Bang On!

Live festival opener, then drops into the rest of the song, Start with loud crowd cheers/whistles (2–4 bars), Optional short MC pre-roll (outside the song), then instrumental intro hook, Core: cinematic trip-hop backbone → loop-driven big-beat drums; ultra-low resonant sub; analog pads; tape-wobble keys; gritty percussive engine; wide stereo; 1-bar breath mute before drops, Vocals policy: ONE hook only by Vashyn (pronounced “Vash-On”), sing the written lines verbatim—no ad-libs, no extra lyrics, After the hook, trigger a giant bass drop with full-time breakbeat and perceived double-time hats, Energetic, optimistic, rebel-unite mood, 4/4, ~98 BPM, minor with bright color tones, End widescreen and triumphant

trip-hop x big beat, 108 BPM, 4/4, A Dorian; UNKLE mood—cinematic strings/pads, dusty break loops, chunky vinyl drums, saturated Reese/sub, grimy guitar stabs, filtered/phase synth arps, tape hiss + analog delay throws; nocturnal, introspective, urban; vocal = intimate, breathy lead with tight doubles only on the hook, mild distortion/telephone layer tucked; wide stereo but center-anchored kick/bass; punchy bus comp, gentle tape grit; avoid trap hats, EDM supersaws, talky spoken-word, bright pop gloss

Instrumental only: Evolving cinematic alt-pop over breakbeats: begin with sketchy, weird, heavily syncopated drums (off-kilter kicks, late snares, odd ghost-note clusters), granular “broken-signal” bleeps, detuned beacons, and stuttering mutes, As sections progress, drums cohere into halftime breakbeat, then resolve to full-time breakbeat with tight ghost notes and finally to festival-scale anthem with perceived double-time hats, wide stereo, and low brass/choir swells, Ultra-low resonant sub that blooms on downbeats; analog pad drones, tape-wobble keys, refraction-like reverses, Humanized timing (no hard quantize), velocity variance, mic bleed/room tail, Narrative, no spoken-word; emotive lead with stacked harmonies in hooks, Dramatic 1–2 bar dropouts emulate signal loss, then triumphant, clear, coherent final hook, Noir, neon-edge mood with rain-slick depth

Cinematic trip-hop intro → dusty strings, vinyl crackle, detuned pads, lo-passed break, spoken-grain vox; then build to explosive big-beat drop with chunky breakbeats, distorted bass, acid squelch, filter sweeps, call-and-response synth stabs, 124 BPM, D minor, moody→euphoric arc, wide stereo, punchy parallel drums, sidechained pads, tape-saturated master, ‑VOCALS

Cinematic trip-hop intro → dusty strings, vinyl crackle, detuned pads, lo-passed break, spoken-grain vox; then build to explosive big-beat drop with chunky breakbeats, distorted bass, acid squelch, filter sweeps, call-and-response synth stabs, 124 BPM, D minor, moody→euphoric arc, wide stereo, punchy parallel drums, sidechained pads, tape-saturated master, ‑VOCALS

Instrumental only, Cinematic trip-hop intro—vinyl crackle, dusty strings, detuned analog pads, low-passed breakbeat, reverse swells—then resolve into a huge big-beat drop with chunky layered breaks, distorted mono bass riff, 303-style acid flickers, filter sweeps, call-and-response synth stabs, 124 BPM, D minor, 4/4, Sidechained pads, parallel-compressed drums, tape-saturated master

Instrumental only, Cinematic trip-hop intro—vinyl crackle, dusty strings, detuned analog pads, low-passed breakbeat, reverse swells—then resolve into a huge big-beat drop with chunky layered breaks, distorted mono bass riff, 303-style acid flickers, filter sweeps, call-and-response synth stabs, 124 BPM, D minor, 4/4, Sidechained pads, parallel-compressed drums, tape-saturated master

Instrumental only, Cinematic trip-hop intro—vinyl crackle, dusty strings, detuned analog pads, low-passed breakbeat, reverse swells—then resolve into a huge big-beat drop with chunky layered breaks, distorted mono bass riff, 303-style acid flickers, filter sweeps, call-and-response synth stabs, 124 BPM, D minor, 4/4, Sidechained pads, parallel-compressed drums, tape-saturated master, ‑VOCALS

