
Whiskey Knows
A gritty, heartfelt modern country album about love, loss, and truth that only hits when the bottle's half gone.
·
20 songs
2:57

Upbeat trap-country hybrid in G Major (~115 BPM) with a snappy groove, clean electric guitars, a crisp 808-backed beat, and vocal swagger, Male vocals lead with a confident but weary tone, Hook-driven, featuring stacked harmonies and a catchy chorus melody designed for radio, Trap hi-hats layer behind country instrumentation for a tight, contemporary feel
3:09

Me Neither
v4.5
Up-tempo acoustic country, gritty male vocals, conversational phrasing, and emotional storytelling, Built around the repeatable hook “Me Neither, ” the chorus speaks directly to the listener, creating a shared experience, Light steel and electric guitar textures give warmth and radio-ready polish, bpm: 120
key: D Major
3:22

Hell or Highway
v4.5
Anthemic mid-tempo modern country-rock in A Major (~112 BPM) featuring electric guitar riffs, tight live drums with a snap overlay, and a dynamic vocal performance, Verses carry a tense build with restrained instrumentation; choruses explode with layered guitars and harmonies, Male lead vocals should be passionate with a hint of desperation, especially in the bridge
3:31

Mid-tempo (~100 BPM) country track in A Major with a rootsy feel, Acoustic guitar sets the groove, supported by steady drums, subtle steel guitar textures, and clean electric fills, Male vocals should sound worn but resolute — the tone of someone who’s been through it but isn’t done yet, Chorus builds with layered harmonies and punchy rhythm, Production should feel raw but polished, like a southern rock record with soul
4:21

Backseat Sermons
v4.5
Mid-tempo modern country in A Major (~88 BPM) with a bluesy electric guitar riff, a laid-back swing groove, and trap-infused drums for edge, Acoustic guitar sits beneath crunchy Telecaster licks, while steel guitar offers soulful texture, Male vocals alternate between swagger and intimacy, Bridge features vocal layering with light gospel-style harmonies
3:04

Slow-tempo (~75 BPM) southern country ballad in G Major, Production blends acoustic guitar, sparse piano, low-end kick, and subtle gospel-inspired organ, Male lead vocals are raw, honest, with a worn edge, Light steel guitar adds emotion behind the verses, Harmonies swell subtly in the chorus and bridge to mirror spiritual undertones, A mix of outlaw soul and vulnerable heart
3:29

Bluesy, mid-tempo modern country track in A minor (~88 BPM) with trap-country production, Features a crunchy electric guitar riff, punchy snare with hi-hat flicks, gospel-style organ swells, and a gritty Southern vocal, Verses are smoky and narrative-driven; chorus hits with swagger and soul, The bridge features layered harmonies, minimal 808s, and a lyrical confession with bite, Designed to sit at a turning point in the album — where the whiskey fades and the soul stirs
3:16

Worn Down Boots
v4.5
Mid-tempo (~98 BPM) modern country track in G Major with a blend of acoustic and electric guitars, subtle trap-style snare and snap textures, and atmospheric steel fills, Male vocals with gritty warmth and southern drawl, Focus on rhythmic phrasing in verses and a strong singable chorus, Introspective yet confident, Clean mix with punchy low end and layered harmony in the final chorus
3:07

Slow-burning trap-country ballad in E minor (~78 BPM) blending acoustic guitar, subtle 808s, and moody steel guitar swells, Male vocals begin low and intimate, building to raw emotion, Production should emphasize atmosphere with snap tracks, sparse piano, and vocal delay effects that mimic the echo of an empty bar, Emotive, vulnerable, with modern edge
3:37

You Up?
v4.5
Moody trap-country ballad in B minor (~100 BPM) with warm acoustic guitar, atmospheric pads, distant piano hits, and a subtle 808-driven rhythm, Male vocals begin hushed and conversational, building into raw emotional delivery in the chorus, Background harmonies layer in second verse and bridge for added texture, Lyrical phrasing should feel casual but aching, like a late-night voicemail you wish you hadn’t sent
3:39

