Thats So Bree - Metal/Rock Volume

theatrical, rock, dark synth, dark voice, monster voice, devil, autotune, enigmatic collective blending of autotune and alternative metal, British vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship

theatrical, rock, dark synth, dark voice, monster voice, devil, autotune, enigmatic collective blending of autotune and alternative metal, British vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship

alternative emo, bass, scream metal, young male vocals, medieval, electric guitar, electronic, gritty punk, grunge, grime, dead by april, enigmatic collective blending of autotune and alternative metal, nu metal, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, ritual musical, gritty punk, grunge, alternative emo, bass, rock, electric guitar, electronic, dead by april, enigmatic collective blending of autotune and alternative metal, american vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship, gritty punk, grunge, alternative emo, bass, rock, young male vocals, electric guitar, electronic, dead

gritty punk, grunge, alternative emo, bass, rock, young male vocals, electric guitar, electronic, dead by april, enigmatic collective blending of autotune and alternative metal, american vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship, gritty punk, grunge, alternative emo, bass, rock, young male vocals, electric guitar, electronic, dead by april, enigmatic collective blending of autotune and alternative metal, american vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship, gritty punk, grunge, alternative emo, bass, rock, young male vocals, electric guitar, electronic, dead, ‑symbols, ‑hi hats

alternative emo, bass, rock, young male vocals, electric guitar, electronic, dead by april, enigmatic collective blending of autotune and alternative metal, american vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship

Begins with a clean, moody guitar intro, soon layered by subtle drums, Verses stay restrained, with soft vocals and atmospheric textures, The pre-chorus builds intensity, and the chorus erupts with heavy drums, distorted guitars, synth piano, and bursts of yelling vocals, The bridge returns to soft dynamics before the final, epic chorus

ambiance, backing vocals, woman vocals and male vocals, duet, drums, guitar, soul, blues, pop, witching hour, witchy rock, 80's deep male vocals

a blend of pop-punk, pop rock, and alternative rock, metal, song is up beat and slightly angry attitude about not caring anymore

A rock song in E minor at 120 bpm, featuring a male vocalist with a clean, slightly raspy tone, The song opens with a clean electric guitar arpeggio, followed by a full band entrance with a driving drum beat, bass guitar, and distorted electric guitars, The chord progression is primarily Em-C-G-D, The vocals are delivered with a strong, emotional intensity, utilizing some vocal fry and sustained notes, The song structure includes verses, a pre-chorus, and a powerful chorus, Production elements include reverb on vocals and guitars, with a clear separation of instruments in the mix, The melody is memorable and anthemic, particularly in the chorus, The bridge features a more subdued instrumental section before building back to a final chorus

dynamic audio, clean mix, audio repair, alternative metal, progressive metal, R&B, indie pop, enigmatic collective blending of autotune and alternative metal, British vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worshipdynamic audio, clean mix, audio repair, alternative metal, progressive metal, R&B, indie pop, enigmatic collective blending of autotune and alternative metal, British vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worshipdynamic audio, clean mix, audio repair, alternative metal, progressive metal, R&B, indie pop, enigmatic collective blending of autotune and alternative

enigmatic collective blending of autotune and alternative metal, British vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship

90's rock, witch craft, blues, pop, witching hour, dark, aesthetic

enigmatic collective blending of autotune and alternative metal, British vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship

A dark grunge alt rock track launches with skittering chiptune pulses, wide stereo synths, and crystalline arps before plunging into brutal techno: filthy distorted bass, glitchy industrial drums, and crushing pads, At 0:10, a saturated drop punches through with drop D fuzz guitars, gritty bass, and sludgy grunge drums, Verses simmer with feedback swells, acidic synths, subtle vinyl crackle, and industrial noise, while punchy snare-tom grooves propel gravelly, half-spoken vocals, The energy peaks in chaotic breakdowns, dissonant hooks, then dissolves into a lush, reverberant outro of airy pads

enigmatic collective blending of autotune and alternative metal, British vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship

alt-pop, rock, metalcore, synth, layered harmonies

piano comes in soft in high octave, folllowed by some soft drums, and an electric guitar bending strings into a genre change of alternative rock, emo, and pop-punkpost-hardcore, hard rock, punk rock, glam rock, and progressive rock

punk, altenative rock, metal, poppunk, post hardcore, metalcore, drums, electric guitar

