Come At Me

Tempo: 86 BPM Vibe: Dark, eerie, suspenseful; early 2000s rap Instruments/Beat: Slow-building boom-bap with subtle distorted piano stabs, vinyl crackle, faint crowd murmurs, low sub-bass, soft risers for tension Vocals: Male, gritty, half-spoken / half-rapped, sarcastic, menacing, occasional dark laughter Mood/Tone: Sinister, confident, threatening, playful Effects/Production Notes: Echo on last words, subtle reverb, vinyl scratch at key moments

Aggressive early-2000s style rap with modern punchline precision, Dark humor, angry confidence, and chaotic energy over a hard-hitting 120 BPM boom-bap/trap beat, Gritty vocals, raw attitude, and a “step up and get checked” vibe that dares anyone to challenge

Early 2000s rap style, Dark, boom-bap beat with glitchy distortion, moody bass, and vinyl hiss, Paranoid, high-energy delivery with clever rhymes, sarcasm, and humor, Gritty male vocals, dynamic tone, confident flow, Tempo: 94 BPM Mood: Intense, chaotic, menacing but witty Instrumentation: Distorted boom-bap drums, dirty bassline, faint synth hum, record crackle, occasional vocal glitch FX

A gritty early-2000s hip-hop beat at 110 BPM with heavy punchy drums, bouncy bassline, vinyl crackle, and record scratches, Aggressive and funny outlaw-style rap performance with confident flow and clever wordplay, Studio crowd chants on the hook repeating ‘Mic check 1-2-Fuck-you, ’ Tone is defiant, raw, and sarcastic with punchline-heavy delivery and a live cypher vibe

Spoken word, male & female vocals, record hiss, static

Vibe: 90 BPM, eerie piano loop, deep bass, and faint reversed vocals — that haunted, Theme: The smoke ain’t just weed anymore — it’s memory, regret, and trauma talking back, Jim B argues with his own mind like it’s a person, blending humor with madness, Tone: Confessional, but unhinged, Like therapy that turned into a bar fight, Dark, moody hip-hop track at 90 BPM with eerie piano loop, deep 808 bass, and reversed vocal effects, The atmosphere feels haunted, introspective, and smoky — Rap delivery is emotional, unhinged, and confessional, with gritty texture and echoing ad-libs, Hook features a haunting chant-style vocal repeating ‘Voices in the smoke, callin’ my name, ’ Tone shifts between serious and dark humor, blending pain and confidence

Vibe: 118 BPM — aggressive, fast-paced, early 2000s club-fight beat, Tone: Pure bravado and carnage, Jim B’s got his swagger back and a short fuse — this track’s built for mosh pits and middle fingers

Spoken word, light piano key tapping

Hard-hitting early-2000s hip-hop beat at 124 BPM with fast drum patterns, distorted bass, and aggressive orchestral stabs, Vocal delivery is intense, confident, and highly technical with complex rhyme schemes and rapid chopper sections, Hook repeats ‘Bleed the mic — I ain’t done yet!’ in a chant-style crowd energy, Tone is raw, dominant, and ruthless, with gritty mix and heavy punchlines, ”

Early 2000s rap, Tempo: 100 BPM Vibe: Mid-tempo, gritty, slightly eerie, humorous paranoia Flow: Alternates mid-speed storytelling with bursts of fast chopper lines Mood: Darkly funny, aggressive, self-aware, chaotic

Emotional, cinematic hip-hop beat at 88 BPM with dark piano, haunting strings, and deep 808 bass, Tone is reflective and gritty with raw emotion and a confessional delivery, Rap performance alternates between calm introspection and passionate intensity, Hook features haunting chant-style vocals repeating ‘This the end of me, but not my sound, ’ Overall mood: powerful, somber, and triumphant — the final track on a raw, chaotic hip-hop album