3:14

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS -8), immersive 3D]
(90s J-Techno:0, 5), (Breakbeat:0, 4), (Shibuya-kei:0, 1), 135 BPM, A minor, Blissful chaotic nostalgia, Ecstatic fusion of groovy breaks & stylish melodies, [#lds: Emotional Core]
Hypnotic, looped, melancholic string sample, The blissful anchor, [#lds: Rhythm Engine]
Solid, groovy, powerful breakbeat, Saturated, gated drums for punch, [#lds: Bass Foundation]
Deep, funky, repetitive sub-bass, The funky glue, heavily sidechained to kick for a modern pump, [#lds: Melodic Details]
Stylish Shibuya-kei & Math Pop elements: punchy brass, vibraphone, funky guitar, [#lds: Chaos Layer]
Hyper-active SFX w/ extreme dynamic panning: synth blips, retro sounds, dialogue samples, vinyl scratches, [#lds: Vocal Persona]
Female vocalist, Stylish, chic, detached, ASMR intimacy, Cool mix of spoken-word & sung melody, sweet female voice, techno house, ‑glitch
3:44

Theatrical Hardcore punk energy at ~160 BPM fused with jagged California surf-punk tone, Bass riff leads with a trebly, chorus-soaked E minor pattern—fast, tight-picked runs (E–F#–G–F#–E), mirroring classic West Coast punk aggression while evoking surf-era twang, Guitar slashes in with gritty single-coil tone, heavy on amp overdrive and reverb—opening tremolo-picked surf lines give way to staccato barre chords and off-kilter rhythms, Drums stay dry and aggressive: snappy snare, fast hi-hats, surf-style tom fills, locked in tight, Vocals: theatrical baritone with snarling sarcasm, erratic phrasing, abrupt pitch drops and wild emphasis—shouted more than sung, channeling LA punk roots, Overall mix is raw and open, prioritizing live-room space and edge over polish—mid-scooped guitar tone, bass cutting through with clarity, and heavy reverb on leads, The track feels like a collision of 80s West Coast anarchy and surf grit, chaotic but surgically arranged
2:28

At bpm140 the track launches straight into an explosive chorus with catchy guitar riffs and an uplifting, driving beat, backed by a groovy, syncopated bassline, Male vocals with a low, charismatic timbre alternate sung lines and bursts of rhythmic J-rap over New Wave Rock and Indie Dance textures, Each chorus hits with percussive synth stabs, layered guitars, and dynamic drum fills, maintaining relentless energy and danceable momentum throughout
3:19

Henry
v5
Genre Tags: Crime Jazz, Orchestral Pop, Lounge Noir, Space Age Pop, Cool Jazz, TV Action Theme, Exotica, Mid-Century Big Band, Library Music, Vocals Tags: Instrumental, No Vocals, Instrument Tags: Hammond B3 Organ (Leslie Speaker), Lush String Section (Violins, Cellos), Electric Bass (Fender Precision), Brass Section (Open Trombones, Trumpets), French Horns, Woodwinds (Flute, Bass Clarinet), Drum Kit (Brushes, Snare), Rhythm Guitar, Vibraphone, Chimes, Mood Tags: Sophisticated, Sleek, Mysterious, Groovy, Cinematic, Nocturnal, Swanky, Urban, Cool, High-Stakes, Opulent, Slinky
3:24

Minha Amiga Katarina
v4.5-all
Alternative rock with cinematic jazz-big-band flair, Clean electric riffs over steady acoustic patterns, tight drums with a marching swing, and a warm, driving electric bass, Piano adds wide jazzy chords; sax, trombone, and trumpet deliver sharp, rising brass lines, Dual vocals—raspy male and bright female—trade tense verses and soar together on a bold, uplifting chorus, Atmosphere of grit, hope, and elegant intensity
4:35

Queen style, Starts with a desperate theatrical spoken word intro (no music), Explodes into a heavy, driving guitar anthem features Brian May-style harmonized distorted guitars (Red Special tone) and powerful theatrical tenor vocals (Freddie M, style), High energy, anthemic, wall of sound, heavy drums, melodic guitar solos, 160 BPM
4:54

Alt pop, Alt folk ballad, Jpop vibe, A stripped, emotionally raw alt-folk ballad with cinematic undertones, Female vocal, aching with quiet strength—controlled but deeply felt, as if the singer is holding back tears without faltering, The delivery is weary, intimate, and deeply human—like someone reading a letter to a mother on her deathbed, Sparse acoustic guitar and low piano as the core, with atmospheric textures swelling gently beneath to reflect unresolved grief, The tone is bitter but dignified—no pleading, no sentimentality, Let the vocal carry both the wounded child and the composed adult at once, Melody should be slow and deliberate, with moments of breath and pause to emphasize emotional space, No belt, no vibrato-heavy flourishes—just stark truth, Think in terms of emotional spirals, not verses and choruses, End unresolved, Leave space in the final moments for what was never said
3:28

