3:18

Sha’Carri
v4.5
Classic retro-soul style inspired by Charles Bradley, Live band feel with vintage horns, bluesy electric guitar licks, warm bass, and steady live drums, Music should be raw, emotional, and analog-sounding — like it was recorded in the late 1960s or early 1970s, The singer should sound like a gritty, passionate Black male soul singer — deep, expressive, full of pain and truth, Vocal delivery should be dramatic, raspy, and heartfelt, similar to Charles Bradley or, Use gospel phrasing, emotional wails, and cry-like ad-libs, Use melisma, Make the performance feel lived-in and real, like he’s testifying about heartbreak and frustration, Include backing vocals during the chorus for a call-and-response feel, The instrumentation should support the emotional arc, building toward a climactic final chorus and fading out with soulful ad-libs
4:19

Ultra-authentic 4Batz-style R&B trap vibe: airy male falsetto, breathy tone, soft-spoken swagger, loose conversational phrasing, high-register slides, melodic runs, emo-trap sensual feel, Floaty spaced-out chords, detuned synth pads, spacey plucks, subtle distorted bass, late-hit 808s, digital bounce, dreamy reverb, punchy trap hats, stuttered perc, Vocals mixed upfront with intimate whispery texture, heavy doubling, wet delays, wide stereo breaths, Delivery matches 4Batz’s style exactly: broken-voiced sighs, lo-fi edges, melisma flips, gliding note tails, relaxed pocket drifting behind the beat, Include glitchy robot intro, vocoder layers, soft adlibs(yeah, mmh, ohh), moody nighttime vibe, slow-sway rhythm, romantic trap-soul aesthetic
5:56

Make It Right
v4.5+
Male R&B vocalist with deep rich baritone tone, smooth vibrato, soulful emotional delivery, deliberate pacing, breathy intimacy, raw vulnerability, occasional falsetto lifts, lingering notes with heartfelt resonance, authentic Giveon-style cadence, Backed by moody emotional R&B production with atmospheric layers, mellow Rhodes chords, soft guitar plucks, spacious reverb, deep 808s, subtle percussion, warm slow-to-mid tempo groove, cinematic and intimate mix designed to highlight the deep baritone voice, modern late-night vibe full of longing and passion
4:26

Rap vocals in the style of O’Hene Savant — deep, resonant, slightly raspy voice with jazzy, syncopated cadence, complex internal rhymes, polysyllabic wordplay, Afrocentric, philosophical, poetic themes, spoken-jazz delivery with sudden bursts of rapid-fire syllables and sermon-like pauses, intellectual, soulful, layered meaning, sharp social commentary;Beat: jazzy boom-bap with live drums, punchy kick, crisp snare, muted upright bass, chopped Rhodes piano, smooth horn stabs, improvisational swing, lo-fi warmth, atmospheric subtle pads, vintage vinyl crackle, organic human feel, classic O’Hene Savant energy, thoughtful, groovy, introspective, head-nodding, immersive
3:57

Love Song
v4.5+
Male R&B singer, smooth mid-tempo contemporary soul vibe, warm clear tenor voice with emotional depth, falsetto runs and airy high notes, precise diction, effortless legato, subtle vibrato on sustained notes, silky melismatic embellishments, soulful phrasing with emotional vulnerability, conversational yet melodic cadence, expressive dynamic range, intimate tone, soft falsetto adlibs layered naturally, playful yet heartfelt runs, controlled breathy textures, romantic and confident delivery, polished pop-R&B style, nuanced timing, gentle syncopation, smooth transitions between chest and head voice, natural vibrato, emotive pauses, sultry and heartfelt storytelling, layered vocal runs, realistic pitch slides, soulful ornamentation, high authenticity in R&B ballad and mid-tempo grooves
3:23

So Many
v4.5+
Smooth, minimalist R&B groove with warm, detuned synth chords, airy pads, and deep, clean basslines over slow, head-nodding drums at 76 BPM, Atmospheric textures and subtle reverb to create an intimate late-night feel, Lead male vocalist with soft yet confident tone, silky falsetto runs, breathy phrasing, and sly pauses between lines, Cadence is conversational and off-kilter, leaning behind the beat with an effortless swagger, Adlibs layered tastefully in falsetto, sometimes whispered, sometimes sung, to give a seductive, cocky energy, Slight analog warmth and tape saturation for a lo-fi luxury vibe
4:13

