Melancholy

JP Electro-Pop / Fantasy Dance-Pop, BPM 118, Key Bb minor, [Vocals: focus] airy slightly-nasal male talk-sing, playful rap phrasing, kids-choir pads, circus brass, toy-piano arpeggios, whistle synth hook, hand-clap groove, glockenspiel sparkle, dreamy strings, whimsical yet biting social satire [MALE VOICE: airy, whimsical, light vibrato] [FEMALE BACKING: soft choir “ah-hh”]

[bpm=120][language_hint=ja, en] style=cinematic circus-pop, melancholic electro, swing10%, key-lift +2 semitones at chorus, floating dreamy electronic space voice=fukase-style jp male tenor fx=autotune(heavy, retune_speed=0), vocoder(layer 30%), talkbox(chorus hook), delay(1/8D 40% feedback), reverb(hall 70% wet 3s tail), stereo_widen(20%)

JP Electro-Pop / Fantasy Dance-Pop, BPM 128, Key C♯ major, [Vocals: focus|vocoder|fx_max] airy slightly-nasal Japanese male baritone, whimsical talk-sing, formant-shifted **metallic vocoder blend (Wet 80 %), hard autotune, grain delay, stereo ping-pong slap, 4 s hall-reverb tail, bit-crushed HF**, Fukase-style whisper layers, bouncy four-on-the-floor kick, fat synth-bass, sparkling toy-piano stabs, circus strings & brass hits, distant kids-choir pads, heavy glitch stutters

[Style] KEY: D♯ minor TEMPO: 172 BPM METER: 4/4 (Bridge 7/8), GENRE TAGS: Japanese indie-pop, electro-jazz rock, ZUTOMAYO-core, MOOD: hyper-kinetic yet bittersweet; urban night-ride mixed with pixel-glitch nostalgia, INSTRUMENTATION: tight kick/snappy snare/16-beat hats; sub-heavy synth-bass ducking hard to the kick; Rhodes & FM-EP comping crunchy 7ths/9ths; clean funk-guitar on off-beat chucks; chiptune arps sprinkled in fills; airy pad swells for lift, VOCALS: female alto with playful rasp; A-sections use 120 ms L/R delay-doubled whispers (formant ±4 cent) → pre-chorus opens to dry center lead → chorus stacks unison + octave for punch; signature “TA-DA-DA” chop looped as rhythmic hook in drops, ARRANGE NOTES: Verse drums lightly side-compressed; pre-chorus adds 1-bar reverse-reverb riser; chorus snares get metallic plate verb (0, 35 s), Bridge cuts to bass-only groove in 7/8, then slams back to double chorus, MIX BUS: gentle tape-sat, multiband glue, aim –9 LUFS; automate

[Style] KEY: D♯ minor TEMPO: 172 BPM METER: 4/4 (Bridge 7/8), GENRE TAGS: Japanese indie-pop, electro-jazz rock, ZUTOMAYO-core, MOOD: hyper-kinetic yet bittersweet; urban night-ride mixed with pixel-glitch nostalgia, INSTRUMENTATION: tight kick/snappy snare/16-beat hats; sub-heavy synth-bass ducking hard to the kick; Rhodes & FM-EP comping crunchy 7ths/9ths; clean funk-guitar on off-beat chucks; chiptune arps sprinkled in fills; airy pad swells for lift, VOCALS: female alto with playful rasp; A-sections use 120 ms L/R delay-doubled whispers (formant ±4 cent) → pre-chorus opens to dry center lead → chorus stacks unison + octave for punch; signature “TA-DA-DA” chop looped as rhythmic hook in drops, ARRANGE NOTES: Verse drums lightly side-compressed; pre-chorus adds 1-bar reverse-reverb riser; chorus snares get metallic plate verb (0, 35 s), Bridge cuts to bass-only groove in 7/8, then slams back to double chorus, MIX BUS: gentle tape-sat, multiband glue, aim –9 LUFS; automate

electronic, dance, glitch house

BPM 124, Key Am, Nu-disco/French-house dance, four-on-the-floor, rubbery synth-bass, filtered disco chops, clean 909 drums, sidechain pump, sparkly pads, Retro-futuristic, playful

[Style – Japanese female vocal glitch house × funky J-pop × modern R&B, with the bold groove and attitude of Furui Riho “MONSTER”, ], [Tempo – BPM 172, four-on-the-floor but very groove-heavy