Amaryllis(アマリリス)
Ursinia(ウルシニア)
Sunflower(ひまわり)
Tulip(チューリップ)
Edelweiss(エーデルワイス)
Rose(バラ)
Erigeron(エリゲロン)
Freesia(フリージア)
Lily(ユリ)
Orchid(ラン)
Wisteria(フジ)
Echinacea(エキナセア)
Ranunculus(ラナンキュラス)
Snapdragon(キンギョソウ)
4:04

[Mastering: Ultimate Donshari V-EQ, psychoacoustic sub, crystalline highs, aggressive dynamics (LUFS -8), immersive 3D]
{{Genre: Liquid Drum & Bass, Progressive J-Rock, Jazzy Artcore}}
{{BPM: 172}} {{Rhythm: Syncopated Breakbeats}}
{{Atmosphere: Cyberpunk Jazz, Melancholic, High-Speed}}
{{Instrumentation: Aggressive Distorted Bass, Mellow Jazz Piano, Glitch Synths, Complex Drum Breaks}}
{{Vocal-Style: Cool Female Vocals, Breath-heavy, Ethereal, Fast-paced Flow}}
{{Mastering: Sharp Transients, Deep Sub-Bass, Wide Stereo Piano}}, ‑glitch
4:52

A solo piano piece in a classical crossover style, featuring a melancholic and reflective mood, The instrumentation consists solely of a grand piano, The piece is primarily in a minor key, likely C minor or a related key, with a slow tempo, The melody is lyrical and expressive, characterized by arpeggiated figures and sustained chords in the left hand, providing a rich harmonic foundation, The right hand carries the main melodic line, often with a singing quality, utilizing a wide dynamic range from soft, delicate passages to more resonant, full-bodied phrases, There are no vocals, The song structure appears to be through-composed, with evolving melodic and harmonic ideas rather than strict verse-chorus repetition, Production elements include a natural, spacious reverb, suggesting a concert hall acoustic, and a clear, balanced mix that highlights the piano's natural timbre
3:51

[Genre: 70s Piano Rock, Gospel-Infused Pop, Dramatic Ballad] [Instruments: Dominant Grand Piano (Rhythmic Chords), Lush Orchestral Strings, Hammond Organ (Layered Sound), **Driving Drums (Emphasis on Snare and Hi-Hat)**, **Walking Bass line**] [Tempo: Mid-Tempo, Driven, Pulsing] [Mood: Emotional, Nostalgic, Reflective, Cinematic, Uplifting] [Vocal: Male Solo, **Powerfully Expressive**, Soaring Voice, Mature, High Dynamic Range, Storytelling Tone, British Pop Vocal Style] [Style Note: Emphasize a strong, rhythmic groove beneath the grand piano, Build to a huge, emotional climax with powerful chords and soaring vocals, Sound should be reminiscent of 70s rock artists with a theatrical flourish, Studio Quality Mastering, Cinematic Production, Rich Detailed Dynamic Range, Crystal Clear Grand Piano, Punchy Drums]
4:29

Opening with fingerpicked indie folk guitar and soft synth pads, the sound quickly layers in brisk dance-rock drums and funky bass, Verse lines feature deep male vocals in a rhythmic J-rap delivery over trap hi-hats and electronic textures, The chorus fuses chanted hooks, harmonizing folk and electronic atmospheres, punctuating with crisp percussion and swirling synths for an energetic, genre-blending climax, bpm130
4:18

3:51

そばかす
v5
[Style]
(Japanese acoustic pop-rock, warm and energetic, 2000s singer-songwriter vibe, Acoustic guitar with bright strums, soft palm-mutes, and gentle arpeggios that open into uplifting full-strum choruses, )
[Electric Guitar]
(Clean tone with light chorus, subtle emotional fills, Bass: warm J-Pop lines, simple, melodic, glued to drums, )
[Drums]
(Soft rock kit—light kick, airy hats, gentle snare—layered with subtle taiko accents on transitions and emotional moments, )
[Taiko]
(Energetic but soft: light rim taps and gentle rolls in pre-chorus/bridge for Japanese atmosphere without overpowering, )
[Vocals]
(Youthful Japanese female voice, warm, breathy, clean vibrato; natural and lightly processed, Small-room acoustic feel, gentle reverb, taiko blended low, )
[Mood]
(Hopeful, sentimental, nostalgic, bittersweet—quiet determination with soft emotional release, )
[Overall]
(Heartfelt acoustic J-Rock with a subtle traditional Japanese undertone)
3:00

