2:39

Lingua Ignota
v4.5
11th century, Medieval, Gregorian chant, modal, Mixolydian scale, Ray scale, Dorian mode, Hildegard von Bingen, female choir, orchestra, hurdy gurdy, lute, harp, fiddle, renaissance flute, recorder, positive organ, slow, adagio, no pulse, no measure
3:13

Medieval, Renaissance, Epic orchestra, modal, Dorian
scale, sonata form, moderato, not play 16th note, archaic, interesting moduration, dramatic, emotional
2:01

2:24

Auferstehung 1
v4.5
11th century, 20th century, 19th century, Romanticism, Medieval, Gregorian chant, modal, Mixolydian scale, Ray scale, Dorian mode, Hildegard von Bingen, Mahler, female choir, male choir, big orchestra, epic, dramatic, pipe organ, slow, adagio, no pulse, no measure
2:02

Auferstehung 2
v4.5
11th century, 20th century, 19th century, Romanticism, Medieval, Gregorian chant, modal, Mixolydian scale, Ray scale, Dorian mode, Hildegard von Bingen, Mahler, female choir, male choir, big orchestra, epic, dramatic, pipe organ, slow, adagio, no pulse, no measure
2:57

Auferstehung 3
v4.5
11th century, Medieval, Gregorian chant, modal, Mixolydian scale, Ray scale, Dorian mode, Hildegard von Bingen, female choir, male choir, orchestra, hurdy gurdy, lute, harp, fiddle, renaissance flute, recorder, positive organ, slow, adagio, no pulse, no measure
2:16

Medieval, Renaissance, Epic orchestra, modal, Mixolydian mode, sonata form, moderato, not play 16th note, archaic, interesting moduration, dramatic, emotional
2:44

Consort triste
v4.5
Medieval, Renaissance, Epic orchestra, modal, Mixolydian scale, sonata form, moderato, not play 16th note, archaic, interesting moduration, dramatic, emotional
5:34

Ritual
v4.5
Traditional Celtic music, Gregorian chant, trance, euro beat, big orchestra, brass ensemble, male choir, percussion, Walton, Irish, dance, Ray mode, fiddle, bagpipes, Irish harp, Irish flute, drums, fast, drone bass
2:54

Orchestra, strings, 15 century, 16 century, medieval, renaissance, modal, mixolydian mode, epic, dramatic, operatic, slow, adagio, Debussy, ternary form
5:59

2:39

Consort
v4
Medieval, Renaissance, Epic orchestra, modal, Mixolydian scale, ternary form, moderato, not play 16th note
2:37

Medieval, Renaissance, Epic orchestra, modal, Dorian mode, ternary form, moderato, not play 16th note
2:18

Renaissance, Barock, Rococo, passacaglia, Telemann, strings ensemble, tamary form form, fast
5:59

3:40

3:23

2:28

3:53

1:47

2:58

Branle
v4.5
20th century, neoclassical, medieval, renaissance, orchestra, 4 tube formation, tonal, modal, Dorian mode, Ray scale, Mixolydian scale, Phrygian scale, dissonance, symphonic orchestra, Stravinsky, Saltarello, allegro, fast, archaic, ancient, intense, dramatic, ternary form, ‑Piano solo, ‑Piano concerto
2:43

Saltarello
v4.5
20th century, neoclassical, medieval, renaissance, tonal, modal, Dorian mode, Ray scale, Mixolydian scale, Phrygian scale, dissonance, symphonic orchestra, Stravinsky, Hindemith, Saltarello, allegro, fast, archaic, ancient, intense, dramatic, ternary form, ‑Piano solo, ‑Piano concerto
4:00

Hymn
v4
Strings ensemble, Medieval, Renaissance, Modal, Dorian mode, acoustic, slow, Pavane
3:34

Hymn
v4
Strings ensemble, Medieval, Renaissance, Modal, Dorian mode, acoustic, slow, Pavane
4:00

Hymn
v4
Strings ensemble, Modern, 20 century, Medieval, Renaissance, Modal, Dorian mode, acoustic, no Piano, slow, Pavane
1:52

Untitled
v4
Piano solo, allegro, medieval, renaissance, Bartok, Prokofiev, modal, Dorian mode, barbaric, ternary form
4:00

