3:50

W3T
v5
slow heavy trap beat, deep 808 bass, minimal production, dark moody atmosphere, male low confident vocal, hard hitting drums, no synth leads, no electronic wobble, stripped down heavy groove
1:33

Eat it
v5
Aggressive dark dubstep, deep menacing sub bass, slow heavy tempo, soulful raw vocal delivery repeating “butter your biscuit”, emotional grit in the voice, strained bluesy tone, minimal but powerful drums, crushing womp bass, distorted low-end textures, call-and-response bass hits, sparse arrangement, shadowy atmosphere, underground bass weight, human vocal imperfections, chest-rattling sub frequencies, slow head-bang groove, tension-driven drop, primal energy, moody, heavy, intimate but intense, minimal layers, focus on voice and sub bass
0:44

Shut up
v5.5
Female vocals, simple repetitive chant-style lyrics, playful but aggressive tone, slightly slow tempo (~120 BPM half-time feel), clean minimal production, deep sub bass but smooth (not gritty or distorted), no grime, no harsh distortion, no bright synths, no high-pitched sounds, soft rounded bass drops with weight, minimal percussion, steady groove, clear vocal focus, whisper-to-shout dynamics (quiet “shut up” building into loud “SHUT UP NOW”), catchy loopable hooks, bratty sarcastic attitude, silly phrases like “blah blah blah I don’t care, ” spaced-out arrangement with pauses between lines, modern bass pop / chill trap feel, polished and controlled low end, simple structure, club-friendly but not chaotic, emphasis on rhythm and repetition over melody
1:58

female vocals, mid-tempo bouncy trap (100–120 BPM), dirty deep sub bass, playful chaotic party energy, stoner vibe, fast-paced adlibs, overlapping voices, group chat chaos, people talking and laughing in background, close mic but energetic delivery, not slow, not dragged out, rhythmic bounce, catchy hook, hype energy, messy fun vibe, quick inhale “hhh” sounds and short raspy cough-like adlibs, punchy delivery, club/party feel, hard bass drops, no slow ambient intro, keep momentum high
5:03

Kick Your Ass
v5.5
Ultra heavy minimal dubstep / riddim hybrid, Extremely deep sub bass, low frequency focused, chest-rattling 808s, distorted sub layers, long sustained bass notes, not fast, not melodic, Tempo around 135–145 BPM but feels slow and heavy, No bright or happy tones, Dark, aggressive, raw energy, Very stripped down and repetitive structure, Minimal elements, lots of space between hits, Drums are simple and hard: deep punchy kick, thick snare, no sharp hi-hat patterns, no fast ticking sounds, Avoid busy percussion, Each hit should feel heavy and isolated, Emphasize silence and impact, Bass design: filthy, gritty, low growls, sub drops, long wubs, distorted rumble bass, deep wobble but slow modulation, No high-pitched screech leads, Keep everything low, dark, and heavy, Occasional glitch or stutter effects but not overused
2:22

Pussy Echo
v5.5
140 BPM, half-time trap/dubstep hybrid, extremely deep sub-bass, distorted 808s, minimal dark beat, no bright synths, heavy low-end focus, Aggressive, cocky female chant vocal, repetitive, taunting, hypnotic, Lots of space between kicks for bass to hit hard, Club-shaking energy, Intro: low rumble, filtered bass, distant echo of vocal line, Drop: massive sub hits, stripped beat, Main hook (repetitive, chant style):
“Pussy? You wouldn’t even know what to do with it
You don’t get no pussy
You don’t know what to do with pussy”
Keep repeating, chopped and looped for drops, Break: beat cuts, vocal forward, slight whisper layers, Second drop: heavier distortion, tighter vocal chops, faster repetition, Outro: slowed, echoed vocals, bass fading out with repeated
“You don’t get no pussy…”
6:29

5:53

Upbeat but slightly aggressive electronic dance track, 132 BPM, Female vocals with confident, playful attitude, Bright arcade 8-bit sounds layered with harder-hitting EDM production, Punchy kick, heavier bassline, tighter snare, subtle distorted synth layers for edge, Arcade startup intro (coin insert, power up, 8-bit sparkle arpeggio), Energetic chant: “Up, up, down, down, left, right, left, right, B, A, Start, ” Drop hits harder with thick bass, chiptune leads, glitch effects, and laser sounds, Danceable, high-energy, gamer aesthetic with attitude, Ends with dramatic arcade-style “GAME OVER” and power-down sound