A short, percussive, and rhythmic piece featuring a single male feminine vocal, The vocal performance is characterized by a series of short, staccato, and repetitive utterances, primarily consisting of the sound "ooh and woo" and a high-pitched, sustained vocalization resembling a siren or whistle, The vocal delivery is consistent in its rhythmic pattern and dynamic level throughout the piece, The beat picks into rock rap and then moves to electronic, nightcore, underalying a metal rock, nu metal vibe slowly flowing into a cute anime japanese styled chorus that had a high flashy edm bpm, techno style, and then picking back up into guitar riffs as the percussive, and rhythmic piece featuring a single male feminine vocal, The vocal performance is characterized by a series of short, staccato, and repetitive utterances, primarily consisting of the sound "ooh and woo" repeats over the sound track

young male vocals, scary, gritty, rock, cirque, haunting, electronic, dark-pop, edm, synth

Explosive post hardcore drums and aggressive guitars open, colliding with a full live orchestra—strings driving tension, brass punctuating hits, Verses pull back for dynamic swells, cinematic builds surge into massive choruses, Breakdowns fuse distorted cello, frenetic percussion, and guitar feedback, ending with thunderous orchestral crescendos

male vocals, alternative, electric guitar, rock, gritty, dark-pop, metal, dolby atmos, sfx, synthesizer

emo, alt-rock, metal, high-octane metalcore, djent, R&B-inflected pop vocals

enigmatic collective blending of autotune and alternative metal, British vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship

enigmatic collective blending of autotune and alternative metal, British vocals, progressive metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, in a musical offering and a ritual of worship, edm, electronic, dubstep, arcade, gamecube, retro, 8bit, happy hardcore, theatrical, enticing, evil, monster vocals, wacky, experimental, noise theory, artistic, delusional, expansive, expanding ambiances, neurodivergent, different, looping audio, background sound effects, heavy metal guitars, drumpads, synths, key piano, virbrato, vibraphone

Electronic Alt-Metal, Modern Alternative Metal, 120-130 BPM, Heavy Down-Tuned Guitars, Controlled Distortion, Cold Atmospheric Synths, Digital Textures, Mechanical Rhythms, Tight Groove, Male Vocals: Clean Verses, Harsh Accents, Restrained Screams, Intentional Dynamic Shifts, Digital Precision Mix, Vocal Forward, Cold Tone, Clear Low End, Dynamic Range Preserved, Tight Mids

monster vocals, deep voice, progressive, cabaret, The Augmented 4th, Tritonus, scary, Portamento, anticipation, arpeggios, glissandos, smooth glides, Legato, Staccato, major minor 7th chord, creepy, the Hitchcock chord, enigmatic collective blending of autotune dubstep, theatrical, and alternative metal, progressive synth metal, R&B, and indie pop with spiritual themes with emotional, soul-infused vocals, haunting, low-tuned guitars, piano, synth, and complex, token-sleep, sometimes heavy, arrangements of ambient sound, and dolby atmos, alternate between Presto, Adagio to Allegro to Presto back to Andante sometimes Accelerando in sections to Ritardando then return to A tempo, spooky, Pianissimo to mezzo then Mezzo forte layered volumes Forte (f) alternate Crescendo to Decrescendo/Diminuendo, jazz influences, piano, drums and guitar, clean sound, Sforzando and Pizzicato and arco

High-energy modern power metal track featuring aggressive shred guitar and soaring operatic male vocals, The song opens with a complex, fast-paced electric guitar solo utilizing sweep picking, rapid alternate picking, and wide vibrato over a driving double-bass drum rhythm, The tempo is approximately 170 BPM in a minor key, The arrangement consists of distorted rhythm guitars playing palm-muted power chords, a prominent melodic bass line, and a drum kit with a crisp snare and heavy cymbal crashes, The vocals are characterized by a powerful, clean tenor range with dramatic vibrato and high-pitched screams during the transitions, Production is polished and dense, with layered vocal harmonies in the chorus and a slight reverb on the lead guitar to enhance the epic, cinematic atmosphere, The structure follows an intro solo, verse, pre-chorus, and an explosive anthemic chorus

High-energy modern alternative rock track with post-hardcore and pop-punk influences, characterized by a fast tempo of 170 BPM in the key of D minor, The arrangement features aggressive, distorted electric guitars playing palm-muted power chords in the verses and wide, layered wall-of-sound textures in the choruses, A driving drum kit provides a punchy foundation with rapid snare rolls and heavy crash cymbal accents, The lead male vocals are emotive and powerful, transitioning from melodic, breathy delivery in the verses to intense, belted soaring notes in the chorus, supported by thick vocal harmonies, Production is polished and radio-ready, utilizing side-chain compression, subtle synth pads for atmospheric depth, and crisp equalization that emphasizes the mid-range bite of the guitars and the clarity of the vocal transients, The structure follows a dynamic build from a rhythmic verse into an explosive, anthemic chorus