3:12

A minor, 96 BPM Tempo/Feel Moderate-steady pop/rock groove (half-time feel possible ~48 BPM for more suspense), 4/4, alternative rock, nu metal, male vocals, powerful and hoarse voice, deep male voice, backing vocals, powerful drums, guitar solo, powerful rhythm, aggressive keyboards
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
3:23

D minor, 128 BPM (intentional half-time feel ~64 BPM for the verses), 4/4, alternative rock, nu metal, male vocals, powerful and hoarse voice, deep male voice, backing vocals, powerful drums, guitar solo, powerful rhythm, aggressive keyboards
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
3:37

A minor, ≈120 BPM (suggested range 118–122 BPM), 4/4
alternative rock, nu metal, male vocals, powerful and hoarse voice, deep male voice, backing vocals, powerful drums, guitar solo, powerful rhythm, aggressive keyboards
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
3:42

E♭ minor, ≈ 94–95 BPM, 4/4
italian trap, rap, hip-hop/pop, male vocals, powerful and hoarse voice, deep male voice
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
3:47

alternative rock, nu metal, male vocals, powerful and hoarse voice, deep male voice, melodic power ballad, enhanced stereo, Emotional saxophone, intro with soft acoustic guitar
Clean male vocals, drums, gradually towards powerful choruses, Melodic electric guitar in solo not aggressive, melancholy piano, guitar solo outro
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
3:48

Utopia
v5
E minor, ~98–100 BPM, 4/4, rock, rock/R&B
gritty vocal, male vocals, guitar solo, powerful drums, backing vocals, powerful rhythm, aggressive keyboards
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
5:13

C major (use vocalist-appropriate transposition), ≈77–78 BPM (half-time pocket possible), 4/4
pop/ rock ballad, melodic pop/rock, R&B
gritty vocal, male vocals, guitar solo, backing vocals
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
4:13

Key = D major (working transcription); BPM ≈ 115; Time signature = 4/4
rock, alternative rock
male vocals, powerful and hoarse voice, deep male voice, backing vocals, powerful drums, guitar solo, powerful rhythm
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
4:11

Key = A minor
BPM ≈88–92
Time signature = 4/4
rock ballad, rock
male vocals, powerful and hoarse voice, deep male voice, backing vocals, guitar solo
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
5:14

Key = D minor
BPM ≈ 88–92
Time signature = 4/4
rock ballad, emotional
male vocals, powerful and hoarse voice, deep male voice, backing vocals, guitar solo, powerful keyboards
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
3:59

Brividi
v5
Key = E minor
BPM ≈ 88 (playable 85–92 BPM depending on singer)
Time signature = 4/4
rock ballad, emotional
male vocals, powerful and hoarse voice, deep male voice, backing vocals, guitar solo, powerful rhythm, powerful drums, keyboards
[DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]
5:32

Key = D minor
BPM ≈ 80
Time signature = 4/4
melodic rock ballad, melodic, male vocals, deep male voice, backing vocals, guitar solo, [DO NOT CUT THE ENDING ABRUPTLY — FADE THE FINAL POWER-CHORD NATURALLY OVER 8–12s, RETAIN ANY CROWD/REVERB TAILS]


