🔔 VI – RESOLVE

Bass-driven modern metal with strong rhythmic pulse, BPM 96, D minor, Female lead vocal only, No male vocal at all, No narration, No scream, no growl, no harsh vocal, no aggressive backing, Tight rhythmic bass riff drives the entire track, Sharp but controlled guitar stabs, Steady kick and snare groove, no double kick, Dark minimal atmosphere, industrial pulse underlayer, Vocal clear, dry, close-mic, emotionally restrained and cold, Short rhythmic phrasing, strong mid-low register, precise articulation, Chorus slightly stronger but not explosive, No cinematic wash, no ambient overload, no symphonic elements, Focus on tension and groove, not chaos, Clean modern production, punchy bass forward in mix

Alternative metal with cinematic tension and dark ambient atmosphere, Strong bass-driven rhythm, deep pulsing low-end, tight drums with controlled double kick in later sections, Start with low male narration voice, calm and authoritative, almost whispered but clear, Transition into powerful female lead vocal, clean and forward in the mix, no gothic tone, no whispery distortion, no growl, Emotional control, restrained intensity, building tension rather than explosive release, Guitars moderate gain, rhythmic and tight, avoid excessive reverb, Urban night mood, stealth movement energy, Chorus slightly stronger but not full breakdown, Maintain clarity, punchy bass presence, cinematic build, engagement-ready atmosphere, ‑metalcore breakdown death metal scream vocal growl gothic metal nu metal rap metal

Cinematic alternative metal, rhythmic tension build, metal intensity 7~8, Strong percussive groove, tight bass-driven riff, syncopated rhythm guitars, controlled double kick in chorus only, Intro features short low male narration (spoken voice, not singing), Lead vocal: female only, clear powerful tone, front-mixed, no muffled effect, no gothic or weird vocal textures, Avoid nu-metal rap style, Keep guitars sharp but not overwhelming the vocal, Pre-chorus builds tension with minimal instrumentation, chorus expands with layered backing harmonies, Bridge drops instrumentation to bass + tom groove, then explosive but controlled final chorus, Dark, urban night atmosphere, tactical precision mood, No excessive reverb, clean articulation, modern metal production, ‑metalcore breakdown death metal scream vocal growl gothic metal nu metal rap metal

Modern heavy metal with strong rhythmic attack, metal intensity 8~9, Powerful female lead vocal with chest-driven projection, strong mid-low presence, controlled grit in high notes, direct emotional delivery, no scream, no growl, no gothic tone, Vocal must cut clearly through guitars, front-mixed, dry and punchy, Start with short low male spoken narration only (calm, authoritative), Tight aggressive riff, forward bass presence, sharp snare, controlled double kick in chorus, Anthemic but not symphonic, No metalcore cliché breakdown, Dark confrontation mood focused on structural corruption, not personal attack, Bridge drops to bass groove + male narration, then explosive but controlled final chorus, ‑death metal, ‑growl, ‑screamo, ‑gothic metal, ‑rap metal

Orchestral sacred metal with cathedral atmosphere, Female lead vocal only, no male vocal at all, Clear, reverent, dignified tone, emotionally restrained and solemn, Dry but slightly spacious mix, minimal vibrato, no grit in this track, Absolutely no scream, no growl, no harsh vocal, no aggressive male backing, Begin with soft organ and string ensemble, gentle choir pad (wordless, subtle, background only), Rhythmic metal elements may appear but clean and controlled, no breakdown, Drums steady and restrained, no double kick dominance, Focus on purification, restoration, sacred calm after confrontation, Gradually decrease intensity toward ending, Clean production, no distortion overload, no chaotic textures, ‑death metal, ‑growl, ‑screamo, ‑gothic metal, ‑rap metal

Cinematic Tactical Industrial Rock, 96–102 BPM, Female lead vocal (Yeoni style): piercing high notes with controlled grit, no screaming, no muffled tone, vocals upfront and dry, minimal reverb, Emotion restrained, not explosive; precision and command presence, Tight punchy drums, marching kick pattern, no blast beats, Distorted guitar riff simple, repetitive, rhythmic not flashy, Bass locked with kick, grounded and heavy, Subtle low synth pulse underneath, Pre-chorus builds by rhythmic tightening, not volume increase, Chorus feels like mobilization order, firm and steady, Bridge drops instruments briefly with low command vocal, then re-enter groove, No EDM, no pop brightness, End unresolved, tension held for next engagement

