2:34
Chromatic Rift
v4.5
High-pressure chaos-prog; tempo loop 129→137→93→129 BPM; 7-string guitars drop F# with octave dissonant chords + trem-picked drones; 5-string bass distorted + LPF wobble; sub-bass kick layers every 1, 5 bars; female Vocaloid alternating modal-melody & glitch-sliced screams; meters 4/4→13/8→21/16→free bar; reverse cymbal swells, granular vocal chops; length 3–4 min, ‑standard pentatonic solos, ‑major-key anthems, ‑EDM risers, ‑orchestral brass swells
2:26
Brutally progressive bounce-groove nu-metal; tempo 110–135 BPM (never above 140); 7-string guitars in drop A♭ with sliding slap-muted riffs and triplet chugs; 5-string bass fuzz-sub blend with octave jumps; relentless twin-kick patterns (straight sixteenths → half-time doom → triplet blasts); female Vocaloid (haunting, chaotic) processed with granular pitch-shifts swinging ±12 semitones; meter labyrinth 4/4 → 7/8 → 11/8 → 13/16; vinyl-hiss intro, tape-stop gaps, sub-drop dives; length 3–4 min, ‑blues clichés, ‑bright EDM pads, ‑upbeat major choruses, ‑acoustic ballad elements
3:23
Brutally progressive bounce-groove nu-metal; tempo 90–115BPM (never above 120); 7-string guitars in drop A♭ with sliding slap-muted riffs and triplet chugs; 5-string bass fuzz-sub blend with octave jumps; relentless twin-kick patterns (straight sixteenths → half-time doom → triplet blasts); female Vocaloid (haunting, chaotic) processed with granular pitch-shifts swinging ±12 semitones; meter labyrinth 4/4 → 7/8 → 11/8 → 13/16; vinyl-hiss intro, tape-stop gaps, sub-drop dives; length 3–4 min, ‑blues rock, ‑soft acoustic passages, ‑uplifting EDM pads, ‑smooth jazz chords, ‑conventional pop song-form
2:39
Glass Dawn Reset
v4.5
Hope-tinged yet heavy progressive nu-metal; tempo 112–128 BPM; 7-string guitars blend clean chorus arpeggios with crunchy down-beats; 5-string bass warm overdrive + sub-pad; kick patterns alternate halftime / double-time; female Vocaloid airy head-voice layered with vocoder harmonies; meters 6/8 ↔ 4/4 ↔ 7/8; subtle vinyl crackle intro, filtered white-noise outro; length 3–4 min, ‑major-key pop rock anthems, ‑blues licks, ‑EDM supersaws, ‑symphonic metal strings
2:13
Threshold Rattle
v4.5
High-tension progressive bounce-metal; tempo 124–139 BPM (≤140); 7-string guitars low B scratch riffs + polyrhythmic chugs; 5-string bass with octave drops & envelope filter; relentless twin-kick patterns (syncopated 32nds); female Vocaloid switching whisper-talk → distorted fry screams; meters 4/4 → 9/8 → 13/16 in rapid succession; reverse cymbal swells & dub-delay throws; length 3–4 min, ‑guitar shred solos, ‑major-key choruses, ‑orchestral choir pads, ‑upbeat EDM drops
2:36
Static Reprise
v4.5
Syncopated industrial-tinged prog nu-metal; tempo 105 → 138 → 122 BPM jumps; 7-string guitars in drop A♭ with staccato scratches & octave slides; 5-string bass fuzz-sub hybrid; kick patterns using triplet flams; female Vocaloid with vocoder + radio-static side-chain; rhythmic meter loop 4/4 → 7/8 every 8 bars; glitch stutter fills; length 3–4 min, ‑blues progressions, ‑bright trance pads, ‑pop-punk power chords, ‑orchestral brass hits
3:26
Brutally progressive bounce-groove nu-metal; tempo 110–135 BPM (never above 140); 7-string guitars in drop A♭ with sliding slap-muted riffs and triplet chugs; 5-string bass fuzz-sub blend with octave jumps; relentless twin-kick patterns (straight sixteenths → half-time doom → triplet blasts); female Vocaloid (haunting, chaotic) processed with granular pitch-shifts swinging ±12 semitones; meter labyrinth 4/4 → 7/8 → 11/8 → 13/16; vinyl-hiss intro, tape-stop gaps, sub-drop dives; length 3–4 min, ‑blues rock, ‑soft acoustic passages, ‑uplifting EDM pads, ‑smooth jazz chords, ‑conventional pop song-form
1:49
Porcelain Spiral
v4.5
Ultra-progressive bounce-groove nu-metal; tempo 118–138 BPM (never above 140); 7-string guitars tuned to low B, syncopated slap riffs and polymetric djent stabs; 5-string bass with sub-30 Hz sine underlay; twin-kick drums featuring 3-bar burst fills and off-beat hertas; female Vocaloid (fragile yet fierce) processed with formant-shift + vocoder, whisper-to-scream octave flips; meter shifts 4/4 ↔ 9/8 ↔ 5/4 every 4–6 bars; glitch-stop and reverse-gate breakdown; length 3–4 min, ‑guitar solos, ‑blues scales, ‑major-key pop gloss, ‑bright EDM supersaws, ‑acoustic strumming