • No romantic modulation • Avoid heroic or lyrical cadences Arrangement • Orchestra establishes gravity and time • Choir floats freely above, never leading • Texture evolves by density, not melody Mood Cold, large-scale, impersonal, Classical in size, not in emotion

Monumental orchestral music with restrained classical instrumentation, combined with mass choir textures, Slow to mid tempo (BPM 72–84), strict and unwavering pulse, No tempo changes, Instrumentation • Low strings–focused orchestra (cellos, double basses) • Limited brass reinforcement (trombones, horns for weight only) • Timpani as primary percussion • Choir supported at all times by orchestra, free in phrasing Harmony • Natural minor or Dorian • Very slow harmonic rhythm • No romantic modulation • Avoid heroic or lyrical cadences Arrangement • Orchestra establishes gravity and time • Choir floats freely above, never leading • Texture evolves by density, not melody Mood Cold, large-scale, impersonal, Classical in size, not in emotion

Monumental choral-orchestral music in the Russian national anthem tradition, Tempo 78 BPM, strict and unwavering, no tempo changes, Orchestra foregrounded, choir recessed as a unified architectural mass, Music carries weight and authority; vocals function as harmonic density, not narrative, Vocals use a large mixed choir only, no solo voices, sung collectively with unison and octave doubling, Sustained vowels, softened consonants, Choir remains impersonal and authoritative, Single exception: a one-time brief foregrounding of the choir on the line 「ただ在り」 for 0, 8–1, 0 seconds, vowel-dominant and phonetic, then immediately returned to the recessed choral layer with no silence, ‑Heroic anthem tone, ‑solo vocals, ‑operatic expressiveness, ‑cinematic scoring, ‑rubato, ‑tempo changes, ‑dramatic crescendos, ‑modern harmony, ‑rhythmic propulsion, ‑emotional phrasing, ‑snare drums

Monumental choral-orchestral music in the Soviet Red Army Choir tradition, Tempo 78 BPM, strict and unwavering, no tempo changes, Orchestra foregrounded; choir functions as a unified massed formation rather than a narrative voice, Music emphasizes weight, density, and collective presence over emotion, Vocals use a large mixed choir only, no solo voices, All lines sung collectively with strong unison and octave doubling, Vowels sustained, consonants restrained, Choir remains impersonal and disciplined, integrated into the overall mass, Single exception: one-time brief foregrounding of the choir on the line 「ただ在り」 for 0, 8–1, 0 seconds, vowel-dominant and phonetic, then immediately returned to the collective layer, No silence; pulse and harmony remain unchanged, Instrumentation dominated by low strings, with restrained low brass and bassoons reinforcing mass, Percussion limited to sparse timpani, No rhythmic drive, Harmony is functional, minor-key centered, with slow harmonic movement

Japanese Electro-Dance Track, 128–132 BPM, High-energy, rhythm-driven structure focused on realistic air combat terminology used as rapid-fire lyrical elements, Prioritize physical momentum and density over emotional storytelling, Verses may describe launch and climb phases with concise action phrases, Chorus functions as a compressed real combat sequence in correct tactical order (merge, one-circle/two-circle, lock, Fox 2, defensive break, notch, flare/chaff, blackout, re-engage), Strong 4-on-the-floor kick, driving bass, tight hi-hats, Minimal harmonic progression, Energy builds through layering and lyrical density rather than dramatic drops, Spoken alert phrases allowed, concise and authoritative, No poetic abstraction, no cinematic orchestration, no jazz harmony, no sentimental tone, Hook must be short, powerful, and chantable (“生き残る”), Exclude ballad structure, orchestral scoring, emotional chord swells, and narrative explanations