Playlist cover art

Hashim Band

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5 songs
2:36Song Image
Acoustic pop ballad with a male lead vocal, The song features a clear, clean acoustic guitar as the primary accompaniment, playing arpeggiated chords throughout, The vocal performance is emotional and heartfelt, with a smooth, slightly melancholic tone, The song is in a major key, likely C major, and maintains a moderate tempo, The production is clean, with the acoustic guitar and vocals well-balanced in the mix, There are no drums or bass, giving the track an intimate, stripped-down feel, The song structure appears to be verse-chorus, with a clear melodic progression, The melody is memorable and singable, with a relatively narrow vocal range, The overall mood is reflective and tender
4:07Song Image
This downtempo 60s psychedelic rock track opens with a thick, powerful drum groove and rich vintage bass, Bold wah-wah guitar riffs carve through layers of fuzzy analog synths, dreamy leads, and warm syncopated organ, Mid-song, the wah-wah leads intricate metric shifts as textures interlock, The outro dissolves with echoing wah motifs, reverse cymbals, spacious tape delay, and drifting organ, fading into a vintage haze
4:26Song Image
french house, psychedelic slow rock, 112 BPM, four-on-the-floor kick, swung backbeat, saturated guitar riff, phased guitar layers, growling resonant bass, haunted organ, live drum kit, tape delay, spring reverb, parallel saturation, sparse verse build, half-volume peak, middle eight lift, lingering outro riff, bittersweet loss
3:13Song Image
psychedelic rock, kapak ballad, 72 BPM, male lead vocal, robotic male effect, mono hailer effect, fuzz guitar drones, reverse tape guitar, saturated tube organ, fretless bass slides, brushed snare, frame drum accents, analog plate reverb, tape echo, mono room ambience, 70s recording grain, intimate lament, spiritual farewell
3:27Song Image
glam rock, psychedelic rock, Indonesian ballad, male duet vocals, call and response hooks, 78 BPM, swung backbeat, four on the floor, growling bass, haunted organ, phased guitar layers, saturated guitar riff, spring reverb, tape delay, parallel saturation, sparse verse build, middle eight lift, lingering outro riff, bittersweet loss, intimate nocturnal