No Love Involved
v4.5+
Song with a smooth sultry male R&B singer delivering intimate, breathy, and melodic vocals with effortless falsetto runs, slow-to-mid tempo, emotional and playful phrasing, precise pitch control, seamless transitions between chest and head voice, sensual and seductive delivery, paired with a male rapper delivering smooth, melodic, and bouncy flow with confident, relaxed cadence, playful internal rhymes, smooth transitions between lines, mid-tempo storytelling delivery, both artists perfectly synchronized, over a moody, atmospheric, and melodic trap-infused R&B beat with crisp 808s, lush synth pads, subtle hi-hats, smooth melodic piano and guitar chords, slow swing, classic late-night urban vibe, sensual and emotional energy, reminiscent of early 2010s atmospheric R&B production style
4:50

We Are Love
v4.5+
Smooth, soulful female vocals with a smoky, airy timbre and a warm, organic tone, Playful, jazz-infused phrasing with subtle pitch bends and conversational delivery, Soft yet confident dynamics, blending neo-soul, R&B, and hip hop sensibilities, Frequent rhythmic pauses and syncopation, with elastic cadences that flow around the beat rather than strictly on it, Layered harmonies and delicate adlibs that feel improvised but intentional, Melismatic runs that glide between notes, occasionally ending with airy whispers or breathy sighs, Slight vibrato on sustained tones, with a relaxed, spiritual, almost mystical energy, The performance should feel intimate and expressive, as if singing directly to one person in a room, Backing instrumentation should complement the voice with warm, live-feeling grooves, Rhodes keys, deep bass, and gentle percussion, leaving space for the vocal personality to shine, Breakdown contains soulful skats + falsetto riffs throughout
4:50

Truth
v4.5+
Live neo-soul groove in the style of The Ummah (J Dilla, Q-Tip, Ali Shaheed Muhammad), blending dusty Rhodes chords, filtered jazz samples, warm analog bass, and off-grid, swinging drum patterns with a deep pocket, The vibe is sensual, spiritual, and gritty—like a late ‘90s Soulquarian session, Think the sonic texture of “Voodoo”-era neo-soul fused with psychedelic soul elements, layered percussion, wah guitar, ambient vocal textures, and subtle vinyl crackle, The rhythm is loose yet intentional, full of space, swing, and warmth, The lead vocalist is a deeply expressive Black female singer with an ethereal, eccentric, spiritual presence, Her tone is smoky, airy, and vulnerable yet commanding, drifting between conversational delivery and soaring falsetto riffs, She bends notes with jazz-like phrasing, infuses gospel melismas, and dances around the beat with hypnotic timing, Background vocals echo in call-and-response, stacked in lush harmonies that rise and fall like breath, The overall sound is intimate, raw, timeless—
2:43

Outside
v4.5+
only one male vocalist, slow vibey trap beat, tempo 68bpm, deep 808s, ambient pad layers, airy synth leads, pitched vocal chops, minimal hi-hat rolls, moody heavy atmosphere, lsharper delivery, slurred delivery, slight swing feel, Hook: catchy melody, warm adlibs (yeah… ooh… mmhh…), Bridge: chant flow, hypnotic repeats, delays, sharper delivery, gritty low-end, heavier drums, rawer vocal tone, Outro: soft pad fade-out, slowed vocals, deep exhale sample, sniffing nose fx, nose swipe fx]
4:44

Twin Flamez
v4.5
Classic retro-soul style inspired by Charles Bradley, Live band feel with vintage horns, bluesy electric guitar licks, warm bass, and steady live drums, Music should be raw, emotional, and analog-sounding — like it was recorded in the late 1960s or early 1970s, The singer should sound like a gritty, passionate Black male soul singer — deep, expressive, full of pain and truth, Vocal delivery should be dramatic, raspy, and heartfelt, similar to Charles Bradley, Use gospel phrasing, emotional wails, and cry-like ad-libs, Make the performance feel lived-in and real, like he’s testifying about heartbreak and frustration, Include backing vocals during the chorus for a call-and-response feel, The instrumentation should support the emotional arc, building toward a climactic final chorus and fading out with soulful ad-libs, Instrumental breakdown during the bridge/breakdown section
4:07

Field Between Us
v4.5
Soulful, sample-based hip-hop with pitched-up female soul vocal chops, warm analog textures, and boom-bap drums, Inspired by early 2000s backpack rap with gospel undertones and orchestral flourishes, The beat should blend vintage soul samples, rich instrumentation like piano, strings, and horns, and gritty drum programming with vinyl crackle, Rap delivery should be laid-back, poetic, and thought-provoking similar to the cadence and tone of Mos Def or Common, Include tasteful ad-libs to support key lines, not hype, Use gospel-style hums, subtle harmonies, and occasional call-and-response layers for depth, The hook should sound like a chopped 60s/70s soul vocal—looped, fragmented, and emotionally raw, Bridge should start with stripped-down instrumentation (like Rhodes or piano and warm bass), slowly building with harmonized gospel vocals, Overall mood is reflective, lyrical, human, nostalgic, and emotionally rich like a street sermon over a dusty, analog soul groove, beat switches before verse 2
3:23

