4:10

茉莉花 (Jasmine) [OPS]
v4.5+
Music: A sun-drenched, romantic East Asian chill-pop ballad, Bright, gentle tempo, Features a delicate Gu Zheng melody woven with a soft Rhodes electric piano, a dreamy Dizi flute, and atmospheric synth pads, A subtle, light Lo-fi beat provides a modern pulse, The mood is uplifting yet intimate, and dream-like, like finding a moment of quiet personal bliss in a bright, sunlit garden, A soulful and expressive Erhu solo, layered with shimmering synth textures, emerges in the bridge, Vocals: A soft, delicate, and slightly androgynous male voice, His tone is clear and bright, with a touch of breathiness, The delivery is gentle and introspective, like sharing an intimate secret only you can hear, bathed in sunlight, His voice reaches into a higher register without becoming sharp, embodying a gender-transcendent beauty that feels at once classical and contemporary, It's the perfect voice to convey a personal, deeply-felt romance—simultaneously delicate and firm
6:14

Chinese Lo-fi Folk, Listless and wandering-feeling ballad, Sparse Guqin and other weak-tone traditional instruments, the sound of a babbling brook, and a distant, subtle dizi flute, A weak, breathless, and fragile male vocal, singing with a sense of helplessness and resignation
4:02

A Chinese folk in Phrygian dominant scale with strong decadent vibe, Instruments: Dizi, Xiao, Pipa, glitchy Dagu (Chinese drum), glitchy Uyghur tambourine (Hand drum)
Vocals: A fragile Uyghur boy singer who looks like a pretty girl, ‑electro, ‑synthesizer
3:06

A tearful and strongly emo-influenced Malaysian folk song with messy arpeggios and decadent, sissy 17-year-old boy vocal (A Shemale), Lyrics are sung word-by-word (staccato)
3:24

An emo-influenced Malaysian folk song with messy arpeggios and decadent, sissy 17-year-old boy vocal, Lyrics are sung word-by-word (staccato)
3:23

A dramatic and decadent Chinese folk song mixed with milonga with strong escapism vibe, Effeminate ethereal boy vocals
2:29

A dramatic and decadent Chinese folk song with strong Milonga-tango vibe
Effeminate ethereal male vocals
3:19

Style: A laïkó song with strong soul vibe, and with slight Indonesian folk flair, Instruments: Lyre, laouto, flute, panpipe, toubeleki, tambourine, Vocals: An emotional, girlish, goddess-like boy singer
3:31

Style: A laïkó song with strong soul vibe, and with slight Canton-culture flair, Instruments: Lyre, laouto, flute, panpipe, toubeleki, tambourine, Vocals: A graceful goddess-like boy singer (boy-soprano)
3:41

Pop meets guofeng festival energy: celebratory Chinese parade with bright bronze gongs and booming war drums, tight wooden clacks and clappers, Chinese-opera-style stop-and-go dynamics, playful call-and-response shouts; melodic hook carried by suona and dizi over punchy modern bass, crowd ambience, street lanterns vibe; crisp percussive transients, catchy onomatopoeic chorus “噹!噹!”, 130 bpm, ‑no Western spooky horror tropes, ‑no Halloween pumpkins, ‑witches, ‑vampires, ‑or eerie organs; avoid dark ambient drones;
3:57

A windy and cold song reminiscence of bleak season, Cowbells and piccolos are heavily used while with somewhat dissonant feelings
4:29

hindustani, unsettling bollywood vibe, effeminate sweet male vocals, slight horror feeling
Postprocessing: Extremely clear sound
3:46

Victorian parlor music, overwhelmingly using a variation of the D minor diminished triad (D-F-A♭) in the song, gothic lolita aesthetic, dark classical, chamber music, a hauntingly beautiful and fragile music box melody is the lead instrument, accompanied by sparse harpsichord and melancholic cello, a delicate, breathless, and broken-sounding androgynous male vocal, like a cracked porcelain doll singing
4:09

Unsettling, exotic, fragile, experimental, fragile teen male vocals
4:59

An experimental strange song, modal tunes (Locrian, B-C-D-E-F-G-A-B), using lots of chords: B-D-F
Instruments: Tabla, Darbuka, Sitar, Bouzouki, Panpipe, Tin whistle, Vocals: Breathy effeminate pretty male vocals
5:33

An experimental screamo song, Locrian (B-C-D-E-F-G-A-B), Dominantly using B diminished triad chords (B-D-F) throughout the song, Instruments: Darbuka, Bouzouki, Panpipe, Tin whistle, Vocals: Breathy effeminate pretty teen boy vocals, Instrumental intro is controlled within 30 seconds
5:24

A dynamic rock track infused with Middle Asian elements; tense verse sections combine electric guitar riffs with dombra and dutar motifs, supported by warlike drums and sharp strings, Choruses explode with layered synths, soaring vocal lines, and traditional modal chord shifts, delivering drama and energy

