3:32

Could You Be Mine
v4.5-all
pop, Soft pop ballad with male vocals, gentle acoustic guitar and warm piano; verses stay intimate and close-mic, then chorus blooms with light drums, airy pads, and stacked harmonies, Build a subtle lift into the second chorus, add a simple melodic guitar hook post-chorus, Keep everything tender, conversational, and hook-forward, soft
3:45

Faded on the Mantel
v4.5-all
rock, Dreamy indie rock with hazy chorus guitar, warm bass, and roomy drums; male vocals float through light reverb, intimate in verses then blooming into a wide, anthemic chorus with stacked harmonies, Subtle mellotron pads add nostalgia, bridge strips to voice and sparse guitar before a final soaring hook
3:43

Magnet Heart
v4.5-all
pop, Soft modern pop with gentle electronic pulses, warm pads, and intimate female vocals, Verses stay close and whispery over minimal keys; pre-chorus adds subtle risers and light percussion, Chorus blooms with airy harmonies and a steady, head-nodding groove, Bridge strips back to almost solo vocal, then final chorus lifts with stacked ad-libs and a bright shimmer reverb, soft
4:21

Forgot To Remember You
v4.5-all
rock, Dreamy sad rock ballad, male vocals, Shimmering chorus guitars and hazy reverb, drums in a slow half-time sway, warm bass gluing the low end, Verses stay intimate and close-mic’d; chorus lifts with wide backing vocals and a soaring lead line, Bridge strips to guitar and voice before a final, crashing chorus with ringing cymbals that hang in the air, sad
4:07

Room 509
v4.5-all
rock, Dreamy shoegaze-leaning rock, male vocals, Reverb‑drenched guitars swirl around a steady mid‑tempo groove; bass moves warm and melodic under a laid‑back drum pocket, Verses start hazy and close-mic’d, chorus blooms wide with stacked harmonies and overdriven rhythm guitars, Bridge strips back to voice and chiming guitar before a final, soaring chorus with splashy cymbals and echoing lead lines
3:22

Glitch in My Heart
v4.5-all
High-energy futuristic dancepop with bright synth arps, sidechained pads, and a rubbery bass line; female vocals clipped and syncopated in the verses, exploding into a massive, shout-along hook with stacked harmonies and robotic vocoder doubles, Four-on-the-floor kick drives the track, with filtered builds and stuttered vocal chops lifting into each chorus
2:55

Halfway To Something
v4.5-all
Warm indie-pop groove with light drums, bouncy bass, and clean electric guitar chops, Male vocals in an intimate, close-mic tone on the verses, widening into stacked harmonies and airy pads in the chorus, Energy starts laid-back, then lifts into a feel-good, head-nod hook; final chorus adds extra ad-libs and a subtle tambourine lift
4:25

Split-Heart Highway
v4.5-all
Glossy K-pop track with 5 distinct female vocal colors trading lines, Bright synths, airy pads, and a bouncy mid-tempo groove; tight rhythmic verses with call-and-response, then a huge chanty hook where all voices stack in harmony, Pre-chorus lifts with rising chords, chorus hits with layered gang vocals, sparkly arps, and a punchy dance beat, Bridge strips to minimal keys and vocal ad-libs before the final, full-throttle chorus, female vocals
3:14

Pocket Full of Surprises
v4.5-all
Bright indie-pop bounce with clean electric guitar chops, clappy backbeat, and warm male vocals, Verses stay tight and conversational; chorus widens with stacked harmonies and a dancing bass line, Light synth bells sparkle on hooks, bridge strips to voice and guitar before a final, joyful lift
3:13

Knife Behind Your Back
v4.5-all
Moody alt-pop ballad with male vocals; close-mic’d piano and soft, saturated drums in the verses, bass blooming on the downbeats, Chorus lifts with airy pads and stacked harmonies, subtle reverse FX between phrases, Bridge strips to piano and vocal before a final, wider chorus with a slight tempo push and reverb tail on the last word
4:03