Sexy Nasty Time
v4.5
'90s slow jam R&B style, inspired by Jodeci’s “What About Us, ” Smooth, sensual groove with live electric piano, slow synth pads, deep bassline, and soft snare/tambourine percussion, Male singer with a rich, soulful, and slightly gritty tenor voice, Voice should sound like a passionate, Black R&B singer — emotional, seductive, and vulnerable, Use a deep talking intro, falsetto touches during bridge, and layered backing vocals during the chorus, Ad-libs throughout the final chorus and outro, Vibe should be intimate, sexy, and emotional with a grown & freaky tone
4:24

You My Queen
v4.5
Live neo-soul groove in the style of The Ummah (J Dilla, Q-Tip, Ali Shaheed Muhammad), blending dusty Rhodes chords, filtered jazz samples, warm analog bass, and off-grid, swinging drum patterns with a deep pocket, The vibe is sensual, spiritual, and gritty—like a late ‘90s Soulquarian session, Think the sonic texture of “Voodoo”-era meets “Mama’s Gun” with layered percussion, wah guitar, ambient vocal textures, and vinyl crackle, The rhythm is loose but intentional, full of space and warmth, expressive male vocalists, Harmonies are tight and emotional, The overall sound is deeply emotional, intimate, and rooted in analog soul, R&B, jazz, hip-hop, and spirituality
2:57

contemporary R&B, hip-hop soul, funk, soul, R&B/swing, gospeldelic; mid-tempo groove; smooth falsetto vocals, call-and-response phrasing, conversational delivery, harmonic layering; live bass, wah-wah guitar, Rhodes keys, analog drums, muted horns, ambient background vocals, Vocalist 1 has a buttery, slightly nasal tone with gospel cadence, controlled mid-range, and subtle rasp, Vocalist 2 brings a smoky, textured falsetto, gliding inside the beat with jazz-like phrasing and ghostly harmonies that create an intimate, soulful feel
4:09

Classic 90’s r&b remix mixed with hip hop, Duet between female and male vocalist, Sensual soul and streetwise energy of the 99’s, The beat should be slow, heavy, and intimate with a deep bassline, lush Rhodes-style keys, soft synth pads, and a hard, punchy kick drum that drives the groove, The female vocalist style is raw, emotional blend of classic soul and gritty street R&B, layered with hip-hop attitude, Her voice is a husky alto with gospel roots, full of passion, pain, and power, she uses raspy, chest-heavy belts for intensity and controlled melisma, Her voice is real, deep, full and slightly gritty, Her voice is grown, soulful, wounded but strong, The overall feel should be grown & freaky, blending smooth 90s R&B with the lyrical edge and attitude of golden-era hip-hop, Street soul, emotional, seductive, and vulnerable, with powerful vocal runs, expressive falsetto, and heartfelt ad-libs, The make and female vocalist should sing back and forth and the chorus, taking turns w/lines
4:30

Carry The Torch
v4.5
Classic retro-soul style inspired by Charles Bradley, Live band feel with vintage horns, bluesy electric guitar licks, warm bass, and steady live drums, Music should be raw, emotional, and analog-sounding — like it was recorded in the late 1960s or early 1970s, The male singer should sound like a gritty, passionate Black male soul singer — deep, expressive, full of pain and truth, Vocal delivery should be dramatic, raspy, and heartfelt, similar to Charles Bradley, Use gospel phrasing, emotional wails, and cry-like ad-libs, Make the performance feel lived-in and real, like he’s testifying about heartbreak and frustration, Include backing vocals during the chorus for a call-and-response feel, The instrumentation should support the emotional arc, building toward a climactic final chorus and fading out with soulful ad-libs
2:39

A hip-hop track featuring a male rapper with a clear, confident delivery, The instrumentation includes a prominent bassline, a consistent drum beat with a strong snare, and a subtle, atmospheric synth pad, The tempo is moderate, and the overall feel is assertive and rhythmic, The production emphasizes the vocals, which are mixed forward, with a slight reverb adding depth, The beat is loop-based, providing a steady foundation for the rap
3:19




