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[Genre] Acoustic Fingerstyle Guitar, Instrumental Solo [Tempo] 75 BPM Key D Major [Warm, intimate, no vocals, no drums, no bass] [Style] Solo acoustic guitar fingerstyle masterpiece, nylon or steel string warmth, Travis picking pattern with melody on high strings, thumb bass walking lines, harmonic thumb slaps, dynamic swells from piano to forte, Clean studio recording, natural reverb 2, 5s tail, LUFS -12, True Peak -1dB, Inspired by Tommy Emmanuel, Sungha Jung intricate arrangements

[Genre] Classical Fingerstyle Solo, Romantic Spanish Guitar [Tempo] 78 BPM heartfelt rubato Key Em (Spanish Phrygian flavor) [Tuning] Standard nylon string classical tuning [Style] PRIMARY nylon string classical guitar thru PRO effects chain: studio compressor (3:1 warm sustain) → subtle chorus (0, 25Hz ultra-slow, 15% mix velvet shimmer) → golden plate reverb (3, 8s 25% mix cathedral glow) → analog tape saturation (soft warmth + 2% flutter), Rich midrange bloom, singing treble sparkle, woody body resonance, LUFS -14, True Peak -1, 0dB, NO drums, NO bass, NO other instruments, [Technique Focus] - Classical arpeggio patterns (p-i-m-a thumb-index-middle-ring) - Romantic melody line on 'b' string with expressive vibrato - Chord-melody hybrids with strategic bass notes - Gentle rubato phrasing + crescendo swells - Harmonic accents + cascading scale runs [Production] classical guitar recital quality, golden age recording warmth, perfect intonation, emotional phrasing, ‑electric guitar, ‑distortion, ‑drums, ‑percussion, ‑bass, ‑piano, ‑synths, ‑vocals, ‑fast flamenco, ‑aggressive picking, ‑dry tone

[Genre] Fingerstyle Acoustic Solo, Japanese Masterpicking [Tempo] 120 BPM lively tick-tock rhythm Key C Major (bright 3rd position voicings) [Tuning] CGDFBE open voicing for chimey resonance [Style] PRIMARY solo acoustic guitar fingerstyle thru studio effects chain: compressor (4:1 fast attack) → stereo chorus (0, 3Hz slow rate, 25% mix glassy shimmer) → analog tape delay (1/8 note 300ms, 30% feedback slapback) → subtle tube overdrive (20% gain warm edge) → plate reverb (2, 2s 20% mix golden tail), Martin D-28 woody tone + sparkling highs + rhythmic echoes, Clean studio recording, LUFS -12, True Peak -0, 8dB, [Technique Focus] - Percussive body slaps EXACTLY beats 2&4 (only when no notes) - Muted chord chunks (chunky rhythm foundation) - Clock-tick thumb bass + high melody counterpoint - Dynamic arc: intro 20% → peak 90% → outro fade, ‑drums, ‑percussion except guitar body taps, ‑electronic beats, ‑bass guitar, ‑double bass, ‑piano, ‑strings, ‑vocals, ‑singing, ‑lyrics, ‑wind instruments, ‑synths, ‑effects pedals, ‑distortion, ‑reverb over 2, ‑5s, ‑compression artifacts, ‑background noise, ‑audience applause

[Genre] Classical Fingerstyle Solo, Prayerful Romantic Guitar [Tempo] 68 BPM sacred rubato Key Ab Major (warm prayer tonality) [Tuning] Standard classical nylon for resonant prayer voicings [Style] PRIMARY nylon string classical guitar thru sacred effects chain: studio compressor (2, 5:1 gentle sustain) → subtle chorus (0, 2Hz prayer shimmer, 12% mix) → church hall reverb (4, 2s 30% mix holy resonance) → tube preamp warmth (+2dB mid bloom), Angelic treble glow, warm midrange prayer, cathedral space, LUFS -15, True Peak -1, 2dB, NO drums, NO bass, NO other instruments, [Technique Focus] - Slow delicate arpeggios (p-i-m-a prayer pattern) - Sacred melody line 'b' string with long sustained vibrato - Chordal accompaniment with sacred harmonic accents - Gentle rubato phrasing + heavenward crescendos - Octave stretches + prayerful scale passages [Production] sacred concert hall recording, perfect intonation, prayerful dynamics, heavenly reverb tail, ‑electric guitar, ‑distortion, ‑drums, ‑fast picking, ‑flamenco, ‑jazz, ‑rock, ‑synths, ‑vocals, ‑electronic effects, ‑bright attack

