宇宙系

Genre: Berlin School Electronica, Ambient, Core Sound Design: • Two Independent Pulse-Tone Sequences (Hard Pulse Wave), Panned Hard Left/Right, Must be Strictly Non-Tonal, mechanical, interlocking rhythmic patterns, • Glitch: Occasional short bursts of micro-sampled rhythmic phrases (stuttering/glitching), • Bass: Hard, Square Wave, Minimal Decay, Extremely Repetitive, • Drums: TR-909 (Kick, Snare, Hi-Hat), Loud, Tight, Dry, Mechanical, Monochromatic Repetition, • Soundscape: Vast, Cold, Desolate, Extreme Long-Tail Reverb/Delay on Pulses (Space mimic), Low-mixed high-freq Noise-Oscillator (Emptiness), All sounds: Analog Grain/Gritty texture, Tempo: 90 BPM, Groove must be Strict and Unchanging, Vocal: Low-Tone Female Vocalist, Style: Monotone, Emotionless, Spoken-Word Narration, Vocal Treatment: Subtle short-wave radio-like degradation (low-bitrate/HPF) to emphasize long-distance transmission and coldness, Vocal should be mixed as another instrumental layer

Genre: electronica × dream pop × folktronica × music concrete Core Sound Design: • Two Independent Pulse-Tone Sequences Panned Left And Right, Each Playing Different Non-Tonal Rhythmic Phrases, • smooth Analog Synth Bass • Tr-909 Style Kick And Snare (Tight, Dry), • Occasional Short Sine-Wave Motif In The Center (Also Non-Tonal), Tempo: 90BPM vocal: lfemale voclist, on mic, dry voice, low tone

ambient techno × modern jazz × technotronica, 115 BPM, dry and close-up female monotone vocals, Minimal analog drone and dry pulsing rhythm, Gradual harmonic rise leading into a luminous chorus with resonant Moog-lead overtones, Cosmic layered effects and an expansive stereo field create deep emotional resonance

Genre: Berlin School Electronica × Experimental Ambient × Music Concrete Core Sound Design: • Two Independent Pulse-Tone Sequences (Hard Pulse Wave), Panned Hard Left/Right, Must be Strictly Non-Tonal, playing mechanical, interlocking rhythmic patterns, • Bass: Hard, Monophonic Square Wave Bass with Minimal Decay, Extremely Repetitive and Unwavering, • Drums: TR-909 Style Drums (Kick, Snare, Hi-Hat), Loud, Tight, and Extremely Dry, Emphasize Mechanical and Monochromatic Repetition, • Soundscape: Vast, Cold, and Desolate, Use Extreme, Long-Tail Hall Reverb and Tape Delay on Pulses to mimic Space, All sounds must have an Analog Grain/Gritty texture, Tempo: 90 BPM, Groove must be Strict and Unchanging, Vocal: Low-Tone Female Vocalist, Style: Monotone, Emotionless, Spoken-Word Narration, Vocal should be Dry (minimal FX) and mixed as another instrumental layer

[Style / Arrangement Prompt] [Genre]: Soft Rock / melodic, groovy, slightly moody, lightly atmospheric [Band Setup]: 4-piece band - Drums: steady, understated, soft dynamics, minimalistic to create space and tension - Bass: muted fingerstyle, groovy, warm but with subtle darkness - Guitar 1: lyrical electric arpeggios, melodic, slightly melancholic, slightly shoegazed - Guitar 2: edgy rhythmic strumming/cutting, adding tension and shadow [Vocal1 Character]: introspective, whispery, breathy, slightly hopeful, noticing companions, reflective; timbre resembling a light, airy Caucasian male/female singer, delicate articulation, clear tone [Vocal2 Character]: calm, factual, low pitch, distant, observational, grounded; timbre resembling a deeper, warm Black male/female singer, soulful, resonant, slightly husky undertone [Duet/Harmony Character]: V1 breathy & V2 calm, gradually overlapping, supportive yet still lonely, reflective, subtly haunting

Instrumental Only, Genre: IDM × Experimental Electronic × Space Ambient (no pads), Tonal Character: • Strongly non-tonal, ambiguous harmony throughout, • No clear key center; avoid chord progressions, • Intervals never resolve; evolving dissonances, Core Sound Design: • Two independent pulse-tone sequences panned left and right, each playing different non-tonal rhythmic phrases, • Deep-resonance analog synth bass with unstable, ambiguous pitch movement, • TR-909 style kick and snare (tight, dry), • Occasional short sine-wave motif in the center (also non-tonal), Special Middle Section (Black Hole Collapse): • In the middle of the track, introduce a dramatic, chaotic “black hole collapse” section, • Thick, heavily distorted analog-synth tones surge forward, almost sucking everything inward, • FM-synthesis pulse tones clash and compete with the distorted analog synth, creating a violent push-and-pull texture, • Increase density, modulation depth, distortion

Genre: Minimal Techno × Shoegaze Mood: Cold, Frustrated, Floating, Melancholic, Slightly Detached Tempo: 85 BPM, Steady Minimal Groove with Subtle Unease Instruments: - Electric Guitar: heavily reverbed, delay-rich, washed-out shoegaze tone - Synth / Pad: minimal repeating arpeggios, filter modulation, slightly detuned for tension - Bass: soft, low-end support, subtle movement to enhance depth - Drums / Percussion: sparse, minimal techno-inspired pattern, brushed hi-hat, dry snare, subtle fills - Effects: delay, reverb, modulation to create a sense of unreachable memory Vocals: - Slightly dry, breathy tone, intimate and detached - Emotion: frustration, subtle self-critique (“cold, right?”) - Processed with light reverb and delay, sitting in the ambient mix rather than upfront - Focus on delivering “届きそうで届かない” / “淡い光” / “Pale Memory” phrases naturally Arrangement: - Verse: minimal loops, sparse texture, highlight cold, detached mood - Pre-Chorus / B-Melody: ge

shoegaze-influenced indie rock, minimal, alt-pop × technotronica × 70's progressive rock, 110 BPM, female vocals, slightly shouted, dreamy, ethereal, Japanese lyrics

Intro – Distorted arpeggio guitar (slow tremolo, long decay) Verse 1 – Low, calm vocal, sparse drum hits Pre-Chorus (optional) – Rising bass drone + feedback swells Chorus – Full band, heavy yet spacious Interlude – Gated reverb guitar + sustained feedback Verse 2 – Dynamic contrast (slightly cleaner tone) Chorus – Wider harmony, melodic guitar lead Outro – Fading arpeggio feedback

mid-tempo ambient psychedelic techno with 60s soft rock and bleep influences, Verses feature restrained, mantra-like vocals over a minimal drone and dry analog pulse, Bridge gradually introduces brighter harmonies and rising resonance, In the Chorus, the melody opens up into a wide, luminous space — airy, expansive, and emotional — with sitar-like overtones, layered cosmic