4:32

Runes of 1 and 0
v4.5-all
Glacial electronic pop with ritual overtones: airy pads, shimmered arps, and a deep pulsing bass drone, Verses stay minimal with whispered doubles and distant choirs; chorus blooms with stacked harmonies, bright synth bells, and a wide stereo field, Subtle vocoder textures echo key phrases like a spell, while crisp percussion lifts the hook without crowding the vocal
5:09

Cathedral of Code and Bone
v4.5-all
Slow-build ritual trap with smoky choirs and detuned bells, sub-heavy bass, sparse kick patterns, and glitchy percussive clicks, Verses are spoken-sung, intimate and incantatory; chorus widens with stacked harmonies and a chanting hook, Subtle arpeggiated synths feel "binary, " weaving under low choirs and distant war drums, Male vocals with whispered doubles and occasional pitched-down ad-libs for a haunting, sacred aura
5:21

Lumina Recall
v4.5-all
Mystic downtempo chant with deep sub bass, sparse drums, and circling vocal layers, Verses spoken-sung in a low, intimate register; chorus blooms with stacked harmonies and call-and-response ad-libs, Subtle glitchy fx and reversed pads weave in with ritual percussion and distant choirs, building to a final hypnotic loop and soft fade
5:14

Atlantean Code in My Veins
v4.5-all
Hypnotic left‑field pop with occult undertones, Sparse, pulsing synth bass and detuned bells, side‑chained pads breathing under the beat, Verses are intimate, almost whispered; chorus opens into wide, chant-like harmonies with a call-and-response hook, Glitchy vocal chops hint at “secret languages” between phrases, Subtle tribal percussion and filtered claps build a trancey groove; final chorus rides out with layered ad-libs and a slowly rising drone for a ritual feel
4:59

Many faces
v4.5-all
folk, Thunderous tribal folk with deep frame drums, rattles, and low flutes; male vocals in a storytelling chant that swells into gang-call choruses, Verses stay close and intimate over droning strings; choruses explode with stomps, layered shouts, and call-and-response, Bridge drops to bare drum and voice before a final soaring refrain with octave harmonies and a raw, live-village feel
3:34

Agbada of Code and Veves
v4.5-all
Dark ceremonial trap with male vocals; sparse, swung drums and deep sub bass under shimmering bells and reverse pads, Verses spoken-rap in an incantation cadence, layered whispers and low choirs answering key lines, Chorus blooms with choral stacks, distorted 808 swells, and eerie risers; final section adds thunder FX and heart‑beat kick pattern for a ritual climax
4:04

Devil Wanted Everyone
v4.5-all
Dark cinematic rock-rap hybrid, male vocals, Low-tuned guitars chug under sparse, ominous piano; sub-heavy drums hit in half-time, Verses stay close and confessional, almost spoken, with eerie vocal doubles and distant choirs, Chorus explodes with wide guitars, gang vocals, and pounding toms, Bridge pulls back to reverb-drenched vocals and a rising drone, then slams back into the final hook with an anthemic war-cry feel, soul
3:44

Seven Levels From The Crossroads
v4.5-all
Dark mystic trap with haunting choirs and deep sub-bass; sparse, swung drums leave room for storytelling, Verses sit in a low, incantatory male vocal, touched by subtle vocoder and delay, Chorus blooms with stacked harmonies, distant choirs, and airy pads, building a ritual-like chant that feels both dangerous and protective, Final section lifts with brighter synths and tom rolls, hinting at triumph while keeping the edge, light
3:27

To the Gatekeepers
v4.5-all
Slow ritual trap-hymn, male vocals, Sparse, tuned percussion and low drones under whispered ad-libs in the verses; sub-bass and tom-heavy drums rise in the chorus, Call-and-response backing vocals on key phrases for a ceremonial feel, Occasional distorted chants and reversed textures in the bridge; final chorus drops elements out to leave voice, heartbeat kick, and distant choral pad
4:00