Hold Me to My Word
v4.5-all
Warm indie-pop ballad with intimate male vocals, close-miked acoustic guitar, soft piano pads, First verse sparse and fragile; drums bloom in the first chorus with brushed snare and subtle bass, Second verse adds light electric guitar swells and harmonies, Bridge strips back to vocal and guitar before a final, bigger chorus with stacked vocals and a lingering reverb tail
2:17

Grow Up Like Me
v4.5-all
Glossy midtempo pop with crisp drums, warm synth pads, and clean electric guitar chops; verses keep a tight, almost spoken cadence, then the chorus blooms with stacked harmonies and bright top-line hooks, Sub-bass stays soft but steady, with a middle-eight drop to filtered vocal and claps before a final, triumphant hook
3:04

I Don’t Care About Your Life
v4.5-all
Glossy electro-pop with sharp, punchy drums and rubbery bass, bright synth stabs in the verses that bloom into a big sugary chorus, Female vocals: cool, detached on the verses, then bold and hooky on the refrain with stacked harmonies, Short distorted vocal chops answer key phrases, and a crunchy fuzz guitar doubles the chorus melody for extra bite, female vocals
3:19

First Step Shakes
v4.5-all
Bouncy indie pop, light drums and warm bass, palm-muted guitars on the verses, Chorus bursts with bright synths and stacked mixed-gender gang vocals, playful claps, and a subtle tempo lift to mirror butterflies turning into momentum, Keep it smiley, slightly breathless, and very hooky, happy
3:46

Hunted To Hunter
v4.5-all
Anthemic alt-pop with female vocals: muted palm‑muted guitar and tight drums in the verses, subby bass and bright synth pads lifting into a huge hook, Pre-chorus adds rising toms and stacked harmonies; chorus explodes with chanty gang vocals and a soaring top line, Bridge strips to vocal, claps, and bass before final chorus hits harder with ad‑libs and octave-doubled lead, female vocals
3:05

Soon Never Comes
v4.5-all
pop, Soft-gloss pop ballad over muted drums and warm synth pads; verses stay intimate with close-mic vocal and subtle piano, chorus blooms with stacked harmonies and airy guitars, Gradual build each chorus, last hook adds high counter-melody and gentle toms for emotional lift, then pull back to near-a cappella for the final line
3:28

Left Me On Read
v4.5-all
Moody alt-pop ballad over sparse warped keys and deep sub-bass, Intimate female vocals start close-mic and fragile, then swell with stacked harmonies in the chorus, Minimal clicky percussion and filtered drums creep in by Verse 2; bridge strips down to almost a cappella before a final, bigger chorus with distorted backing vocals and a lingering synth pad tail
3:13

Just Friends, Deal With It
v4.5-all
pop, Bright pop duet with male and female vocals trading lines; tight acoustic guitar and bouncy drums under a catchy, syncopated groove, Verses stay light and conversational, pre-chorus adds rhythmic claps and rising synth pads, chorus explodes with stacked harmonies and a hooky top-line, Bridge strips to guitar and soft keys before a last, full-band chorus, male vocals
5:35

Best Friends, Not a Love Song
v4.5-all
Bright, punchy K-pop with trading male/female vocals; bouncy synths, snappy drums, and playful call‑and‑response, Verses stay tight and rhythmic, pre‑chorus adds rising pads and claps, chorus explodes with stacked harmonies and a hooky gang vocal, Middle 8 strips to bass and vocal chant, then full-band hit for the last chorus
4:58

You’re Teaching Them Our Tricks
v4.5-all
Intimate acoustic duet, male and female vocals trading verses, Fingerpicked guitar with a fragile, Fiona Apple–style intro that swells into strummed, percussive choruses, Subtle piano doubles key emotional phrases; choruses bloom with stacked harmonies and a low, pulsing bass, then drop back to bare guitar on the bridge for maximum gut-punch, male vocals, sad, female vocals