Untitled
v4
Piano solo, allegro, medieval, renaissance, Bartok, Prokofiev, modal, Dorian mode, barbaric
1:47

Medieval, Renaissance, Epic orchestra, modal, Mixolydian scale, sonata form, moderato, not play 16th note
1:47

Medieval, Renaissance, Epic orchestra, modal, Mixolydian scale, sonata form, moderato, not play 16th note
2:25

All Instruments are divided into 2 groups, [Medieval Ensemble] is a group of various medieval instruments, [20th Ensemble] is instruments which belongs to symphony orchestra, Music starts by Madrigale (4 beat, slow, melodic, melancholic, BPM=70-80)
Played by [Mediaval Ensemble] only, It lasts about 1min, After about 1 min, past, [20th Ensemble] is join and plays
Madrigale, same tune to [Medieval Ensemble] with modern harmony and orchestration, This lasts about 1min, After that Madrigale is finish, Then Estampie(intense, energetic, lively, 4beat fast BPM=170-180) is played by [Medieval Ensemble] only, This lasts about 1min, and 30 sec, After 1min, And 30 sec, past, [20th Ensemble] is join and plays Estampie, same tune to [Medieval Ensemble] with modern harmony and orchestration, After it lasts about 2min, Music end, [Medieval ensemble]
Medieval, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, [20th Ensemble]
Symphony Orchestra, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
2:57

All Instruments are divided into 2 groups, [Medieval Ensemble] is a group of various medieval instruments, [20th Ensemble] is instruments which belongs symphony orchestra, Then Estampie(intense, energetic, lively, 4beat fast BPM=170-180) is played by [Medieval Ensemble] only, This lasts about 1min, and 30 sec, After 1min, And 30 sec, past, [20th Ensemble] is join and plays Estampie, same tune to [Medieval Ensemble] with modern harmony and orchestration, After it lasts about 2min, Music end, [Medieval ensemble]
Medieval, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, hand drum
[20th Ensemble]
Symphony Orchestra, tonal, medieval, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, BPM=170-180, cymbal, big drum, timpanies, Tambourine, Percussion, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
2:24

All Instruments are divided into 2 groups, [Medieval Ensemble] is a group of various medieval instruments, [20th Ensemble] is instruments which belongs symphony orchestra, Then Estampie(intense, energetic, lively, 4beat fast BPM=170-180) is played by [Medieval Ensemble] only, This lasts about 1min, and 30 sec, After 1min, And 30 sec, past, [20th Ensemble] is join and plays Estampie, same tune to [Medieval Ensemble] with modern harmony and orchestration, After it lasts about 2min, Music end, [Medieval ensemble]
Medieval, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, hand drum, handclap, [20th Ensemble]
Symphony Orchestra, tonal, medieval, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, BPM=190-200, cymbal, big drum, timpanies, Tambourine, Percussion, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
3:07

All Instruments are divided into 2 groups, [Medieval Ensemble] is a group of various medieval instruments, [20th Ensemble] is instruments which belongs symphony orchestra, Then Estampie(intense, energetic, lively, 4beat fast BPM=170-180) is played by [Medieval Ensemble] only, This lasts about 1min, and 30 sec, After 1min, And 30 sec, past, [20th Ensemble] is join and plays Estampie, same tune to [Medieval Ensemble] with modern harmony and orchestration, After it lasts about 2min, Music end, [Medieval ensemble]
Medieval, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, [20th Ensemble]
Symphony Orchestra, tonal, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, BPM=170-180, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
2:25

All Instruments are divided into 2 groups, [Medieval Ensemble] is a group of various medieval instruments, [20th Ensemble] is instruments which belongs symphony orchestra, Then Estampie(intense, energetic, lively, 4beat fast BPM=170-180) is played by [Medieval Ensemble] only, This lasts about 1min, and 30 sec, After 1min, And 30 sec, past, [20th Ensemble] is join and plays Estampie, same tune to [Medieval Ensemble] with modern harmony and orchestration, After it lasts about 2min, Music end, [Medieval ensemble]
Medieval, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, [20th Ensemble]
Symphony Orchestra, tonal, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, BPM=170-180, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
3:11