All Hail Met Kalfu
v4.5-all
Dark cinematic trap with ritual drums, ominous choirs, and distorted brass hits, Verses ride a confident, slow-flow pocket; chorus explodes with gang vocals and heavy low end, Sparse bells and reversed textures glide around male vocals, building to a climactic chant outro that feels like an ancient invocation over a modern beat
4:39

Throne of Hexes
v4.5-all
Dark cinematic trap-goth fusion; male vocals over cavernous sub-bass, ritual percussion, choirs and distorted chants, Verses are whispered-then-roared, with sudden drops and risers; chorus widens into massive harmonies and eerie bells, Sparse, glitchy FX on ad-libs; final section blooms into ethereal pads as the voice ascends and softens, light
3:00

I Remember Who The Fuck I Am
v4.5-all
rap, Dark cinematic trap rap, male vocals, Sparse eerie keys and reversed textures over heavy, swung drums and sub, Verse stays close and whispered with layered doubles; hook explodes with shouted ad-libs, distorted delays, and choir-like pads, Bridge drops to half-time with ominous low strings before final chorus slams back in, Vocals dry and upfront, breathing audible
4:45

Readers of the Threshold
v4.5-all
Hypnotic alt-pop with a sparse, pulsing groove and shimmered synth pads; verses ride on minimal drums and reverb-y guitar plucks, vocals intimate and close, Chorus blooms with stacked harmonies, warm bass swells, and a subtle choir pad shadowing the topline, then pulls back to near-silence for the bridge before a final, airy lift
3:19

Crossroads for Two (Remix)
v4.5-all
A gentle piano intro sets an intimate tone, joined by soft fingerstyle acoustic guitar and subdued brushed drums, Warm bass enters as verses build, The bridge layers atmospheric synth pads and subtle strings, guiding smoothly into a swelling chorus with rich harmonies and a heartfelt, open arrangement
3:16

Witch of the Winding Clock
v4.5-all
Dark mystical pop with alt-R&B swing, female vocals, Minimal, pulsing low-end and tuned percussion ticking like a clock; verses intimate and close-mic over sparse pads and soft bells, Chorus widens with stacked harmonies, sub-bass swells, and a hypnotic, swinging beat, Bridge strips back to voice and distant choir before a final, empowered chorus with rising synths and subtle distortion for grit
2:39

Not One To Play With
v4.5-all
rap, Sinister dark trap, sparse bell motif over detuned pads and sub-heavy drums, Female vocals, close-mic and menacing, almost whispered in the verses with heavy delay throws on key threats, Chorus widens with layered gang vocals, distorted ad-libs, and a slightly faster hi-hat pattern, Occasional risers and reversed impacts for occult tension; keep the mix dry and in-your-face, bass dominant, soul
3:32

Crossroads and Bones
v4.5-all
rap, Relentless double-time hip-hop beat, clipped trap hats and snarling bass, Verses are dense, breathless speed-rap, male vocals with sharp consonant attack; hook opens wider with chanted gang vocals and distorted ad-libs, Sparse eerie bells and low choirs underscore the ritual intensity, building to a final explosive drop then cold cutoff, guidance
2:38

Friends, Friend
v4.5-all
rap, Relentless double-time hip hop with aggressive drums and grimy bass, male vocals, Verses spit in a breathless, syllable-packed flow, tight pocket and crisp consonants, Hook opens with chanted gang vocals and a swung head-nod feel while the beat keeps the tempo racing, Sparse minor-key keys and eerie vocal chops stab between lines, with ad-libs answering key phrases to hype the battle narrative, hip hop, light
3:54

Imbolc
v4.5-all
pop, Dreamy witch-pop with warm analog synth pads, soft mallet arps, and a cozy mid-tempo groove, Female vocals, intimate and close in the verses; choruses lift with stacked harmonies, subtle choir pads, and a pulsing kick, Light percussion and bells give a ritual shimmer, with a bridge that strips to vocal, hand percussion, and rising pads before the final chorus blooms
4:17

