ЭТНО культура

Ethnic music of the far north, a hyperactive, loud shaman's drum, a pulsating, expressive, rich, cosmic jaw harp-khomus, the frightening cries of an owl and eagle owl echoing, deep, split, expressive male throat singing, mystical house beat fusion

Ethnic music of the far north, a hyperactive, loud shaman's drum, a pulsating, expressive, rich, cosmic jaw harp-khomus, the frightening cries of an owl and eagle owl echoing, deep, split, expressive male throat singing, mystical house beat fusion

Tuvan motifs, shaman's cries, the sound of a drum, the sounds of a jew's harp-khomus, sonorous hyper house, male throat singing, hoarse and expressive

Tuvan motifs, shaman's cries, the sound of a drum, the sounds of a jew's harp-khomus, sonorous hyper house, male throat singing, hoarse and expressive

Male vocals, hoarse throat singing, temir-khomus, rhythmic tambourine, shamanic voice, rhythmic clatter of hooves

Tuvan motifs are expressive, shamans' drums are energetic, improvisational rhythm, light aggression of throat singing of male backing vocals, intermittent light backing vocals of female expressive, energetic impulse of trombone, clarinet and pulsating flute

Central Asian folk-rock fusion, Features a prominent komuz or dombra playing rapid, rhythmic tremolo and syncopated melodic lines, Distorted electric guitar provides power chords and palm-muted rhythmic accents, The drum kit uses a driving rock beat with heavy crash cymbal accents and a prominent snare on 2 and 4, A male vocalist performs in a powerful, chest-voice style characteristic of Turkic folk traditions, occasionally utilizing throat singing techniques, The bass guitar follows the kick drum with a thick, overdriven tone, The arrangement includes a breakdown with a solo komuz section before a high-energy finale, Key of D minor, 145 BPM, 4/4 time signature

1, Instrumental Introduction: Begin with the low, vibrating sounds of the temir-khomys, This will create a sense of the "breathing" of the mountains and the whisper of the taiga, 2, First Verse (about stars and water): Reading the lyrics (recitative) accompanied by the soft strumming of the yykha (Khakass violin) or the quiet rhythm of the drum, 3, Chorus or Climax (about mountains and forest): Here the hai comes in, The low, guttural sound conveys the power of the mountains and ancient cedars, 4, Finale: The sounds of crickets and the hooting of an owl can be imitated on the jaw harp, gradually leading the music into the silence of the "romantic night, "