3:14
2:56
2:37
2:41
2:14
1:54
2:23
1950s rock & roll, modern twist, guitar riffs, boogie-woogie piano, danceable beat
2:22
1960s British rock & roll, energetic and raw, upbeat tempo around 140 BPM, vintage electric guitars with crunchy rhythm and twangy lead, pounding simple drums with snappy snare and steady kick, lively handclaps, walking bass line, shouty male vocals with call-and-response style, catchy and repetitive chorus, youthful party atmosphere, minimal production with analog warmth, classic rockabilly influence, enthusiastic crowd energy, sound like early Beatles, bright organ accents optional
2:19
"Create an upbeat, cheerful early-1960s British pop song in the style of Helen Shapiro's 'Walkin' Back to Happiness', The track should feature a lively, orchestral pop arrangement with brass stabs, strings, handclaps, backing vocal harmonies ('ba-ba-ba' and 'yeah yeah' interjections), and a bright shuffle rhythm, The lead vocal should be a young female singer with a warm, powerful tone, The lyrics should tell a story of rekindled young love and happy reunion, using optimistic phrases and playful rhymes, Tempo around 140 BPM, vintage tape-saturated production
2:22
2:28
Little Friend
v4.5
1960s beat, rock'n'roll in the style of Elvisss, Harmony Vocal Group, Motown
2:28
1960s beat, rock'n'roll in the style of Elvisss, Motown
3:22
1950s beat, rock'n'roll in the style of Elvisss, Gospel, Doo-wop, Showaddywaddy, rock and roll, love ballad, strings, male vocals, Angels choir harmony
2:07
Upbeat 1960s surf rock, fast-paced rock and roll beat, clean twangy electric guitars, bouncy bassline, lively drum fills with snare and cymbals, layered male vocal harmonies, handclaps, energetic group shouts like “yeah!” and “woo!”, sunny California beach party mood, vintage analog tape warmth, tempo around 140 BPM, perfect for driving scenes
2:04
2:38
2:00
4:00
Oldies Vocale, Stratocaster, Surf Rock, Instrumental Rock, Rock and Roll, Pop Rock, Rockabilly
2:53
Hot Wire Baby
v4.5
Genre: 1950s Rock & Roll / Rockabilly
Instruments: Wild boogie-woogie piano leads, upright slap bass, vintage electric guitar riffs (clean reverb), snare-heavy live drums with energetic fills, handclaps
Vocal Style: High-energy, raspy, playful Southern-accented male lead vocal with callouts and shouts (like "well, well, well now!", "come on baby!") — recorded through a vintage ribbon mic emulation for that 50s live club sound
Backing Vocals: Occasional female backing vocals in classic call-and-response style, "oohs" and "aahs" during choruses
Production Style: Authentic mono or wide stereo mix with analog tape saturation, natural room reverb, occasional mic bleed and piano pedal sounds for realism
Mood: Wild, upbeat, rebellious, playful, hot Saturday night club vibe
Song Theme: Flirty, high-voltage love and dance energy, piano-driven rock & roll party
Reference Tracks: Jerry Lee Lewis – Great Balls of Fire, Whole Lotta Shakin’ Goin’ On, Little Richard – Lucille
2:39
2:42
I Remember
v4.5
Classic upright bass and brushed drums lay a swinging foundation, joined by twangy electric guitars and bright slap back echo on lead riffs, Rolling honky-tonk piano accents the verse, Handclaps and backing harmonies lift the energetic chorus, with a brief rockabilly guitar solo in the bridge
1:47
2:16
2:31
2:28
Calling Out
v4.5
1960s British rock & roll, energetic and raw, upbeat tempo around 140 BPM, vintage electric guitars with crunchy rhythm and twangy lead, pounding simple drums with snappy snare and steady kick, lively handclaps, walking bass line, shouty male vocals with call-and-response style, catchy and repetitive chorus, youthful party atmosphere, minimal production with analog warmth, classic rockabilly influence, enthusiastic crowd energy, sound like early Beatles, bright organ accents optional
2:23
1960s British rock & roll, energetic and raw, upbeat tempo around 140 BPM, vintage electric guitars with crunchy rhythm and twangy lead, pounding simple drums with snappy snare and steady kick, lively handclaps, walking bass line, shouty male vocals with call-and-response style, catchy and repetitive chorus, youthful party atmosphere, minimal production with analog warmth, classic rockabilly influence, enthusiastic crowd energy, sound like early Beatles, bright organ accents optional
2:39
2:00
2:57
Shake That Fever
v4.5
1960s beat, rock'n'roll in the style of Elvisss, Rockabilly, Motown
2:27
1960s British rock & roll, energetic and raw, upbeat tempo around 140 BPM, vintage electric guitars with crunchy rhythm and twangy lead, pounding simple drums with snappy snare and steady kick, lively handclaps, walking bass line, shouty male vocals with call-and-response style, catchy and repetitive chorus, youthful party atmosphere, minimal production with analog warmth, classic rockabilly influence, enthusiastic crowd energy, sound like early Beatles, bright organ accents optional
2:34
Shake It All Night
v4.5+
1960s British rock & roll, energetic and raw, upbeat tempo around 140 BPM, vintage electric guitars with crunchy rhythm and twangy lead, pounding simple drums with snappy snare and steady kick, lively handclaps, walking bass line, shouty male vocals with call-and-response style, catchy and repetitive chorus, youthful party atmosphere, minimal production with analog warmth, classic rockabilly influence, enthusiastic crowd energy, sound like early Beatles, bright organ accents optional