Festival-opening, scratch-forward instrumental with sparse, memorable vocal hooks, Human band feel; live breakbeat kit evolves from sketchy sync into confident full-time, then anthemic perceived double-time hats, Warm analog pads, tape-wobble keys, ultra-low resonant sub blooming on downbeats, Turntablism as lead: transform, chirp, flare, crab, baby scratches; tasteful backspins and needle-drops; authentic crossfader cut-lag and vinyl patina, Vocal is minimal—only short sung hook phrases (no spoken-word narration), often delivered as one-shots for scratching; one full sung hook near the end, One-bar breath/mute before big hooks (sub + beacon only), Noir, welcoming, rain-lit vibe; wide stereo; dramatic pre-drop pauses

trip-hop x big-beat, 100–118 BPM, 4/4, minor/Dorian, Cinematic pads/strings, dusty crate-style breakbeats (lazy swing), layered vinyl drums, saturated Reese/sub bass with gentle sidechain, tremolo guitar stabs, filtered/phased synth arps (no glossy leads), short boxy plate/room verbs for “basement” vibe, Wide image; mono-solid kick/bass; tape grit; punchy bus comp

Cinematic trip-hop intro → dusty strings, vinyl crackle, detuned pads, lo-passed break, spoken-grain vox; then build to explosive big-beat drop with chunky breakbeats, distorted bass, acid squelch, filter sweeps, call-and-response synth stabs, 124 BPM, D minor, moody→euphoric arc, wide stereo, punchy parallel drums, sidechained pads, tape-saturated master, ‑VOCALS

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws

Cinematic trip-hop intro → dusty strings, vinyl crackle, detuned pads, lo-passed break, spoken-grain vox; then build to explosive big-beat drop with chunky breakbeats, distorted bass, acid squelch, filter sweeps, call-and-response synth stabs, 124 BPM, D minor, moody→euphoric arc, wide stereo, punchy parallel drums, sidechained pads, tape-saturated master, ‑VOCALS

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy: crunchy break loops, distorted Reese/sub bass, fuzzed guitar stabs, phased synth arps, filtered noise risers; anthemic, optimistic mood despite grit; vocal only pre-chorus + chorus (female lead w/ tight doubles, gang shouts on hook phrase “Golden error signal”), call-and-response feel; wide stereo, punchy bus compression, tape grit, no spoken word; avoid trap hats/EDM supersaws; end with chantable hook outro

A dynamic track blending theatrical pop with cinematic trip-hop, Begin with quirky AJR-style orchestration—brass stabs, string swells, claps, and layered choral textures—playful yet dramatic, Build into deep, dusty breakbeats with heavy 808s and resonant wood basslines, in the spirit of dark trip-hop, Add glitch textures, reversed samples, and atmospheric synths, creating tension and contrast, Turntablism is woven in: scratches, vinyl crackle, and chopped sample fragments punctuate transitions, Vocals (if present) should balance AJR’s energetic, anthemic delivery with brooding, half-spoken textures, layered and filtered for cinematic impact, The song should shift dynamically: bright, orchestral hooks collapsing into shadowy, groove-driven passages, then surging back into big, layered choruses, The overall effect is playful yet immersive—an anthem that fuses pop-theater brightness with underground electronic grit

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws

funky, funk, instrumental, with giant funky breakbeats, sampling, electronic, turntablism, while punchy percussion and low-end grooves dominate, perfect for dancefloors or high-octane scenes, high-energy, scratching, and resonant bass, layers of atmospheric synths and filtered effects build tension

High-energy big beat dance music fueled by funky breakbeats, vintage samples, distorted basslines, and chopped vocal hooks, Gritty and playful, this style mixes acid house synths, vinyl crate funk, and rave-era chaos, Perfect for cinematic intros, underground dance floors, and retro-future party scenes

Festival-opening alt-pop over evolving breakbeats: begin with friendly, sketchy syncopated drums (loose kicks, late snares, soft ghost-note clusters) and “welcome beacon” synth pings, Warm analog pads, tape-wobble keys, gentle crowd-width reverb, Progress to halftime breakbeat with roomy snare, then to full-time breakbeat with open hats and smiling top-end; final hooks become anthemic with perceived double-time hats, choir pads, and supportive low-brass swells, Ultra-low resonant sub that blooms on downbeats; humanized timing (no hard quantize), velocity variance, mic bleed, count-in artifacts allowed, Positive, inclusive lyric delivery; no spoken-word, 1-bar breath drop before each Hook (sub + beacon only), End wide and uplifting with long room tail