5:55

12 Acts
v5
The track opens with a lone acoustic guitar, setting a sparse indie rock mood, Bagpipes layer in gradually, adding haunting depth, Drums and bass join, building dynamic intensity, Raw, gritty male vocals drive the emotional core, with the bagpipes soaring on the anthemic choruses
3:58

The track opens with a lone acoustic guitar, setting a sparse indie rock mood, Bagpipes layer in gradually, adding haunting depth, Drums and bass join, building dynamic intensity, Raw, gritty male vocals drive the emotional core, with the bagpipes soaring on the anthemic choruses
5:10

The track opens with a lone acoustic guitar, setting a sparse indie rock mood, Bagpipes layer in gradually, adding haunting depth, Drums and bass join, building dynamic intensity, Raw, gritty male vocals drive the emotional core, with the bagpipes soaring on the anthemic choruses
4:02

Goodbye
v5
The track opens with a lone acoustic guitar, setting a sparse indie rock mood, Bagpipes layer in gradually, adding haunting depth, Drums and bass join, building dynamic intensity, Raw, gritty male vocals drive the emotional core, with the bagpipes soaring on the anthemic choruses
3:59

Only One
v5
rock, Huge Celtic grunge rock anthem, male vocals, Bagpipe and fiddle motifs ride over detuned rhythm guitars and a half-time, tom-heavy groove, Verses stay tight and gritty; chorus explodes with gang shouts and open chords, Bridge drops to drums and low drone, then everything slams back in with layered harmonies and a soaring lead guitar echoing the Celtic theme, grunge, celtic
4:09

The track opens with a lone acoustic guitar, setting a sparse indie rock mood, Bagpipes layer in gradually, adding haunting depth, Drums and bass join, building dynamic intensity, Raw, gritty male vocals drive the emotional core, with the bagpipes soaring on the anthemic choruses
4:13

The track opens with a lone acoustic guitar, setting a sparse indie rock mood, Bagpipes layer in gradually, adding haunting depth, Drums and bass join, building dynamic intensity, Raw, gritty male vocals drive the emotional core, with the bagpipes soaring on the anthemic choruses
6:56

The track opens with a lone acoustic guitar, setting a sparse indie rock mood, Bagpipes layer in gradually, adding haunting depth, Drums and bass join, building dynamic intensity, Raw, gritty male vocals drive the emotional core, with the bagpipes soaring on the anthemic choruses
6:09

The track opens with a lone acoustic guitar, setting a sparse indie rock mood, Bagpipes layer in gradually, adding haunting depth, Drums and bass join, building dynamic intensity, Raw, gritty male vocals drive the emotional core, with the bagpipes soaring on the anthemic choruses
4:04

Scotch Thistle
v5.5
Indie rock with a driving mid-tempo pulse and lilted backbeat, starting sparse with lone acoustic guitar and room noise before drums and bass thicken the groove; bagpipes enter in layers, turning the chorus into a haunting anthem, Raw gritty male vocals stay close-mic and cracked in verses, with stacked doubles and shouted gang phrases on the hook, Fiddle-like pipe swells, tom lifts, and delayed vocal throws mark transitions, Wide, punchy, and weathered mix, indie rock, soaring, male vocals, dynamic, raw, emotional, acoustic
4:21

Nessy
v5.5
Indie rock with sparse acoustic-guitar opening, slow-burn 6/8 pulse, gradually swelling bagpipes, driving drums and bass, raw gritty male vocals, anthemic chorus lift with stacked gang harmonies, reversed swells into each chorus, roomy handclaps and tom builds, wide cinematic mix with earthy low-end and sharp high mids, indie rock, raw, acoustic, emotional, male vocals, soaring, dynamic
3:34

