Shittification (w/ ReMi "Beta") 👈🍩👍

A raw blend opens with a sparse delta blues slide riff over handclaps and upright bass, Doo-wop harmonies glide under a reverb-soaked lead vocal, joined by minimal anti-folk strums, The chorus bursts with rockabilly drums, fuzz guitar and layered group vocals, fading into echoing, With warped tape, fragmented field recordings, and erratic found sounds, then explodes into anti-folk punk—frenzied acoustic strums, kitchenware hits, fractured edits, and feedback, It morphs to lo-fi slacker rock fused with acid jazz: Rhodes keys, gritty bass, syncopated drums, scratching turntablism, A swirling brass and glitchy synth bridge erupts into jagged metal, surf guitar, and manic anti-folk, Layers build: brass, organ, bossa percussion, brushed drums, shifting between reverb-heavy guitars, Rhodes, walking bass, and surf breaks, Verses return to jangly anti-folk with sparse beats; then bossa bridges melt into a swirling freeform acid jazz outro, fusing organic chaos with a thick electronic ending, ‑lo-fi, ‑distortion

The song opens with warped tape loops, fragmented field recordings, and unpredictable found sounds for a disorienting ambient intro, It erupts into wild anti-folk punk with frenzied acoustic strums, kitchenware percussion, fractured edits, and surges of feedback, Morphing into lo-fi slacker rock, it fuses acid jazz: Rhodes chords, squelchy bass, syncopated drums, and aggressive turntablism, The bridge brings swirling brass and glitchy synths, before crashing into jagged metal, surf guitar, and manic anti-folk energy, Subsequent sections stack brass, organ, bossa percussion, brushed drums, and dramatic shifts between reverb-drenched guitars, Rhodes, walking bass, and surf breaks, Verses return to jangly anti-folk over sparse beats; the bridge melts into bossa nova before dissolving into a freeform acid jazz outro swirling with organic chaos and heady electronics

Turntablism scratches cut through at the intro, blending with raw delta blues slide guitar, A slow, heavy doom metal rhythm section anchors the verses, while shiny synth leads and explosive glam pop choruses add bold contrast, The drop unites distorted sub-bass, blues licks, virtuoso turntable fills, and vibrant vocal hooks, merging turntablism, EDM, delta blues, doom metal, and glam pop into a dynamic, textured production

Starts with sparse minimal techno beats and deep, pulsing bass, Indie-influenced guitar lines and gentle soft rock keys glide in, giving space, Choruses swell with heavy metal riffs under vintage doo-wop backing vocals, The bridge features stripped percussion, gradually rebuilt with all elements for a dynamic finish, ‑lo-fi, ‑distortion

Opening with ethereal synth pads and psychedelic reversed guitar tones, banjo and mandolin add a bluegrass twang atop vaporwave-inspired chopped samples, Deep, distorted pagan metal guitars drive the chorus, anchored by punchy electronic beats, Sections swirl seamlessly between spacious, dreamy textures and heavy, tribal-infused metal breakdowns, layered with trippy electronic effects and organic string flourishes, indietronica, psychedelic, vaporwave, bluegrass, pagan metal, ‑lo-fi, ‑distortion

The track layers classic rock electric guitars and tight live drums as a base, with sweeping ambient synths, lush classical strings, and resonant piano adding depth, Vaportrap hi-hats flicker atop deep 808s and chopped samples, Gabber kick bursts energize intense peaks; airy, textural breakdowns highlight rich dynamics, ‑lo-fi, ‑distortion

Opening with bright Motown-style horns and rhythmic guitar, the track quickly layers in smooth yacht rock electric piano and steady groove bass, Verses blend airy new age pads beneath lush harmonies, The pre-chorus smoothly transitions with pulsing synths, exploding into a rave-inspired chorus driven by thumping techno drums, chopped vocal samples, and swirling effects, A breakdown highlights the cinematic new age textures before returning to the energetic hybrid groove for the finale, Motown, yacht rock, new age, rave, techno, ‑lo-fi, ‑distortion

This eclectic song starts with a breezy acoustic guitar riff paired with relaxed, filtered synth pads and distant vocal chops, The verse layers mellow cloud rap beats with subtle Latin percussion, The chorus bursts into vibrant salsa-inspired horns and tight K-pop harmonies, topped by sparkling chillwave textures and punchy bass, then slides back to a nuanced acoustic groove for the outro, ‑lo-fi, ‑distortion

Begin with bright, syncopated clean guitar riffs (math rock influence) interlocking with punchy Midwest emo chord progressions, Verses alternate laid-back hip hop grooves and airy R&B synths, while the chorus surges with uplifting Christian rock energy—group vocals, dynamic drums, and melodic bass lines, Frequent tempo and time signature shifts maintain intrigue and technical flair, while expressive breakdowns fuse spoken rap cadences with emotive guitar leads, ‑lo-fi, ‑distortion

The song opens with warped tape loops, fragmented field recordings, and unpredictable found sounds for a disorienting ambient intro, It erupts into wild anti-folk punk with frenzied acoustic strums, kitchenware percussion, fractured edits, and surges of feedback, Morphing into lo-fi slacker rock, it fuses acid jazz: Rhodes chords, squelchy bass, syncopated drums, and aggressive turntablism, The bridge brings swirling brass and glitchy synths, before crashing into jagged metal, surf guitar, and manic anti-folk energy, Subsequent sections stack brass, organ, bossa percussion, brushed drums, and dramatic shifts between reverb-drenched guitars, Rhodes, walking bass, and surf breaks, Verses return to jangly anti-folk over sparse beats; the bridge melts into bossa nova before dissolving into a freeform acid jazz outro swirling with organic chaos and heady electronics

Fingerpicked acoustic guitar and upright bass introduce an authentic country base, mandolin and banjo adding bluegrass flair, Lap steel guitar weaves bluesy lines, The chorus intensifies with country rock drums and layered harmonies; electric guitar, upright bass, and lively fiddle drive a rockabilly pulse, Crisp piano, playful fiddle, and organ stabs join in the choruses, while dobro, electric solos, and harmonica trade phrases throughout, Honky-tonk energy is propelled by walking upright bass, offbeat dancehall drums, slapback effects, and energetic instrumental interplay

Opens with experimental ambient layers: warped tape loops, unpredictable field recordings, fragmented found sounds, Abruptly erupts into anti-folk punk—frenzied acoustic strumming, clattering kitchenware, musique concrète textures, jarring edits, noisy feedback, Slacker rock chaos segues into an anti-folk/acid jazz blend: lo-fi guitar, Rhodes chords, live bass, syncopated drums, inventive turntablism, The bridge explodes with swirling brass, glitchy synth stabs, and playful syncopated percussion, yielding a kinetic, off-kilter finale that bridges machine precision with raw human eccentricity, ‑lo-fi, ‑distortion