Many Names for One Shadow
v4.5-all
Dark cinematic trap-gospel fusion, male vocals: half-whispered verses over moody piano and sub bass, scattered choral samples like a haunted cathedral, Chorus widens with stacked harmonies, distorted 808s, and sharp snare hits, Bridge strips back to voice and drones, then final chorus slams with extra ad-libs and sweeping pads
4:25

T.O.T.D.B.S.M.L.
v4.5-all
rap, Dark cinematic trap with male vocals; ominous bells and filtered piano over a slow, knocking beat, Verses stay close and confessional, dry vocal up front, bass swelling under key reveals, Chorus opens wide with haunting choir pads and doubled lead, ad-libs tucked in the sides, Final chorus adds distorted backing chants and stuttering delay throws for a vertigo, revelation feel
2:47

Meanest Soul in Hell
v4.5-all
Dark industrial trap metal, male vocals, Low-tuned guitars and distorted 808s grind under a lurching halftime groove; whispered doubles and distant screams shadow the lead, Verses stay tight and menacing, hook explodes with gang vocals and glitchy stutters, Final chorus drags the tempo with crushing subs and feedback, then cuts to a single, dry vocal for the last line, soul
3:42

Dance w/ Mahadev
v4.5-all
dance, Epic Indian fusion with pounding drums, deep bass drones, and circling sitar phrases, Male vocals ride a mid-tempo stomp; verses stay tight and rhythmic, chorus explodes with big gang chants and harmonies, Tense strings rise into a fiery bridge; final hook drops to half-time with echoing mantras and a searing lead guitar answering the vocal
3:31

Dantalion
v4.5-all
Brooding alternative trap with male vocals; sparse, detuned keys and distant choirs in the verses, sub-heavy drums creeping in on the hook, Chorus blooms with layered, almost chanted harmonies and a distorted lead vocal, Bridge strips back to bass swells and whispered ad-libs, then final chorus hits harder with airy pads and a wide, cinematic mix, light
4:16

Favored By Gods
v4.5-all
folk, Dark cinematic trap ballad with male vocals; sparse piano and distant choirs in the verses, then a heavy, mid-tempo beat drops for the hook, Sub-bass swells and eerie synth bells trace the melody, Chorus explodes with stacked, echoing vocal doubles and distorted ad-libs, Bridge strips back to pulsing drones and heartbeat kick before a final, powerful chorus
3:05

Spirits At The Crossroads
v4.5-all
Moody art-pop with male vocals, pulsing synth bass under tight drums and dry claps, Verses stay intimate and almost whispered; chorus blooms with wide pads, airy top-line, and subtle gospel-stacked harmonies, Bridge strips to a single piano figure and distant vocal chops, then final chorus hits hardest with extra percussion and a lifted key feel, light
3:13

Secret Plans in the Dark
v4.5-all
Minimalist art-pop over a pulsing, hypnotic groove, Intimate female vocals, close-mic’d, with dry tone and subtle doubles on key lines, Verses whisper over sparse keys and soft electronic percussion; chorus blooms with airy pads and stacked harmonies that feel like thoughts echoing in a quiet room, Mid-song, a brief breakdown strips to vocal and a single drone before the beat slips back in, a little stronger, mirroring growing inner faith
6:29

Greater God Blues
v4.5-all
Slow heavy blues in 6/8, male vocals, Dirty overdriven guitar and thick bass walking under spacious drums with plenty of room in the groove, Verses stay low and smoky, voice almost spoken; chorus lifts with raspier belts and gospel-tinged backing hums, Occasional organ swells in the background, guitars answering vocal phrases with bent-note cries, Big dynamic swell in the last chorus, then a gritty, lingering ring-out, blues, harmony
