The Voice Of Anatolian

Slow, calm, melancholic Anatolian rock ballad in the style of a long-winded 1970s song, Only one young female vocalist, in love and heartbroken but still standing, her voice warm, intimate and burning with emotion, She sings softly and deeply, with no shouting, no belting and no exaggerated ornaments, Purely 1970s-style instrumentation: acoustic and/or lightly overdriven electric guitars, bağlama, simple vintage bass and drums, maybe a subtle 70s analog organ or string section, Absolutely no electronic or modern digital instruments, no synths, no autotune, no clapping, no dynamic hand percussion and no dance groove, It must not follow the arabesque genre, It is a unique Anatolian rock ballad, slow and not upbeat, leaving a lot of space for the vocal and emotion, Only female voice, no male vocals anywhere in the song

Slow, calm, melancholic Anatolian rock ballad in the style of a long-winded 1970s song, Only one young female vocalist, in love and heartbroken but still standing, her voice warm, intimate and burning with emotion, She sings softly and deeply, with no shouting, no belting and no exaggerated ornaments, Purely 1970s-style instrumentation: acoustic and/or lightly overdriven electric guitars, bağlama, simple vintage bass and drums, maybe a subtle 70s analog organ or string section, Absolutely no electronic or modern digital instruments, no synths, no autotune, no clapping, no dynamic hand percussion and no dance groove, It must not follow the arabesque genre, It is a unique Anatolian rock ballad, slow and not upbeat, leaving a lot of space for the vocal and emotion, Only female voice, no male vocals anywhere in the song

“Traditional Turkish folk song (Türkü) cover, Anatolian / Black Sea-leaning folk performance, emotional and heartfelt, Moderate tempo (≈92–100 BPM), in a traditional modal feel (hicaz/uşşak-like color), minor-leaning, rich ornamentation, Authentic instrumentation: bağlama/saz as the main lead, soft davul + def/tef or bendir for pulse, subtle kemençe or clarinet phrases as fills (very light), occasional drone and double-stops on saz, Arrangement structure: short saz intro (4–8 bars) → verse/chorus flow with clear melodic hook → instrumental bridge (saz taksim vibe) → final verse with stronger dynamics → gentle outro, Vocal: warm Turkish male folk vocal, close-mic, expressive, lots of traditional süslemeler (melisma, küçük portamento), clear diction, emotional intensity rising each verse, Mix: organic, live-room feel, minimal modern effects, light plate reverb, natural dynamics, no EDM elements, ” “folk, turku, bağlama, davul, bendir, tef, organic, liv

1970s Anatolian folk rock style with modern clarity, warm analog sound and soft tape saturation, Emotional Turkish female vocal, slightly husky

Slow, heavy and melancholic Anatolian folk rock cover of the Turkish folk song “Fincanın Etrafı”, Tempo slow, emotional, almost lament-like, Main lead: soft, sorrowful Turkish female vocal, yanık and fragile, very expressive, slightly breathy, On the lines “Aman kız canım kız öldürdün beni / El ettin göz ettin mahvettin beni” add group backing, male + female together, but female voice louder and more dominant, like friends joining sadly, Instruments: bağlama arpeggios, soft tremolo electric guitar, deep warm bass, slow retro drums with brushes, light bendir, subtle pads or strings, Dark, moody, reverb-heavy atmosphere, spacious mix, bittersweet, heartbroken mood, not busy or energetic

Begin with kemençe and tulum to create a modern Anatolian Folk Rock cover, Use 70s style analog tones and light psychedelic reverbs, Let the fiddle lead with long emotional bow motifs supporting the vocal, while the tulum provides a deep breathing drone throughout, Baglama should stand out with rhythmic texture, Electric guitar gives short fuzz phrases, Bass has a warm 70s analog round tone; drums are dry, tight, and minimal rock groove, Vocal should be warm, slightly smoky, strong but not aggressive, in classic Anatolian rock style, Include brief fiddle solos in transitions, and a dramatic bagpipes and kemenche rise in the finale, Mood: dramatic, folkloric, nostalgic, cinematic, Keep the original tempo feel, Instruments: kemençe, tulum, baglama, analog bass, dry vintage drums, plate reverb, warm tape hiss, ‑fuzz electric guitar

Anatolian Folk Metal tarzında, Heyecanlı ve güçlü bir atmosfer, Enstrümanlar: Ses, klasik gitar, perdesiz klasik gitar, kopuz, cura, balta cümbüş, davul, kemençe, vokal ses, divan, bağlama, Köklü Anadolu ezgileri ile modern rock metal birleşsin, Bağlama ve kopuz ritimleri belirgin olsun; perdesiz gitar ve kemençe duygusal melodiler taşısın, Balta cümbüş ve cura arka planda geleneksel dokuyu versin, Davul sert ama temiz, rock hissiyatlı olsun, Vokal Anadolu tavrında, ileri mistik, canlı bir tonda gelsin, Ambians: Derin, geniş, sahne hissi veren bir mix, Ritim: ileri tempo, akıcı ve vurucu, Duygu: Epik, folklorik, nostaljik, metal ve modern karışımı

“Traditional Turkish folk song (Türkü) cover, Anatolian / Black Sea-leaning folk performance, emotional and heartfelt, Moderate tempo (≈92–100 BPM), in a traditional modal feel (hicaz/uşşak-like color), minor-leaning, rich ornamentation, Authentic instrumentation: bağlama/saz as the main lead, soft davul + def/tef or bendir for pulse, subtle kemençe or clarinet phrases as fills (very light), occasional drone and double-stops on saz, Arrangement structure: Vocal: warm Turkish young famele folk vocal, close-mic, expressive, lots of traditional süslemeler (melisma, küçük portamento), clear diction, emotional intensity rising each verse, Mix: organic, live-room feel, minimal modern effects, light plate reverb, natural dynamics, no EDM elements, ”

1970s Anatolian Psychedelic Rock cover of an Eylulzade-style modern pop song, Keep original melody/lyrics flow but rearrange in vintage Turkish folk-rock, Mode feel: Ussak/Huseyni color, Tempo slow-mid, steady groove, Instruments: lightly overdriven electric guitar (warm, subtle wah), acoustic rhythm guitar, baglama (short motifs, not dominant), vintage bass (round), dry punchy 70s drum kit, faint analog organ pad, Vocal: famele, intimate, emotional, no shouting, minimal ornamentation, no autotune; clear Turkish phrasing, Production: analog warmth, slight tape saturation, roomy but not huge reverb, No modern synths, no trap beats, no EDM, no dance percussion, no arabesk exaggeration, Focus on nostalgic, melancholic Anatolian rock ballad vibe, ‑zurna, ‑üflemeli çalgı