All Instruments are divided into 2 groups, [Medieval Ensemble] is a group of various medieval instruments, [20th Ensemble] is instruments which belongs to symphony orchestra, Music starts by Madrigale (4 beat, slow, melodic, melancholic, BPM=70-80)
Played by [Mediaval Ensemble] only, It lasts about 1min, After about 1 min, past, [20th Ensemble] is join and plays
Madrigale, same tune to [Medieval Ensemble] with modern harmony and orchestration, This lasts about 1min, After that Madrigale is finish, Then Estampie(intense, energetic, lively, 4beat fast BPM=170-180) is played by [Medieval Ensemble] only, This lasts about 1min, and 30 sec, After 1min, And 30 sec, past, [20th Ensemble] is join and plays Estampie, same tune to [Medieval Ensemble] with modern harmony and orchestration, After it lasts about 2min, Music end, [Medieval ensemble]
Medieval, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, [20th Ensemble]
Symphony Orchestra, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
2:35

All Instruments are divided into 2 groups, [Medieval Ensemble] is a group of various medieval instruments, [20th Ensemble] is instruments which belongs symphony orchestra, Then Estampie(intense, energetic, lively, 4beat fast BPM=170-180) is played by [Medieval Ensemble] only, This lasts about 1min, and 30 sec, After 1min, And 30 sec, past, [20th Ensemble] is join and plays Estampie, same tune to [Medieval Ensemble] with modern harmony and orchestration, After it lasts about 2min, Music end, [Medieval ensemble]
Medieval, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, hand drum, handclap, [20th Ensemble]
Symphony Orchestra, tonal, medieval, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, BPM=190-200, cymbal, big drum, timpanies, Tambourine, Percussion, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
2:35

All Instruments are divided into 2 groups, [Medieval Ensemble] is a group of various medieval instruments, [20th Ensemble] is instruments which belongs symphony orchestra, Then Estampie(intense, energetic, lively, 4beat fast BPM=170-180) is played by [Medieval Ensemble] only, This lasts about 1min, and 30 sec, After 1min, And 30 sec, past, [20th Ensemble] is join and plays Estampie, same tune to [Medieval Ensemble] with modern harmony and orchestration, After it lasts about 2min, Music end, [Medieval ensemble]
Medieval, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, hand drum
[20th Ensemble]
Symphony Orchestra, tonal, medieval, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, BPM=170-180, cymbal, big drum, timpanies, Tambourine, Percussion, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
1:45

All Instruments are divided into 2 groups, [Medieval Ensemble] is a group of various medieval instruments, [20th Ensemble] is instruments which belongs symphony orchestra, Then Estampie(intense, energetic, lively, 4beat fast BPM=170-180) is played by [Medieval Ensemble] only, This lasts about 1min, and 30 sec, After 1min, And 30 sec, past, [20th Ensemble] is join and plays Estampie, same tune to [Medieval Ensemble] with modern harmony and orchestration, After it lasts about 2min, Music end, [Medieval ensemble]
Medieval, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, hand drum
[20th Ensemble]
Symphony Orchestra, tonal, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, BPM=170-180, cymbal, big drum, timpanies, Tambourine, Percussion, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
2:59

Then Estampie(intense, energetic, lively, 4beat fast BPM=180-200) is played by [Medieval Ensemble] only, This lasts about 1min, After 1min, [20th Ensemble] is join and plays Estampie, same tune to [Medieval Ensemble] with modern harmony and orchestration, After it lasts about 2min, Music end, [Medieval ensemble]
Medieval, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, hand drum, handclap, Percussion, [20th Ensemble]
Symphony Orchestra, tonal, medieval, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, BPM=190-200, cymbal, big drum, timpanies, Tambourine, Percussion, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
2:18

Estampie
v4.5
Medieval, bard, Estampie, energetic, lively, intense, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, BPM=170-180, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
3:35

20th century, full symphony orchestra, 4 tube formation, tonal, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, medieval, estampie, Drone bass, lively, nostalgic, brass ensemble, percussion, Tambourine Provence, big drum, timpanies, Cymbal, Harp, Celesta, handbell, handclap, clapboard, Medieval, bard, Estampie, energetic, lively, intense, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, BPM=170-180, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
2:19

20th century, full symphony orchestra, 4 tube formation, tonal, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, medieval, estampie, Drone bass, lively, nostalgic, brass ensemble, percussion, Tambourine Provence, big drum, timpanies, Harp, Celesta, handbell, handclap, clapboard, Medieval, bard, Estampie, energetic, lively, intense, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, BPM=170-180, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
2:13