Metal anthem structure identical to “Judgment Day, ” Intro and interludes: deep male narration, low register, solemn, no rhythm, spoken-word style, All rhythmic vocal sections (verse, pre-chorus, chorus, bridge) performed by powerful female vocal with maximum projection, gritty texture, aggressive resonance, strong chest voice, wide vibrato control, high dynamic range, No male singing, Tempo: mid-fast heavy metal, tight double kick, heavy rhythm guitars, cinematic low strings, dramatic risers, Chorus explosive and repetitive, hook-driven, Bridge: short silence drop then massive impact, Mix: vocals front and dominant, not buried, Avoid gothic/nu-metal strange voices, Tone: apocalyptic, decisive, intense, righteous energy

Orchestral Metal Ballad, 72–80 BPM, Female lead vocal (SEHI style): Korean traditional timbre influence, controlled breath, dignified and solemn tone, No screaming, no excessive vibrato, sustained high notes that float without sharp ending, Vocals very upfront, minimal reverb, clear articulation, Emotion restrained but deeply resonant, like ceremonial purification, Slow cinematic strings, low brass pad, soft choir texture underneath, Drums subtle, heartbeat-like, not aggressive, Distorted guitar only as background texture, not dominant, Chorus rises in scale but remains controlled and noble, Bridge introduces layered choir swell and orchestral lift, No EDM, no pop brightness, Ending must feel sacred and resolved, gentle but powerful, as if sealing a gate

female vocal metal ballad, Daytime emotional tension piece, Korean narrative protest metal with quiet intensity, Tempo / Structure Begins at 72 BPM, restrained pacing with steady pulse, gradually building to 110 BPM without explosive release Measured breath-led delivery, tension sustained rather than broken Vocals Low-mid register, calm but firm tone Not angry, not pleading — composed, dignified, factual Emotion carried through restraint and weight of words Minimal vibrato, grounded resonance Arrangement Intro with muted piano + subtle strings Verses supported by sparse guitar textures and low percussion pulse Pre-Chorus introduces heavier bass movement Chorus expands with layered guitars and slow, deliberate drums No screaming, no breakdown — tension remains contained Ending resolves into sustained string pad with fading heartbeat-like kick Mood / Theme Inversion of narrative, Truth distorted before being heard Silence under surveillance, Dignity under accusation

Cinematic Modern Metal Ballad with controlled mid-range power, Tempo starts restrained at 74 BPM, gradually building to 122 BPM mid-tempo march feel, Key in D minor Female lead vocal, but tone is husky and grounded, not bright, Lower-mid register dominant delivery, chest resonance emphasized, minimal vibrato, No high belting, High notes should be compressed, pushed from diaphragm, not airy, Emotion is restrained determination, not sorrowful crying, Arrangement begins with low piano and distant strings, Gradual layering of cellos, French horns, deep percussion, and restrained distorted guitars used for weight not brightness, Chorus expands horizontally, not vertically — thicker harmony instead of higher pitch, Bridge drops instrumentation to low drones and heartbeat kick, then final chorus returns with heavier drums and unified rhythmic drive, Mood: controlled resolve, strategic calm before action, No excessive melodic leaps, Avoid soaring pop hooks, Ending feels like standing firm

Symphonic Alternative Metal, Protest Metal Tempo: 105 BPM, 4/4 Vocals: Fierce, powerful female lead vocal with raw emotional delivery, low-register spoken verses evolving into soaring high-pitched belting and near-screamed climaxes Mood: Urgent, defiant, solemn, filled with suppressed rage and historical grief Instruments: Distorted drop-tuned electric guitars, heavy bass, pounding drums with militant rhythm, orchestral strings and brass, dark ambient synths Arrangement: Minimal, tense intro → restrained verses → explosive chorus → stripped-down bridge → final anthem-like chorus Choir: Mixed male/female choir chanting “표적제거, 완료!” in the climax Style references: Protest poetry meets modern symphonic metal, cinematic and confrontational Theme: Thirst for democracy, memory, resistance, dignity

Korean cinematic dream ballad with orchestral metal undertone Tempo: Slow 68–72 BPM Key: D minor Vocal: Mature Korean female vocal, Seopyeonje-inspired traditional tone, breath-led phrasing, minimal vibrato, no pop belting, restrained sorrow turning into quiet strength Emotion: Dignified healing, post-battle stillness, compassion over rage Structure: Soft intro (ambient low strings + airy bamboo flute tone) → restrained verses with acoustic guitar arpeggio → subtle string swell in pre-chorus → controlled emotional chorus (no screaming) → minimal bridge with near-spoken traditional phrasing → final chorus with layered strings but still intimate → fade-out with sustained cello and breath Instruments: Bamboo flute / shakuhachi-like airy tone, low bowed strings (cello dominant), sparse piano, soft acoustic guitar, distant low percussion (heartbeat-like), minimal distorted guitar texture only in background Mix: Vocal upfront but intimate, room reverb, wide cinematic space, avoid heavy

