1:27
Queen of the Sands
v4.5-all
percussive, rap, hip-hop, and synths to create a mysterious and regal atmosphere, with middle eastern instrumentation; heavy use of darbuka, oud, dark, theme
2:19
Queen of the Sands
v4.5-all
percussive, rap, hip-hop, and synths to create a mysterious and regal atmosphere, with middle eastern instrumentation; heavy use of darbuka, oud, dark, theme
2:44
Smug Little Office Cat
v4.5-all
rap, Slinky funk-rap bounce with rubbery bass, tight clav stabs, and crisp drums; playful male vocals half-rapped, half-sung, Hook pops with gang shouts and call-and-response, verses sit in a sly pocket, Brief talkbox-style ad-libs and a short breakdown where bass and handclaps carry the groove before the final chorus, funk
2:41
Smug Little Office Cat
v4.5-all
rap, Slinky funk-rap bounce with rubbery bass, tight clav stabs, and crisp drums; playful male vocals half-rapped, half-sung, Hook pops with gang shouts and call-and-response, verses sit in a sly pocket, Brief talkbox-style ad-libs and a short breakdown where bass and handclaps carry the groove before the final chorus, funk
2:28
Raymond Runway
v4.5-all
rap, Playful trap-rap beat with bouncing 808s, crisp hi-hats, and bright synth bells; verses flip between cocky storytelling and cartoon villain swagger, hook is simple and chantable, Male vocals with occasional pitched ad-libs, stacked doubles on punchlines, and a roomy mix that lets the humor and character attitude shine
2:29
Raymond Runway
v4.5-all
rap, Playful trap-rap beat with bouncing 808s, crisp hi-hats, and bright synth bells; verses flip between cocky storytelling and cartoon villain swagger, hook is simple and chantable, Male vocals with occasional pitched ad-libs, stacked doubles on punchlines, and a roomy mix that lets the humor and character attitude shine
2:46
Raymond’s Runway
v4.5-all
jazz, Playful uptempo jazz combo with upright bass walking hard, brushed snare and rim clicks, cheeky clarinet lines, and smoky male vocals, Piano hits tight swing chords, horn stabs accent punchlines, Chorus pops brighter with stacked scat-style backing vocals; bridge drops dynamic for a sly, close-mic croon before a final full-band flourish
2:31
Raymond’s Runway
v4.5-all
jazz, Playful uptempo jazz combo with upright bass walking hard, brushed snare and rim clicks, cheeky clarinet lines, and smoky male vocals, Piano hits tight swing chords, horn stabs accent punchlines, Chorus pops brighter with stacked scat-style backing vocals; bridge drops dynamic for a sly, close-mic croon before a final full-band flourish
2:49
Raymond In The Mirror
v4.5-all
rap, Playful cartoon-trap beat with bouncy bass, handclap snare, and bright plucky keys, Male vocals delivered in a smug, laid‑back flow with quick, witty punchlines, Hook opens up with layered call‑and‑response ad‑libs and airy pads; verses stay tight and rhythmic, Light filters and reverses between sections for a fun, animated feel
2:26
Raymond In The Mirror
v4.5-all
rap, Playful cartoon-trap beat with bouncy bass, handclap snare, and bright plucky keys, Male vocals delivered in a smug, laid‑back flow with quick, witty punchlines, Hook opens up with layered call‑and‑response ad‑libs and airy pads; verses stay tight and rhythmic, Light filters and reverses between sections for a fun, animated feel
3:15
Dust on the Temple Floor
v4.5-all
Playful electro-swing bounce with upright bass, shuffling drums, and bright horn stabs; male vocals with tongue-in-cheek delivery, backing “ooh”s on the hook, Verses stay tight and rhythmic; chorus opens with stacked call-and-response chants, Occasional cartoonish FX hits accent punchlines, light reverb for a lively, room-like feel
3:10
Dust on the Temple Floor
v4.5-all
Playful electro-swing bounce with upright bass, shuffling drums, and bright horn stabs; male vocals with tongue-in-cheek delivery, backing “ooh”s on the hook, Verses stay tight and rhythmic; chorus opens with stacked call-and-response chants, Occasional cartoonish FX hits accent punchlines, light reverb for a lively, room-like feel