20th century, full symphony orchestra, 4 tube formation, tonal, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, medieval, estampie, Drone bass, lively, nostalgic, brass ensemble, percussion, Tambourine Provence, big drum, timpanies, Harp, Celesta, handbell, handclap, clapboard, Medieval, bard, Estampie, energetic, lively, intense, lute, fiddle, recorder, hurdygurdy, Tambourine, Rebec, Harp, Viielle, Citole, Lyra, CrwthShawm, Fife, psaltery, BPM=170-180, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto
3:39

Carmina Burana
v4.5
11th century, 13th century, Medieval, female soprano, Ambrosian Chant, Gregorian chant, modal, Mixolydian scale, Ray scale, Dorian mode, Hildegard von Bingen, female, Crwth, Lyra, Psaltery, Vielle, Rebec, Tambourin de Provence, choir, hurdygurdy, lute, harp, fiddle, wooden flute, recorder, positive organ, Tambourine de Provence, intense, energetic, fast, Estampie, ‑Piano solo, ‑piano concerto, ‑concerto
3:58

11th century, 13th century, Medieval, female soprano, Ambrosian Chant, Gregorian chant, modal, Mixolydian scale, Ray scale, Dorian mode, Hildegard von Bingen, female, Crwth, Lyra, Psaltery, Vielle, Rebec, Tambourin de Provence, choir, hurdygurdy, lute, harp, fiddle, wooden flute, recorder, positive organ, Tambourine de Provence, intense, energetic, fast, Estampie, ‑Piano solo, ‑piano concerto, ‑concerto
2:39

11th century, 13th century, Medieval, Ambrosian Chant, Gregorian chant, modal, Mixolydian scale, Ray scale, Dorian mode, Hildegard von Bingen, female, Crwth, Lyra, Psaltery, Vielle, Rebec, Tambourin de Provence, choir, hurdygurdy, lute, harp, fiddle, wooden flute, recorder, positive organ, slow, adagio, no pulse, no measure, Portaging organ, calm, tender, slow, moderato, piano
2:13

2:56

11th century, 13th century, 20th century, Neoromanticism, tonal, London Philharmonic Orchestra, female Choir Cappella Pratensis, HesperionⅩⅩⅠ, female vocal, Brass ensemble, modal, Lydian scale, Mixolydian scale, Ray scale, Dorian mode, Hildegard von Bingen, female, Crwth, Lyra, Psaltery, Vielle, Rebec, Tambourin de Provence, hurdygurdy, lute, harp, fiddle, wooden flute, recorder, positive organ, no pulse, no measure, Portative organ, calm, tender, slow, moderato, BPM=60, ‑Piano solo, ‑piano accompaniment, ‑pano concerto, ‑concerto, ‑violin solo, ‑drums, ‑electric guitar
3:22

11th century, 13th century, 20th century, Neoromanticism, tonal, London Philharmonic Orchestra, female Choir Cappella Pratensis, HesperionⅩⅩⅠ, female vocal, Brass ensemble, modal, Lydian scale, Mixolydian scale, Ray scale, Dorian mode, Hildegard von Bingen, female, Crwth, Lyra, Psaltery, Vielle, Rebec, Tambourin de Provence, hurdygurdy, lute, harp, fiddle, wooden flute, recorder, positive organ, no pulse, no measure, Portative organ, calm, tender, slow, moderato, BPM=60, ‑Piano solo, ‑piano accompaniment, ‑pano concerto, ‑concerto, ‑violin solo, ‑drums, ‑electric guitar
2:51

11th century, 13th century, 20th century, Neoromanticism, Ambrosian Chant, Gregorian chant, tonal, London Philharmonic Orchestra, London Philharmonic Choir, HesperionⅩⅩⅠ, female vocal, Brass ensemble, modal, Lydian scale, Mixolydian scale, Ray scale, Dorian mode, Hildegard von Bingen, female, Crwth, Lyra, Psaltery, Vielle, Rebec, Tambourin de Provence, hurdygurdy, lute, harp, fiddle, wooden flute, recorder, positive organ, no pulse, no measure, Portative organ, calm, tender, slow, moderato, BPM=60, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto, ‑violin solo, ‑drums, ‑electric guitar




