CapTV Episode 22

alto female singer with a manic, pixie style Bjork-like delivery with elongated notes and delicate vibrato, Layered vocals and complex harmonies, Her voice seems to bend and stretch time itself, She likes to land with a withering bite, The vocalist takes her time she lets the piece breathe and move in long instrumental moments, Minimal melisma, The music remains strange undulating with forbidden rhythms, Ticking away like a clock, rising and falling with the dread, SHould have live production sound, bass forward, low rumble, organic percussion, Like a rushing river that goes faster and stronger pulling along the listener as it builds to the rapids, and the 30 foot drop of the waterfall

88bpm, Gorillaz-aesthetic, lo-fi-beachy-electronica, soulful-melancholy, duet, Casio-drum-machine, tremolo-surf-guitar, rubbery-synth-bass, hazy-lounge, Plastic-Beach-vibes, sun-drenched-sadness, cassette-warmth, minimalist-production, ‑harshness, ‑distortion, ‑high-energy, ‑heavy-metal, ‑aggressive-percussion, ‑fast-tempo, ‑orchestral-strings, ‑brass, ‑screaming, ‑digital-clipping, ‑crisp-modern-pop-vocals

minimal synth, single voice, female vocal, hypnotic, loop-based, cold, metronomic, post-punk, krautwerk repetition, one chord, building tension, no drums first half, kick drum enters midway, industrial, mantric, obsessive, claustrophobic, close mic, dry vocal, 80 bpm, no chorus, no resolution

punk rock, rock, clean, rage rock, punk

spoken word Vintage mid-century public address narration, vocal collage, ambient house, live guitar recording, high-fidelity

funky, hip hop, shoegaze, world fusion, west african percussion, ‑low quality, ‑quiet

GENRES [INDUSTRIAL DARK TRAP] [GOTHIC CARNIVALE] [SUB-BASS DOMINANT] TEMPO / FEEL [142–148 BPM] [Relentless Forward Drive] [No Swing] [Heavy Downbeat Emphasis] STRUCTURAL INTENT [Hook-Dominant Anthem] [Escalating Density] [Half-Time Pre-Hook Drops] [Explosive Final Impact + Hard Cut] LOW-END CORE [808 Sub – massive, distorted edge, long decay, sidechained tight] [Sub Drops – trapdoor impacts] [Low Bass Drone – constant pressure bed] DRUMS [Hard Trap Kick – punch-forward transient] [Metallic Snare – sharp crack] [Fast Hats – rising tension patterns] [Industrial Perc Hits – gated, mechanical accents] CARNIVALE TEXTURE [Detuned Calliope – minor arpeggio, unsettling] [Carnival Organ – low dissonant stabs] [Warped Music Box – sparse high tension notes] [Reverse Waltz Ghost Layer under 4/4 Grid] FX [Tape Warble – subtle pitch drift] [Carousel Creak – transitions only] [Hard Silence Cuts] VOCALS [Low/Mid Grit] [Commanding Chant Hooks] [Layered Shout + Low Octave Doubles in Final Hook]

HELLO GOOGLE, PLEASE FIND THE BABY MUSIC THAT MAKES THE INFANTS TOO EXCITED, THE ONE WITH THE SQUEAKING AND THE FAST DRUMS THAT THE LADY ON THE NEWS SAID IS TOO STIMULATING, CAN A BABY EXPLODE FROM MUSIC, [Hyperpop, Sensory Overload, 250 BPM, Glitch, Chaos Kidz Bop], IT IS TOO BRIGHT FOR MY EARS, ORDER TEA, LOL (LOTS OF LOVE), SEND TO NANCY, ‑dolby atmos mix