大きな古時計シリーズ

Mystical ambient trance inspired by a midnight Shinto ritual, Duration ~5:30–6:00, Sacred, minimal, trance-like, transparent, with faint nocturnal insect sounds, Intro: silence + insects → suzu bell chimes 3 times, identical pitch and strength, spaced by silence → hyoshigi joins softly → male chorus chanting in pure unison, middle voices only, clear and steady, Main: ~3–4 min of steady shime-daiko, minimal 16th-note rhythm, constant and hypnotic, Percussion pulsing and trance-inducing, accented by suzu and hyoshigi, Male chorus repeats only two Latin phrases in strict unison: "Domine lux aeternum" and "Spiritus sanctus veritas", Chant uses long sustained vowels (aaaa, oooo, uuuu), bright and unwavering, with natural breathing and slight timing variations, no harmony or octave doubling, Ending: percussion fades, leaving voices + bell, One suzu bell chime, identical to opening, closes the ritual, After, insects continue softly ~10 sec, then fade into silence

[Genre: Bon-odori, Minyo] [Instrumental] Lively Japanese festival music, with a bouncy, syncopated beat on the wadaiko drums, A melody on shinobue flute and shamisen, [Verse] A clear female vocal, singing in an ondo style, following the swaying rhythm, [Chorus] The music gets even more dynamic, with a male chorus chanting and clapping, The drums add a light "dondondon takatatta" rhythm

A mystical ambient trance track inspired by Enigma and Era, reimagining the classic song "My Grandfather's Clock", Deep atmospheric pads, ethereal choirs, whispered vocals, ethnic percussion, and trance beats, In the middle section, add a dramatic Carmina Burana style choir and timpani, before returning to a modern ambient trance climax, Cinematic, spiritual, powerful

Okinawan Pentatonic scale C E F G B only, Okinawan Eisa dance, sanshin, taiko, Eisa call"イーヤーサーサー!""ハーイーヤー！", energetic Eisa-style, older male vocal, bright female chorus

a dark and heavy rhythm, Industrial Metal, Post-Apocalyptic Metal, dystopian, bleak and cold atmosphere, with cold and clear female vocals, supported by low male death growls, distorted industrial percussion, heavy downtuned guitar riffs, and unsettling synth textures

a dark and heavy rhythm, Industrial Metal, Gothic Metal, Post-Apocalyptic Metal, dystopian, bleak and cold atmosphere, with cold and clear soprano female vocals, supported by low male death growls, distorted industrial percussion, massive symphonic arrangements, heavy downtuned guitar riffs, and unsettling synth textures

layered with synth textures and electric guitar bursts, acoustic, building into a japanese house-inspired beat; female vocals lead with emotional intensity, emo, acoustic guitar-driven intro with a cinematic touch, female vocals, electric

OKINAWA, RYUKYU traditional music, 128 bpm, Pentatonic C E F G B only, lead melody uses Okinawan Folk Scale, male vocals, layered female vocals, OKINAWAN ROCK, WAGAKKI ROCK, Eisa festival atmosphere, with Sanshin lead, Shamisen, light drive guitar, slap bass, ethereal and mystical, Taiko Drumming

Japanese enka song in yonanuki major scale, with chindonya street band style shuffle beat, Traditional Japanese drums, clarinet, and accordion, Cheerful but nostalgic mood, like a Showa-era festival, unplugged

Japanese Enka, Karaoke, midi-like cheap synthesized instrument, Amateur Female Vocal, [off-key], [Out of sync], [Imperfect timing], [Stuttering], [Clumsy]

Cinematic gothic metal with full symphonic orchestration, A bold brass-accented theme appears from the intro and continues through verse and pre-chorus, always audible with church-style choir, In the chorus, trumpets and trombones fire short stabs and accents, forming bright fanfare hits, Earlier sections soften into horn and euphonium textures in the background, Brass moves in counter-lines—rising under falling vocal phrases, falling under rising ones—to add tension and motion, Strings use tight tremolo in the verse, sustain tense notes in the pre-chorus, then lead the chorus with sweeping arcs, Electric guitars stay percussive and restrained, focused on cutting rhythm, taking short solos in the bridge or interlude, Drums drive steady gothic rock patterns, Vocals are a cold, controlled female lead with deep male call-and-response for emphasis, The chorus becomes a towering wall of heroic brass stabs, layered strings, pounding percussion, and choir, Tone: dark, emotional, majestic

Extremely fast Hi-NRG eurobeat in DJ ZORRO style, bright synth brass, galloping bassline, energetic claps, cheerful and silly Japanese male and female vocals shouting words like “Dance!”, “Fire!”, “Tonight!”, Over-the-top fun and carefree vibe, energetic intro, big synth brass hook, retro 90s dance style, cheerful female voval