
Echoes of Havanna
Echoes of Havanna ist ein Album über Ankommen ohne Anspruch. Über Zuhören, Nachtluft, offene Fenster und Rhythmen, die bleiben. Keine Postkarte – ein Nachklang.
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13 songs
5:21

Progressive urban ballad with slow forward motion, inspired by late-70s PPink Floyd’s emotional restraint and Genesis-style pacing, Sea ambience and distant seagulls in the intro, Warm nylon guitar, deep round bass, subtle Latin percussion like wind movement, very distant flugelhorn, Calm, observant male vocal singing about arriving by ship in Havana, salt air, unfamiliar scents, and a quiet first impression, Spacious, cinematic, reflective, No dramatic climax, open ending, Ballade, Gitarrensolo, Melodic, Harmony, Rhythm, Kubanischer Musik, Buena Vista Social Club Presents
4:26

Progressive atmospheric rock blended with authentic Cuban street music, Pink Floyd–style spaciousness and inner pull, Genesis-like forward motion and subtle rhythm changes, fused with raw, human Cuban grooves inspired by Buena Vista Social Club, Warm bass, understated guitars, light percussion, organic hand rhythms, distant street music feel, Male vocal, calm but increasingly drawn in, as if the music outside cannot be ignored, Cinematic, nocturnal, hypnotic, understated, ätherisches Klavier, fühlen, Wohlfühlen, live band, Balladen-Pop, Ohrwurm, Popballade, Lateinamerikanische Fusion, rhytmic
3:38

A rhythmic progressive art-rock song at 100 BPM, mixing analog synth arpeggios, echo guitars, and steady drums, Urban slow-groove with cinematic restraint, Warm bass, subtle Latin percussion, relaxed tempo, Old American car cruising through Havana, confident but understated male vocal, Themes of being watched, exotic presence, heat, chrome, and arrival at a vintage hotel with a slow ceiling fan rhythm, Stylish, sensual, unhurried, film-like, Progressive rock with forward motion, inspired by Pink Floyd’s emotional restraint and Genesis-style pacing, improvisiert, sanfte Basslinie, mädchenhaft
3:27

Progressive atmospheric rock with Cuban influences, Pink Floyd–style spaciousness and restraint, Genesis-like forward motion and structure, blended with warm Cuban rhythms inspired by Buena Vista Social Club, Slow to mid-tempo, deep melodic bass, subtle Latin percussion, gentle guitar motifs, airy synth pads, expressive but understated male vocal, Emphasis on atmosphere, groove, and emotional space rather than hooks or drama, sanfte Basslinie, harmony, leise e-gitarre
3:01

Traditional Cuban song built around piano, trumpet, upright bass, hand percussion (congas, bongos, claves) and subtle guitar, Calm, experienced mood, warm and human, inspired by Buena Vista Social Club, Blended with Pink Floyd–style spaciousness and emotional depth, and Genesis-like subtle forward motion and structure, No show, no polish – authentic, timeless, dignified, Male vocal optional, understated, storytelling presence
3:42

Duet, male and male vocals, alter Mann (male) and The Urban Listener (male), clear voice separation, Progressive Cuban duet with dignity and restraint, Traditional Cuban instrumentation (piano, trumpet, upright bass, hand percussion) blended with Pink Floyd–style spaciousness and emotional depth, and Genesis-like subtle forward motion, Two male voices: one aged, warm, experienced; one calm, modern, observant, Shared chorus sung together, respectful and unhurried, No showmanship, no polish – timeless, classy, human, intimate live-bar atmosphere, Cinematic, nocturnal, hypnotic, understated, ätherisches Klavier, fühlen, Wohlfühlen, live band, Balladen-Pop, Ohrwurm, ambient, melodic electric guitar
4:27

