Outstanding Sounds

Deutsch, Spoken Word, Word, Spoken, HI-FI, Audiobook, Horror-Ambient, dark poetry, dark spoken lyrics, Story-Teller

808, hip hop, folk, folk punk, trip hop, rap, rapping, RnB, trap beat, 808's, soulful singing

808, hip hop, folk, folk punk, RnB, trap beat, 808's, soulful singing, blues

A cryptic transmission from a female transhuman pilot, sent across time by a consciousness beyond ego, Sparse, minimal electronics pulse beneath a calm, vocoded, androgynous voice, delivering fragmented, encrypted messages, Beeps, glitches, and metallic drones weave through the track, hinting at hidden codes and a society where individual relevance fades, Emotionless yet mesmerizing, the song drifts through void-like spaces, portraying a world governed by collective welfare, Each phrase feels like a data packet, part ritual, part broadcast—an unsettling yet hypnotic journey into a post-human future

choir only, traditional Swiss yodel choir music sounds, accapella, multi-voiced, very cleanly intonated, using vowel syllables instead of lyrics, with shifts between chest and head register, Harmonically, it is dominated by pure triads, many fifths, and often major or mixolydian colors, sometimes with a drone on the root or fifth, The melodies feature call-and-response, echo effects, and wide intervals, Rhythm is calm to swinging, often in 3/4 or 2/4, Articulation is open, almost without vibrato, focusing on blend and overtones, Structure is often “stollen and abgesang” (verse and closing section), with themes of nature and homeland, In production, reverb reminiscent of a church, ‑instruments, ‑band, ‑orchestra, ‑distortian, ‑beat, ‑drums, ‑rythm, ‑bass

[THERENGLYPH ASCII BLOCK // MELODIC DARK ROLLING JUMP UP JUNGLE x DRUM N BASS] [ID SWR_TRK_CMIFC_JNX] [LENGTH approx 3m15s] [TEMPO 170 BPM] [SWING 12 to 15 ramp on drops] [BAR GRID 4x16] [KEY F# Dorian to C Phrygian on drops] [TENSION flat2 drones minor6 lifts tritone tease pre drop] [GLYPH STYLES ~>⟲<~ Spiral Lens //∷//≋// Fracture Rail |]↯[| Glass Spine ϞϟϞ Flesh Matrix] Kick drives in with deep 808 sub, crisp transient, and tight comp, locked with rolling Amen rim snare (wide, clipped, highpassed), Alternating snare B layers in glassy textures; chorus unleashes seismic machine-gun rolls and ghosted percussion, Hats snap a shuffled 1/16 cadence, jazzed by ramping swing on drops, Tension builds with flat2 drones, minor6 arps, and tritone synth stabs, morphing from F# Dorian to C Phrygian at each spiral drop, Stabs and fractured basses weave Glass Spine and Flesh Matrix motifs across a dense, dark melodic jump up jungle x drum n bass soundscape

Legendary heroic epic cinematic score with a philosophical sci-fi tone, Slow, ominous orchestral build evolving into a massive emotional climax, Deep resonant brass, low male and female choir chanting in long sustained notes, vast reverb, and wide stereo space, Pulsing hybrid synths and subtle sound-design textures representing time compression and cosmic scale, Tempo gradually intensifies, drums grow heavier and more tribal, conveying ascension, godhood, and isolation, Final act becomes intimate and emotional, stripping layers back to piano, soft strings, and distant choir, symbolizing rebirth and individuality, Mood: awe, inevitability, loneliness, transcendence, and renewal

accordions, shanty, maritime folk, neofolk, minor-key, subdued 808, smoky lead vocals, male shanty choir, melancholic, layered, trip-hop off-beat, delicate percussion, subtle fading sub-drones, orchestral quartet, accordion solos, ‑violin, ‑strings, ‑cello, ‑piano, ‑guitar, ‑acoustic guitar, ‑sax, ‑saxophone

55 BPM, Dark Industrial Funk, 80s Gated Reverb Drums, Pitch-shifted Baritone Spoken Word, 3D Spatial Audio, Vertical Frequency Modulation, No Brickwall, 10% Human Latency, Deep Fuzz Bass, Minimalist Electric Guitar Scratches, Cyberpunk Narrative, High Dynamic Range, Analog Saturation, 24-bit Depth Weirdness: 18% Style: 86%