[Genre] Fingerstyle Acoustic Solo, Japanese Slacker Picking [Tempo] 120 BPM playful tick-tock rhythm Key C Major (3rd position bright voicings) [Tuning] CGDFBE open chimey resonance [Style] PRIMARY solo acoustic guitar → compressor (4:1 fast attack) → stereo chorus (3Hz slow glassy 25%) → tape delay (300ms 1/8 note slapback 30%) → tube overdrive (20% warm edge) → plate reverb (2s 20% golden tail), Martin D-28 woody sparkle, LUFS -12 TP -0, 8dB, [Technique Focus] Body slaps exactly beats 2&4 (silence gaps only) Muted chord chunks (lazy foundation) Clock-tick thumb bass + high melody Dynamic arc: intro 20% → peak 90% → outro fade [Production] studio quality, tape saturation, no compression artifacts, ‑drums, ‑electronic beats, ‑bass guitar, ‑piano, ‑strings, ‑wind instruments, ‑synths, ‑distortion, ‑fuzz, ‑heavy gain, ‑digital artifacts, ‑reverb>2, ‑5s, ‑audience noise

[Genre] Acoustic Fingerstyle Duo, RPG Cinematic Epic [Tempo] 76 BPM nostalgic sway Key Eb Major (golden nostalgia) [Style] Warm fingerstyle acoustic guitar + rich resonant cello pizzicato bass evoking classic RPG OST, Guitar: crisp nylon picking like tender heroine themes, melodic thumb-index patterns, harmonic sparkles, Cello: deep woody low-end like adventurous companion lines, plucky resonant pizzicato walking bass with natural string buzz, smooth harmonics no thin split, Ribbon mic intimacy, woody resonance, cinematic fantasy adventure feel, soft reverb 2, 8s, LUFS -15 [Technique Focus] - RPG GUITAR-CELLO FINGERSTYLE - Guitar: Travis picking main heroic melodies, heroine-style harmonics - Cello: resonant pizzicato bass like tense battle low end, walking lines with bloom - Duo: guitar leads soaring melody, cello supports epic harmony with full depth - Guitar body taps for adventure tension, cello col legno accents - Nostalgic piano-like arpeggios on guitar, ‑electric distortion, ‑orchestral swells, ‑drums, ‑vocals, ‑thin dry cello, ‑harsh string attacks

[Genre] Fingerstyle Acoustic + Cajón Duo, Japanese Emotional Groove [Tempo] 95 BPM slow heart‑sway rhythm  Key C Major (2nd position warm voicings) [Tuning] CGDGBE open lucid ring [Style] PRIMARY solo acoustic guitar + soft Cajón brush beat → compressor (3:1 soft attack) → stereo chorus (2, 8 Hz gentle flutter 20%) → tape delay (400 ms 1/8 note echo 25%) → tube overdrive (15% cream edge) → plate reverb (2, 5 s silver tail), Martin D‑28 sparkle, LUFS ‑13 TP ‑0  7 dB [Technique Focus] Thumb‑bass pulse beats 2 & 4 (body tap on 2 & 4 + Cajón deep kick/backbeat) Open‑string arpeggios + melody chime Harmonic slides and legato hammer‑ons Cajón play: Palm kick (low) + snare slap (mid wood) + brush roll fills Dynamic arc intro 25% → peak 90% → fade 10% [Production] studio quality, light tape saturation, natural room air depth, ‑drums, ‑electronic beats, ‑bass guitar, ‑piano, ‑strings, ‑wind instruments, ‑synths, ‑fuzz, ‑heavy gain, ‑digital artifacts, ‑audience noise