Progressive romantic ballad with Cuban atmosphere, Strong Pink Floyd–style spaciousness, emotional restraint and floating night mood, blended with Genesis-like melodic movement and gentle forward flow, Warm bass, soft guitar lines, subtle keys, light Latin percussion, hints of street rhythm and sea air, Male vocal intimate and calm, expressing attraction, walking together at night, shared silence, warmth and closeness, Cinematic, humid, tender, timeless love song, Wohlfühlen, live band, Balladen-Pop, Ohrwurm, ambient, melodic electric guitar, Lovesong
3:48

Progressive dance-driven track blending Cuban club music with Pink Floyd–style trance and Genesis-like forward motion, Rumba and salsa rhythms, congas, claves, deep bass, driving percussion, warm piano accents, Hypnotic, chant-based vocal hook repeating “dance dance we are dance” for collective singalong, Hot, crowded Havana club atmosphere, physical movement, sweat, joy, unity, No polish, no glamour – raw, rhythmic, ecstatic, human, Ohrwurm, DJs, ansteckende Melodien, genialer Klang
4:57

Soft, intimate nocturnal ballad with Cuban atmosphere, Very quiet, emotional delivery, Pink Floyd–style spaciousness, long breaths and harmonic depth, blended with Genesis-like gentle melodic flow, Warm bass, subtle guitar or piano, light percussion, distant sea ambience, Whispered male vocal, tender and restrained, focused on walking along Havana’s Malecón after midnight, sea breeze, shared silence and closeness, Romantic, slow, immersive, meant to be felt rather than noticed
3:43

Soft, intimate farewell ballad, Very quiet, emotional delivery, Pink Floyd–style spaciousness and fragility, with Genesis-like gentle melodic flow, Minimal instrumentation: warm bass, sparse guitar or piano, subtle ambient textures, Whispered male vocal, restrained and vulnerable, Theme of parting, time running out, unspoken feelings, and missing someone before leaving, Short, delicate, heartbreaking, unresolved, Herzschmerz, Erinnerung, Ohrwurm, Gesangsschichten
5:07

Quiet, sacred reflective ballad set inside a Havana cathedral, Very soft, restrained delivery, Pink Floyd–style spaciousness, long reverbs and inner stillness, combined with Genesis-like gentle melodic flow, Sparse instrumentation: warm bass, subtle organ or piano, light guitar, minimal percussion, Whispered male vocal, contemplative and humble, Atmosphere of San Cristóbal Cathedral in Old Havana, candles, stone, light, silence, faith without dogma, Meditative, reverent, deeply emotional, Progressive urban ballad with slow forward motion, inspired by late-70s PPink Floyd’s emotional restraint and Genesis-style pacing
3:06

Upbeat, lighthearted urban song with Cuban morning atmosphere, Warm groove inspired by classic Cuban rhythms and street life, blended with subtle Pink Floyd–style ease and Genesis-like melodic flow, Bright bass, gentle piano, relaxed guitars, light percussion, Male vocal cheerful and observant, slightly smiling, Theme of riding a taxi through Havana, seeing vintage American cars, breakfast moments, and the feeling that time has slowed down, Playful, warm, human, optimistic, Progressive urban ballad with slow forward motion, inspired by late-70s PPink Floyd’s emotional restraint and Genesis-style pacing, Cinematic, Wohlfühlen, Balladen-Pop, Ohrwurm, ambient, melodic electric guitar
5:19

Progressive orchestral rock finale with Cuban soul, slightly faster forward motion, Full orchestra used with restraint: sweeping strings, warm horns, subtle woodwinds, Cuban piano, bass, very light hand percussion and a melancholic trumpet, Genesis-style sense of movement and progression, Pink Floyd–style emotional restraint and spaciousness, Cinematic night-flight atmosphere, feeling of acceleration and lift-off, Calm male vocal floating over the motion, Repeating vocal motif “Ha–vanna–aaa” as distant echo, Final whispered line: “I’ll be back”, Expansive, dignified, open-ended, Hymne, Gesangsschichten, Cinematic, Ohrwurm, ambient, melodic electric guitar
