Find my Protest

“Aggressive war-themed blues trap remix of ‘Machine Gun’ with distorted electric guitar riffs, heavy 808s, machine gun snare FX, helicopter and battlefield ambience, blues gospel vocal fragments, slow eerie melodic lines, war radio static, gritty spoken word verses, multisampling, looping, protest energy, and cinematic tension, ”

(Genre) Blues-hop, Boom Bap, Southern Hip Hop, Gritty Soul (Instrumentation) Massive and distorted 808 bass with long decay, slow and heavy breakbeat (think Alchemist or early Griselda), sparse and haunting electric guitar licks, occasional record scratches, atmospheric tension, The drum loop should have a dusty, sampled quality, (Vocals) Deep, gravelly, world-weary male voice, Rhythmic, almost spoken-word delivery with bursts of soulful emotion, Gritty, raw, close-mic'd, with ad-libs, a blues-influenced Freddie Gibbs, or CL Smooth with more grit, (Production) Lo-fi, raw, minimalist, dark, bass-heavy, The 808 should be the centerpiece, shaking the mix, A feeling of smoky, late-night cynicism, ```

Stripped-Back Acoustic / Singer-Songwriter (The Intimate, Weary Version) · Why it fits: Imagine a version sung not with a shout, but with exhausted, simmering fury, Just a voice, an acoustic guitar, and maybe a harmonica, Think early folk music (of course), but also modern folk artists more political moments, It feels personal and devastatingly direct, · Suno Prompt Tip: "Dark folk singer-songwriter, mournful male vocal, fingerpicked acoustic guitar, close-mic'd intimate recording, lyrics of societal collapse, haunting melody, 1960s Greenwich Village vibe, "

Style Prompt: Lo-fi glitch folk with a subtle hip-hop groove, dusty vinyl crackle, warbly acoustic guitar, soft tape saturation, off-grid percussion, gentle glitches and stutters, intimate male vocal, nostalgic and slightly melancholic, warm but imperfect, late-night porch energy Mood / Theme Notes: Reimagining the traditional song “Tomorrow Is a Lovely Day” as a reflective modern folk meditation, hopeful but weary, memory-soaked, sunrise-after-a-long-night feeling

(Genre) Blues-hop, Southern Hip Hop, Soul, Gritty Blues (Instrumentation) Deep 808 bassline with long sustain, slow BPM, heavy and sluggish hip hop beat, haunting electric guitar licks (like R, L, Burnside sparse piano chords, atmospheric vinyl crackle and hiss (Vocals) Raw and gritty male baritone voice, soulful, strained, emotional, close-mic'd, slightly distorted, reminiscent of Bobby Bland, Howlin' Wolf, or a bluesy DMX, Ad-libs and grunts, (Production) Lo-fi, raw, minimalist, dark, atmospheric, heavy bass presence, the 808 should shake the foundation

· Prompt 1 (Blues-Rap Focus): Hip hop with blues hop style, slow tempo, gritty male vocal, deep 808 bass, soulful electric guitar riffs, melancholic piano chords, lyrical flow similar to early Logic or A Tribe Called Quest, subject matter is serious and historical

[Style: Boom Bap, Experimental Folk, Lo-Fi] A sample-based grass-hop banger, The beat is built on a looped, gritty sample of a hammer strike and a train sound, A classic boom-bap drum break (kick, snare, hi-hat) lays the groove, A deep 808 sub-bass provides weight, The main melody is a chopped and screwed banjo riff, The male vocals are a confident, rhythmic rap, The production is raw and dusty, like a lost track from a hip-hop producer who found a field recording from a railroad

· Prompt for Style: "Latin trap reggaeton protest song, melancholic flute melody, heavy 808 bass, dembow rhythm, raw emotional male switch between melodic auto-tune and aggressive rapping, atmospheric and sad, " · Mood: "Angry, melancholic, resilient, protest, powerful, emotional, " · Structure: Use the lyrics exactly as provided, marking the sections · Instrumentation: Suggest "acoustic guitar sample, trap drums, sub-bass, mournful flute, sparse piano in the bridge, "

"A live performance of a blues-trap fusion ballad titled 'Forty Acres Never Came, ' Male lead vocal with a weathered, soulful tone — deep Delta blues grit meets modern trap cadence, Backed by sparse slide guitar, gospel organ swells, 808s, and a haunting female harmony, The lyrics tell the story of generational betrayal, broken promises of freedom, and the spiritual weight carried through the Jim Crow South, Gospel choir joins the chorus with lines like 'We still waitin’ on that land they swore was ours, ' The vibe is cinematic, mournful, and powerful — recorded in a Southern juke joint before a hushed crowd, "

Style: The Dead South, modern bluegrass, punk-bluegrass, folk punk, Raw, nasal male vocals, cynical and narrative vocal delivery, gang harmonies, Punchy, percussive banjo rolls, choppy mandolin, melodic and gritty cello lines, slapping upright bass, Ragtime rhythm, foot-stomping, driving 4/4 beat, Dark, witty, and cynical lyrics, Key of A minor