Whiskey Knows
v4.5
Slow, moody country-blues ballad in E minor (~80 BPM) featuring acoustic guitar, spacious steel guitar lines, sparse piano, and minimalistic trap-influenced drums, Male vocals are raw and weary with a conversational delivery, Intimate verses give way to a chorus that soars with emotional ache, Use vocal layering for depth in the final chorus
3:12

Mid-tempo modern country ballad in D Major (~92 BPM) with a blend of urban trap textures and classic country storytelling, Fingerpicked acoustic guitar underpins layered electric tones and soft pads, 808-style drums are paired with subtle steel swells for emotional pull, Male vocals with a tired, reflective delivery — lyrics land like midnight thoughts voiced over dim bar lights
3:31

Dirt on My Halo
v4.5
Mid-tempo (~104 BPM) southern rock-country fusion in B Major, Gritty electric guitars, a thumping drumline with slight swing, and a confident male vocal lead, Production should mix slide guitar accents with a tight rhythm section, Verses feel bluesy and reflective, while the chorus is loud, proud, and anthemic, Add gospel-style harmony layers in the bridge
3:09

Mid-tempo reflective country ballad in C Major (~90 BPM) featuring acoustic guitar, soft piano, atmospheric steel swells, and a gently pulsing rhythm, Male lead vocals with a warm, weathered tone; emotional but composed, Chorus is rich with harmony and forward motion, Final outro should feel open-ended — like a memory that fades but never fully disappears
3:50

Blues-infused country ballad with a smoky, soul-drenched male vocal, The tone is raw and emotionally vulnerable, anchored by sparse acoustic guitar fingerpicking, moaning slide guitar, and a slow-burning tempo, Builds gradually with harmonized choruses and gritty vocal swells, Perfect for late-night barroom scenes or reflective solo moments, emphasizing heartbreak with a southern gospel edge
2:59

Modern country with narrative-driven lyrics and a steady mid-tempo groove, Acoustic-led instrumentation with soft steel guitar flourishes, light piano layering, and gentle rhythm backing, Vocals carry a deep southern inflection balancing vulnerability with resilience, Designed for emotional lift, building to a rich final chorus with stacked harmonies and subtle strings
3:11

Vocals: Male, raspy-twang, layered harmonies on final lines, slight slap delay for width
Key: C major - sing in mid-baritone keys
Tempo: 92–95 BPM
Vibe: Acoustic heartbreak with trap-country elements
Production Notes:
Intro: Fingerpicked acoustic guitar + vinyl crackle
Verse: Lo-fi filtered guitar with light trap hi-hats (think “Sand In My Boots” or “7 Summers”)
Pre-Chorus: Subtle 808 bass fades in under atmospheric pads
Chorus: Full beat drops—live drums layered with trap claps, steel guitar licks slide behind vocal
Bridge: Stripped-back moment with organ pad or ambient guitar, then big vocal lift into final chorus
3:09

Vocals: Male, raspy-twang, layered harmonies on final lines, slight slap delay for width
Key: C major - sing in mid-baritone keys
Tempo: 92–95 BPM
Vibe: Acoustic heartbreak with trap-country elements
Production Notes:
Intro: Fingerpicked acoustic guitar + vinyl crackle
Verse: Lo-fi filtered guitar with light trap hi-hats (think “Sand In My Boots” or “7 Summers”)
Pre-Chorus: Subtle 808 bass fades in under atmospheric pads
Chorus: Full beat drops—live drums layered with trap claps, steel guitar licks slide behind vocal
Bridge: Stripped-back moment with organ pad or ambient guitar, then big vocal lift into final chorus
2:54

Still Mine
v4.5
Acoustic country ballad with a fingerpicked guitar base, soft male vocal, minimal piano accents, and warm, ambient reverb, Intimate and slow, perfect for a wedding dance or personal moment, Similar to an unplugged-style lyric for an acoustic set — real, raw, and tender
3:03

One More Song
v4.5
Slow country ballad in D Major (~72 BPM), driven by piano and acoustic guitar, with ambient steel guitar swells and minimal percussion, Male vocals are fragile and emotive, building from intimate verses to a chorus rich with harmony, Subtle string pads swell in the bridge, A stripped-down mix where silence and space matter as much as sound