4:06

2:39

Sunny reggae groove with playful children’s voices singing in warm group harmonies, Light offbeat guitar, soft Caribbean percussion, claps, gentle bassline, cheerful brass stabs, bright marimba touches, and a breezy island feeling, Vocals performed by a small children’s choir (ages 8–12) with sweet, energetic tone, simple call-and-response lines, catchy sing-along hooks, and uplifting melodies, The overall vibe is colorful, joyful, and empowering, like sunshine after rain, Mix focuses on warm low end, crisp mids for the voices, and soft reverb for a dreamy kids-reggae atmosphere, Style: child-friendly reggae fusion with positive energy, playful attitude, and a bright rhythmic flow, Suitable for feel-good songs, friendship anthems, and adventure soundtracks
3:22

Genre tags: Plunderphonics, Downtempo, Future Funk, Shibuya-kei, Lo-Fi Big Beat, Turntablism
Vocals tags: Chopped Samples, Vintage Radio Drama (Female), Rhythmic Stutter (Male), Whisper (Female), Vocal Percussion, Instrument tags: Rhodes Electric Piano, Upright Bass, Slowed Breakbeat, Muted Trumpet, Wah-Wah Guitar, Tape Hiss, Radio Dial Sound Effects, Mood Tags: Nostalgic, Observant, Hesitant, Urban-Twilight, Secretive, Groovy, BPM: 88 (Downtempo/Trip-Hop), Instrumentation: The "chill" comes from the Rhodes Piano (a staple of Shibuya-kei) and Muted Trumpet, The "JSRF" grit comes from the Bit-crushed Drums and Tape Saturation
4:48

3:16

The track opens with intricate percussive clicks and nuanced glitches, setting a textured electronic pulse, Crisp live pub rock drums kick in alongside a heavy, distorted bass groove at 130bpm in A minor, Hypnotic sitar motifs float above sharp guitar stabs, while low, rhythmic J-rap vocals drive each hook, locking the groove tightly together
3:49

K-pop, pop-hip hop, funk-trap, a dynamic and catchy track with a dry groove and vibrant rhythm, dancehall, dance pop, EDM, catchy bass, BPM 104–108, Key: A minor or A Dorian, Chords: Am7 – C – Em7 – G, Uses synthesizers, drum machines, bass, and drums, along with electric guitar, bass, piano, and strings, muted fingerpicking, sub-bass pulses, crisp and syncopated hi-hats, a short snare drum, and minimal reverb, Vocal tone: confident, percussive, and dominant in the spoken-song style with a slight breathy texture, Verses: rhythmic phrasing of medium energy with clear spacing, Pre-chorus: subtle build-up with wider stereo and refinement, Chorus: double hook, punchy, based on repetition and groove-driven, Post-chorus: chant-like rhythmic hook with syllabic patterns, Mix: Modern K-pop pop-funk, firm stereo, light sidechain, concise transitions
2:32

sleepy, dreamy, acoustic_pop, lazy_pop, soft_vocals, talk_sing_style, bedroom_pop_vibe, cozy_lofi_feel, mellow_acoustic, conversational_tone, ‑powerful_vocals, ‑edm_energy, ‑orchestral_epic, ‑rock_guitar_heavy, ‑dramatic_buildup, ‑hyperpop, ‑cinematic_trailer
3:19

3:49

An emotional, rhythmic Japanese–English duet titled “Unspoken Farewell (言えなかったサヨナラ), ”
The female vocalist (L-channel) has a soft, transparent Japanese vocal tone — airy, emotional, echoing with reverb, The male vocalist (R-channel) has a warm, slightly raspy English tone — grounded, restrained, intimate, Both sing about an unwanted separation, still deeply in love but torn apart by fate, The arrangement is a melancholic pop ballad with rhythmic pulse (around 84 BPM), gentle piano, ambient pads, subtle percussion, and cinematic strings, The mix highlights the contrast between male and female vocals — separated spatially (L/R), blending only in the choruses
5:49

4:48

Beautiful, cinematic, quiet song of encouragement, orchestral pop, 2/4 time, 86 BPM, piano, breathy tribal-gentle flute, acoustic guitar, violin, subtle percussion, subtle bass, female vocalist, layered female choral voices on chorus






























