5:12
Aggressive trap, phonk, klezmer, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
5:18
Hard-hitting trap drums and a dark, distorted guitar riff drive the track, layered with textured phonk samples and haunting vocal chops, 808s hit deep under crisp hi-hats and snappy snares, building tension through half-time drops, The bridge spotlights eerie keys and wah-pedal guitar licks
4:29
Aggressive trap, phonk, klezmer, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
3:09
Hard-hitting trap drums and a dark, distorted guitar riff drive the track, layered with textured phonk samples and haunting vocal chops, 808s hit deep under crisp hi-hats and snappy snares, building tension through half-time drops, The bridge spotlights eerie keys and wah-pedal guitar licks, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
4:27
Surf, evil, sinister, dark, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
2:31
2:22
3:39
2:45
2:55
Hard-hitting trap drums and a dark, distorted guitar riff drive the track, layered with textured phonk samples and haunting vocal chops, 808s hit deep under crisp hi-hats and snappy snares, building tension through half-time drops, The bridge spotlights eerie keys and wah-pedal guitar licks, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
4:48
1:11
Aggressive trap, phonk, klezmer, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
4:18
Aggressive trap, phonk, klezmer, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
2:56
Hard-hitting trap drums and a dark, distorted guitar riff drive the track, layered with textured phonk samples and haunting vocal chops, 808s hit deep under crisp hi-hats and snappy snares, building tension through half-time drops, The bridge spotlights eerie keys and wah-pedal guitar licks
4:39
Fast dark Irish, metal, choir, symphonic, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
3:45
Aggressive trap, phonk, klezmer, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
4:20
proto doom metal, occult rock, evil, sinister, haunting choir
5:11
proto doom metal, occult rock, evil, sinister
4:50
proto doom metal, occult rock, evil, sinister
1:35
Fast dark Irish, metal, choir, accordion
3:20
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
3:26
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
4:04
The Emperor (Remix)
v4.5+
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
3:53
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
3:55
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
3:09
Beyond (Remix)
v4.5+
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
4:43
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
5:18
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
4:20
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
6:01
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
3:30
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
5:24
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
3:44
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
4:30
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
3:36
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
5:18
Ravn (Remix)
v4.5+
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
3:56
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
3:49
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
5:11
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
4:26
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
4:30
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
4:44
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
3:52
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
2:29
Allergory (Remix)
v4.5+
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
4:37
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
3:39
Nâmtaru (Remix)
v4.5+
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
2:29
Via Dolorosa (Remix)
v4.5+
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
2:47
Via Dolorosa (Remix)
v4.5+
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones
3:07
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones, ‑Vocals, ‑male vocals, ‑female vocals, ‑growls, ‑screams, ‑singing
3:54
Acoustic guitar played in a finger style, playful yet haunting tone, in a minor key, in a gypsy jazz style with dissonance used playfully, also with an aggressive, sinister, evil sound, with a liberal use of tritones