A dramatic rock ballad in the style of Lim Jae-beom (임재범), Tempo 110 BPM, 4/4, Emotional male vocal with powerful husky tone and explosive high notes, Arrangement starts with piano and strings, building with electric guitar arpeggios, bass and drums into a full-band climax, Bridge features intense rock guitar riffs and soaring high-pitched vocals with orchestral backing, creating an epic atmosphere like Dream Theater or Muse, Final chorus with dramatic reverb and sustained vocal power, fading into cinematic outro

Melodic symphonic metal / cinematic rock, Tempo 120 BPM, minor key, Arrangement supports the vocal, not competing with it, Sustained distorted electric guitars kept slightly behind the vocal, cinematic strings and dark choir pads used as atmosphere only, not lead, Deep bass follows harmony without overpowering, Drums are steady and driving, no speed metal, no aggressive double-kick, Female lead vocal is dominant and upfront in the mix, Strong, clear chest voice with natural thickness, not thin or airy, Verses are intimate but solid, with presence and weight, Chorus opens wide with powerful, emotional projection that clearly rises above all instruments, Final chorus slightly more intensity, vocal still leading the entire arrangement, Mood: deep night lyricism, longing, quiet strength, emotional clarity, Cinematic, solemn, flowing night atmosphere, Production: Vocals louder than instruments, center-focused, minimal masking, Instruments lowered to support vocal clarity, Wide stereo mix

Dark Pop Rock, faster tempo (~100 bpm), key D minor, Driving rock drums and punchy bass, layered with distorted electric guitars and dark synth textures, Cinematic atmosphere with surging dynamics, Powerful and emotional female vocals, raw belting in the chorus, explosive bridge, whispery outro, Inspired by Florence Welch, Evanescence, early Adele live energy, Lyrics mostly in Korean, but with English chorus highlighting faith and resilience: “Every fall becomes my ground, I will rise, I won’t back down, Through the storm I carve my way, Faith will guide to brighter days, ” Theme: overcoming storm-like reality, inner faith, recovery, resilience, and standing strong again

Cinematic Dark Pop Ballad, epic and haunting, emotional and powerful female vocals, piano-driven with swelling strings, slow burn with massive dynamic build, raw belting chorus, explosive bridge, whispery outro, Inspired by Adele, and Florence Welch, Tempo ~78bpm, key D minor

Slow Symphonic Metal, 74 BPM, Dark cinematic atmosphere, Low male vocal (calm but intense, controlled anger), Minimal distorted guitar used as texture, not riff-driven, Deep cello drone, contrabass, subtle timpani hits, Reverb-heavy space, like an empty courtroom at night, No screaming, Emotional weight carried by voice clarity, Chorus slightly expanded with layered backing vocals but still restrained, Avoid pop elements, Avoid EDM, Focus on tension, stillness, and inner resolve, Final section builds orchestral swell but never explodes into fast tempo, Ending fades with single sustained low note and whispered “Resolve”

Metalcore + Korean emotional metalcore, 136–140 BPM, G minor, Strong rhythmic pulse similar pacing to “내 아름다운 사람아” but heavier drum attack, Tight low-end chug guitars, controlled breakdown sections, cinematic string pads in background only, Female vocal (ALI) front and center, +3dB above instrumental, dry and clear in verses, minimal reverb, Pre-chorus rising tension with tom build, Chorus explosive but vocals must stay dominant, no instrument masking, Add half-time breakdown under spoken declaration bridge, Mood: confession, moral courage, restrained anger, truth declaration without hysteria

Post-rock + ambient clean guitar ballad, Tempo 82–88 BPM, Key D major or B minor, Minimal drum (brush snare, soft kick), clean electric guitar arpeggio with wide stereo delay, warm pad strings very low in mix, subtle bass, No distortion guitars, No aggressive elements, Cinematic but intimate, Female Korean vocal (SEHI style): clear tone, soft forward placement, breath control stable, emotional but restrained, no belting, no vibrato exaggeration, Vocal must stay upfront and dry-clear with light reverb tail, Instruments must never overpower the vocal, Mood: post-battle silence, dawn inside a parked car, wet asphalt, faint morning light through window, Emotional cleansing, acceptance, survival, Theme: “I am still alive, I am still breathing, ” Atmosphere: quiet, reflective, healing, after the storm calm