“Epic cinematic trap remix of ‘All Along the Watchtower’ with orchestral strings, thunder FX, distorted electric guitar riffs, haunting gospel choir vocals, deep 808s, war drums, ambient soundscapes, stormy atmosphere, apocalyptic blues-hop vibe, prophetic spoken word verses, dramatic dynamic build, ”

Reimagine Howlin’ Wolf’s “Killing Floor” as a hard-hitting blues-hop banger with aggressive energy and tight trap production, Use chopped and percussive samples of Wolf’s original vocal lines (“I shoulda quit you…”) and stutter them into the hook, Layer with distorted blues guitar riffs, stomping footstep samples, harmonica stabs, and hard slap snares over heavy 808s, Tempo should push forward with attitude — fast for a blues beat, but grounded in that swampy, southern soul, Vocal flow should be confident, pissed off, and raw—blues phrasing over rap cadence, storytelling in bars, Add warping FX like amp buzz, vinyl screech, and reversed slide loops, Think: Black Keys x Freddie Gibbs x Howlin’ Wolf, Tempo: ~96 BPM, Key: Minor, Energy: relentless and hard-edged, Let it feel like stomping across the floor of a shotgun shack with blood on your boots

Blues in E, mid-tempo stomp with slide guitar & heavy kick, Gritty Southern blues with foot-stomping rhythm, haunting slide guitar, and deep male vocals, Mid-tempo electric Delta blues with protest soul, Powerful storytelling lyrics about Depression-era Black boycotts against white-owned businesses that refused to hire Black workers, Raw and defiant mood, with themes of economic resistance, pride, and justice, Mix of blues grit and marching intensity, capturing the spirit of “Don’t Buy Where You Can’t Work” campaigns, Sharp guitar licks, punchy drums, and a heavy groove that sounds like boots on pavement and fists on signs

Slow, dark Delta blues with mournful male vocals, Raw slide guitar, deep acoustic rhythm, light train-whistle harmonica, Heavy lyrical focus on injustice, lynching, racial terror in 1930s Mississippi, Gritty, atmospheric, haunting tone like Son House or Skip James, with storytelling intensity

Upbeat Delta blues with strong rhythm, driving slide guitar, and powerful male vocals, Themes of labor organization, protest, racial justice, and collective defiance, Raw acoustic energy with emotional grit and hopeful rebellion, Perfect for a work-song-style anthem

Delta blues with slow, stomping rhythm and gritty male vocals, Slide guitar, acoustic groove, emotional storytelling, Themes of racial inequality, labor injustice, and Jim Crow laws during the Great Depression, Blues of survival, pride, and resistance

Slow, minor-key Delta blues with dark Southern Gothic tone, Gritty male vocals, haunting slide guitar, and minimal percussion, funeral heavy with single harmonica, Themes of racial violence, injustice, loss, and memory, Emotional storytelling based on the 1921 Tulsa Race Massacre, Deeply reflective and sorrowful

Delta blues, dark southern blues with modern folk and gospel undertones, Gritty male vocals, slide guitar, harmonica, soft rhythm mimicking train wheels, Themes of racial identity, labor, dignity, and legacy, Slow-burning, soulful, and powerful with emotional depth and Southern storytelling

**Style:** *Gritty Delta Blues meets Modern Folk (live music in a small setting)* **Tempo:** Sludge-slow (72 BPM) **Atmosphere:** Haunting, raw, with chain-se) - `[12-string guitar: Thumb-slapped bass notes + high-string trembles]` - `[Foot stomps on 2 & 4]` - `[Distant harmonica wail (D minor)

A slow, sludgy, and groovy rock anthem, The guitar tone is incredibly fuzzy and distorted, The bass is melodic but massive, The drums are simple and heavy, The male vocals are a deep, filtered, almost lazy baritone, dripping with a mix of menace and devotion, The vibe is dark, bluesy, and relentlessly heavy, The subject matter is an obsessive, weird love

Style Prompt: Americana, Alt-country, gritty male vocals, acoustic guitar, slide guitar, mournful fiddle, stomps and claps, dusty production, soulful, 90 BPM, 2, Delta Blue

Prompt: Dark folk singer-songwriter, mournful male vocal, fingerpicked acoustic guitar, close-mic'd intimate recording, 1960s Greenwich Village vibe, themes of societal collapse and digital distraction, haunting melody, slow tempo, simmering fury, 5-minute duration, occasional mournful harmonica

"Conscious Latin Hip-Hop, fusion of traditional Cuban son and modern trap, Clean acoustic guitar playing Guantanamera melody over punchy 808 beat with son clave rhythm, Male vocals alternating between anthemic Spanish singing and articulate English rapping, Proud, confrontational, hopeful tone, Warm, polished production, "

folk, 60s folk, protest, acoustic, unusual metaphor, vivid imagery, gospel blues, slave song, male vocals