New Old Game
v5.5
Indie rock with a sparse acoustic guitar intro, gradually rising bagpipes, then drums and bass driving a big anthemic lift; verse stays gritty and open, pre-chorus tightens with toms and low drones, chorus opens wide with soaring pipe melody and stacked gang doubles, Raw close-mic male vocal in verses, shouted hook doubles on choruses, with a brief bagpipe swell and drum break before the final lift, Bright, punchy, and haunted, male vocals, raw, indie rock, acoustic, emotional, soaring, dynamic
3:57

Run a Mile
v5.5
Indie rock with sparse acoustic guitar intro, gradually rising bagpipes, then drums and bass driving a big anthemic lift; verse stays gritty and open, pre-chorus tightens with toms and low drones, chorus opens wide with soaring pipe melody and stacked gang doubles, Raw close-mic male vocal in verses, shouted hook doubles on choruses, with a brief bagpipe swell and drum break before the final lift, Bright, punchy, and haunted, emotional, dynamic, soaring, indie rock, low, bright, male vocals, vocal, acoustic, raw
4:44

indie rock ballad with a lone fingerpicked acoustic guitar intro, roomy close-mic recording, and gradually building layers of sustained bagpipes that add haunting, cinematic tension; live drums enter with a dynamic, loosely swung backbeat and crashing cymbals, supported by a warm, gritty bass guitar that grows more driving in each section, Verses feature raw, rasped male vocals sitting upfront with minimal reverb and expressive imperfections, pre-choruses lift with tom builds and long bagpipe drones, and choruses explode into anthemic sing-along hooks where the bagpipes soar over wide distorted rhythm guitars, The mix feels organic, saturated, and slightly rough around the edges, emphasizing emotional intensity and a windswept, stadium-ready indie rock atmosphere
5:12

Auld Lang Syne
v5.5
Anthemic Celtic metal in 6/8 with raw, gritty male lead vocal pushed forward in the mix, Verses ride on tight snare patterns, low toms, and droning bagpipes under distorted rhythm guitars, with spiccato and baroque violins weaving tense stabs and counter-melodies, Pre-choruses swell with layered pipe drones, tremolo strings, and building double-time snare rolls, adding dark harmonic tension, Choruses explode into heavy metal drive: palm-muted riffs, wide power chords, aggressive drum kit with punchy kick and cracking snare, and soaring bagpipe leads doubled by sharp spiccato violin and bright flute lines, Orchestral strings add baroque-style runs between vocal phrases, while gang-style shouts on the hook cut through saturated guitars, Wide cinematic mix, high contrast between brooding verses and thunderous, battle-anthem choruses, blending Highlands folk timbres with modern metal intensity
4:21

Sans Peur
v5.5
Indie rock and Celtic fusion in 6/8 built around a lone acoustic guitar intro, close and intimate, gradually joined by low bass swells and soft tom pulses, Haunting bagpipe lines fade in layer by layer, creating an eerie, windswept drone under the verses, Drums move from brushed, minimal grooves to full, punchy indie rock backbeats with dynamic crescendos into each chorus, Raw, gritty male vocals sit upfront with a confessional edge, opening over sparse guitar and blooming into big, anthemic hooks, Choruses explode with soaring bagpipe leads doubled by reverb‑soaked electric guitar, wide gang shouts, and roomy live drum ambience, Overall production is organic, slightly lo‑fi around the edges, with roomy acoustic space, subtle tape saturation, and a steady build from fragile introspection to triumphant stadium‑style release
5:02

Live Loud (Live)
v5.5
Indie rock meets Celtic folk with a slow-burning arrangement in 6/8; intro built on a lone close-miked acoustic guitar, intimate and sparse with roomy ambience; bass and brushed drums enter gradually, then grow into punchy, gritty grooves; bagpipes fade in as a haunting pad, later taking melodic lead lines over the choruses; electric guitars add understated overdrive, airy tremolo, and wide reverb swells; raw, gritty male vocal sits upfront and emotional, supported by subtle gang shouts in climactic sections; dynamic arc from hushed, indie vulnerability to full anthemic Celtic roar, with roomy, organic, live-band mix