Symphonic metal finale with orchestral intro, reprise of Track 1 motif, 120 BPM, G minor modulating to Bb major in final chorus, Clean female lead vocals layered with powerful harmonies (Ali + Sehi), controlled but explosive chorus, guitars heavy but not overpowering vocals, Cinematic strings, brass swells, timpani rolls, full choir in final section, No chaos, no distortion overload, Vocals upfront and clear, Emotional but restrained power, Ending resolves into bright orchestral chord with fading choir

Powerful female vocal, high-belting rock metal style, 138 BPM, 4/4, Dirty yet clean high-end tone, aggressive breaths, strong resonance, Intro: distorted guitar swell + low brass hit + rising whoosh, Verse: tight palm-muted guitars, punchy kick, subtle synth pulse, Pre-chorus: widen guitars, add airy backing vocals, tension riser, Chorus: explosive pop-metal wall of sound, layered guitars, bright lead line, heavy drums, stereo widening, deep bass growl, Bridge: modern metal breakdown with syncopated riffs, filtered vocal shouts, reverse reverb, Final chorus: uplifting, expanded harmonies, higher octave ad-libs, cinematic cymbal swells, Mixing: crisp modern rock, strong transient drums, airy highs, tight low-end, Emotional theme: breaking limits, inner ignition, unstoppable energy, Vocal: female powerhouse, bright high belts, slight rasp, expressive grit

Epic heavy metal war anthem with a strong militaristic feel, Tight, palm-muted distorted guitars driving a steady marching rhythm, heavy bass and thunderous drums with a powerful snare emphasizing a battlefield cadence, female lead vocal with a deep, commanding, authoritative tone, delivered like a battle narration rather than emotional singing, Verses are restrained and tense, building anticipation like a warship emerging from fog, Pre-chorus rises with layered backing vocals, creating a sense of incoming conflict, Chorus is massive, anthemic, and chant-like, designed for crowd participation, with simple, powerful melodies and repeated lyrical hooks, Lyrics focus on naval warfare, historical realism, steel warships, national pride, inevitability of battle, and tragic grandeur, No pop elements, no softness — purely epic, disciplined, and relentless, Production is clean but heavy, with cinematic atmosphere and subtle orchestral support

Orchestral metal rock in E minor, 120 BPM, 4/4, Sing in Korean using the provided Korean cover lyrics verbatim, Lead: powerful female vocal (clear head voice, soft vibrato, intimate breaths), close-mic, tender but resolute delivery, Arrangement: • Intro – felt piano solo, faint wind textures, soft temple bell, • Verse – piano + warm legato strings, subtle koto-like plucks; no drums, • Pre-Chorus – add low mixed choir (“oo/ah”), rising cello, shimmer pad, • Chorus – full strings bloom, gentle taiko and cymbal swells, celesta/glock “star” accents; widen stereo, • Verse 2 – add clean guitar swells, light udu-style pulse, • Chorus (reprise) – thicker choir stack, dynamic lift, then taper, • Outro – instruments thin out; last parenthetical line fades “as if vanishing, ” Production: lush hall reverb (choir/strings), plate on vocal; light tape-style warmth; dynamic, not over-compressed, No EDM hats, no heavy distortion

Uplifting cinematic rock / symphonic alternative metal ballad, 100 BPM, key: D minor → F major (final modulation), Powerful yet warm female lead vocal (clean, emotional, controlled power), Choir-led choruses with layered harmonies, Verses are intimate and restrained with piano and ambient pads, Pre-chorus builds with subtle strings and rising tension, Chorus explodes with full choir, orchestral strings, wide guitars, and cinematic drums, Bridge features emotional choir swells and minimal lead vocal, Final chorus is triumphant, hopeful, and cathartic, Themes: redemption, release from fear, grace without judgment, inner peace, No aggression, no screams — emotional strength and clarity, High dynamic range, cinematic reverb, modern film-score production style

Pop-metal at 120 BPM in D minor, 4/4, Lead vocal: gritty, powerful male, raspy edge; verses tight and close, choruses belted with controlled distortion; optional octave doubles on hooks; no obvious autotune, Guitars: Drop-D, palm-mute chugs, syncopated 8th/16th riffs; open power-chords and octave leads in choruses; harmony lead in bridge/final, Bass: pick tone, mid-forward, locked to kick, Drums: modern rock kit, punchy snare, tight kick; double-kick bursts; tom fills; ride/crash energy, Pads/FX: airy ambience, metallic swells, desert wind, Structure: intro → V1 → CH → V2 → CH → bridge (march-snare + low toms, minor string ostinato) → final CH → outro, Mix: vocal forward; guitars wide; low end tight; plate reverb tails; short slap on key words, Master: ~−7, 5 LUFS, −1, 0 dBTP, Lyrics: use the provided Korean translation exactly with lowercase section tags, preserve breaks