
Zen Boogie Volume 1
Volume 1 of the amazing tributes to the legendary space basement band A Tribal Smile. Wow -- this is one fantastic album, we must say. And we're just the kind of folks to say just that. Zen Boogie!
1:05

Minimal funk groove with tight drums, smooth bass, and restrained guitar or synth accents, Cool, laid-back funk rhythm, Deadpan spoken-word vocals delivered calmly and confidently, almost monotone, Minimal melody, lots of space, and a dry, understated feel, Quirky but controlled, Suitable for a 45-50 second radio station identification
3:30

upbeat late1970s space fusion instrumental inspired by the jazzfunk era of Jazz, Funk, Fusion, Electronic and george duke incredible articulate electric bass and tight dynamic drums drive the groove with precision and syncopation warm electric piano and analog synthesizers provide rich harmonic textures and melodic leads clean electric guitar adds sharp accents and occasional melodic phrases the arrangement is energetic technically confident and rhythmically complex with a strong memorable main theme and controlled instrumental interplay cosmic and futuristic but groovefocused not smooth jazz or ambient
4:55

Dark, brooding art-rock song inspired by the moody minimalism of Nick Cave and the Bad Seeds, Sparse piano and low organ create a somber harmonic foundation, supported by restrained bass and minimal, deliberate drums, Electric guitar adds subtle, echoing accents, Vocals are low, steady, and intense, delivered in a calm, storytelling manner with underlying tension, The atmosphere is macabre and cinematic but emotionally controlled, avoiding theatrical excess, Slow-building, shadowy, and introspective
3:27

Ambient folk song with a minimal, spacious feel, Sparse acoustic guitar and gentle ambient textures, with a soft, understated vocal delivery, Lyrics feel reflective and patient, blending into the music rather than standing out front, No drums, no strong rhythm, Calm, accepting, and quietly human
4:23

Late-night acoustic jazz quartet performance in an intimate club setting, Female vocal delivery is warm, expressive, and subtly behind the beat, capturing the feel of classic mid-century vocal jazz, The arrangement features acoustic piano, upright bass, and soft brushed drums only, The piano plays lyrical, harmonically rich voicings, while bass and drums interact dynamically with restraint, The performance feels live, smoky, and intimate, with natural space between phrases and emotional subtlety throughout, Clean, pure, and captivating
3:54

Upbeat psychedelic pop song with a kinetic art-rock feel, Bright electric guitars with subtle effects, driving bass, and tight, energetic drums, Complementary keyboards and synths add harmonic color and motion, weaving around the guitars rather than leading, Playful and slightly off-kilter without becoming chaotic, Forward-moving, colorful, and rhythmic, with no jazz or folk elements
3:38

Mildly psychedelic song with a full, warm arrangement, Piano, clavinet, bass, and steady drums support the song, with vocals treated using a light flanger for subtle movement, After the vocal sections end, the track opens into a long instrumental solo section where the lead alternates between clavinet and synthesizer, trading phrases back and forth, The extended ending is exploratory and unhurried, maintaining the groove while expanding into a colorful psychedelic space
3:59

Cosmic soul song with a relaxed, contemplative groove, Warm melodic bass and Fender Rhodes form the foundation, supported by understated drums and subtle analog synth textures, Vocals are intimate and reflective, delivered with a sense of distance and observation rather than drama, The arrangement feels like a late-night transmission from somewhere far away—melancholy but calm, thoughtful without urgency, and emotionally restrained
1:23

Late-night club jazz trio with piano, upright bass, and drums, plus a sultry female vocalist
3:48

Instrumental piece in 5/4 time that gradually builds through layered textures, Begins simply with interlocking clavichord and harpsichord melodies, introducing one layer at a time, Midway through, light percussion enters with a subtle swing feel, and additional harmonic layers are added, The arrangement gently crescendos through increased density rather than volume, then gradually strips back down, ending as simply and clearly as it began, Curious, precise, and quietly playful rather than dramatic
2:35

Contemplative song with a gentle, steady forward motion, Soft motorik-style pulse underneath calm instrumentation, creating quiet momentum without emphasis, Lead vocal is relaxed and accepting, with occasional gentle melodic runs and subtle embellishments, A lush vocal choir provides sustained harmonies, moving slowly and evenly without dramatic swells, In the chorus and outro, vocals gain freedom to interplay—voices weave around one another with call-and-response and overlapping lines, always keeping at least one voice present, Light instrumentation adds delicate touches and small flourishes, enriching the texture while remaining restrained, Feels grounded, patient, and quietly resolute
3:16

Raw, high-energy hard rock song in the style of mid-1970s arena rock, Big distorted electric guitars, pounding drums, and thick bass drive the song with swagger and attitude, The performance feels loud, gritty, and slightly unpolished, prioritizing energy over precision, There are a few well-placed stops and starts throughout, Vocals are bold and snarling, with a confident, reckless delivery, Vocal harmonies for the chorus are larger than life, Overall, the song feels like the hard rock band KISS in 1976 turning the amps up and going for it
4:16

Afro-beat inspired funk groove played by a live band, warm and rhythmic with a relaxed but infectious feel, Syncopated drums, a confident funky bassline, and interlocking guitar or keyboard patterns, Repetitive in a satisfying way, focused on feel and pocket rather than melody, Sunlit, communal, and human — like musicians locking into a groove together
2:44

Instrumental early-1970s psychedelic space funk inspired by the raw era of George Clinton and Funkadelic, Massive, over-the-top bass lines dominate the groove, supported by deep-pocket, slightly loose drums, Analog keyboards provide trippy textures and funky chord stabs, while electric guitar uses delay, phaser, and space echo for psychedelic accents and swirling riffs, Wordless funky background vocals add rhythmic “ooohs, ” “aaahs, ” and “uhhhs” as part of the groove, blending into the texture rather than leading, The arrangement is hypnotic, groove-driven, and unpolished, with space for instruments to invent additional melodic lines and playful interplay, No brass or woodwinds—just bass, drums, keys, psychedelic guitar, and funky vocal textures in a cosmic atmosphere, Raw, loose, and slightly wild
1:59

Upbeat church revival-style gospel song with energetic piano and strong rhythmic drive, Rolling, joyful piano chords lead the arrangement, supported by a solid bass line, lively drums, and natural hand claps on the beat, Lead vocals are passionate and uplifting, joined by responsive backing vocals that add call-and-response energy, The performance feels communal and spontaneous, like a small church revival service, with joyful momentum and authentic warmth
1:04

Laid-back West Coast hip-hop instrumental with warm analog synths, deep bass, smooth drums, and a relaxed summertime feel, Classic 90s-inspired groove with a modern polish, Rap vocals delivered calmly and confidently with an effortless flow, Cool, unhurried energy, smoky atmosphere, and lots of space between lines, Designed as a 40-45 second radio station identification