• Early-70s heavy blues rock • Huge, echoing drum groove: • slow • deliberate • minimal fills • sounds distant and massive • Drums feel like a force of nature • Bass: • thick • repetitive • locked tightly to the drums • Guitar: • swampy, overdriven • restrained, riff-based • no flashy leads • Harmonica or wailing texture: • mournful • siren-like • distant • Vocal: • male • weary, resigned, observational • behind the beat • Arrangement: • groove introduced immediately • minimal changes throughout • repetition builds tension • Mood: • ominous • heavy • inevitable • Production: • deep reverb • analog warmth • wide, cavernous space Meta tags: (heavy_blues, massive_drums, swampy_groove, inevitable_feel, slow_menace, analog_warmth, apocalyptic_mood, repetition_power

This Dembow Punk × Rock track launches with syncopated dembow drums, BPM: 100-120, distorted guitars riffing with fast punk energy and raw bass holding the groove, high-fidelity, Verses strip back to a lean, driving rhythm in a Dolby Atmos mix, while choruses explode with gang vocals and layered guitar textures, An energetic breakdown fuses electronic percussive hits with guitar feedback add unique textures, closing with a frenetic, bass-heavy outro

REMIX MODE Instrumental & Groove Remix ONLY ⚠️ Vocal performance, tone, melody, timing and FX MUST remain 100% unchanged Style / Core Deep Southern Soul, Al Green–inspired (original feel) Warm, intimate, late-night soul pocket Memphis-style groove with modern clarity Tempo / Feel Original tempo preserved Human swing, laid-back, behind-the-beat Groove enhancement without rhythmic alteration of vocals Instrumentation (Remix Focus) Muted electric guitar (soft wah, rhythmic accents) Round analog bass, deeper low-end definition Vintage drum kit, tighter kick, slightly more ghost notes Hammond organ pads widened in stereo Subtle Rhodes fills, low-volume string swells Vocal Handling (CRITICAL) NO pitch correction added NO timing edits NO saturation, distortion or widening NO extra reverb or delay Original vocal chain preserved exactly Vocals remain dry, intimate and forward Remix Direction Groove energy slightly elevated Low-mid movement increased (bass & guitar) More rhythmic flow

Raw, intimate live-to-tape jazz-soul performance, Aggressively played upright piano with syncopated jazz-gospel chords, blues runs and percussive left-hand accents, Tempo elastic, human push-and-pull feel, No drum kit; groove implied by piano dynamics, Sparse melodic trumpet enters later as a lyrical counter-voice, never dominating, Real acoustic instruments only, Strong dynamic contrast: explosive accents followed by near-silence, Multiple breakdowns with only piano and vocal, Memorable, emotionally charged melody that evolves through tension and release, 3D spatial room sound, audible air and proximity, Natural room ambience, wide dynamic range, No brickwall limiting, Headroom -6 dB, Organic analog feel, imperfect, alive

Dark pop, Minimalist, Heavy thumping sub-bass, Whispered female vocals, ASMR textures, Finger snaps, Sarcastic, Industrial pop, Lo-fi percussion, 135 BPM, Dry vocals, ‑Acoustic, ‑Bright, ‑Belting, ‑Power vocals, ‑Orchestral, ‑Happy, ‑Major key, ‑High-pitched, ‑Warm, ‑Rock, ‑Metal, ‑Gospel, ‑Country, ‑Cinematic, ‑Dramatic, ‑Overproduced

grunge, swamp rock, gothic rock, electric blues, chicago blues, raw, edgy sound gritty power chords, the use of distortion and feedback, tremolo picking, slide guitar, and a sense of raw, untamed energy, visceral, energetic tone, slide guitar hints, long drawn whining soulful vocals, slow southern draw voice, slow raspy gravel old soulful southern draw voice, deep soul, weeping guitar solo ending, irish, bagpipes, heavy 808's, rebellious attitude, raw sound, minimalism, aggressive energy, unrefined tone, twangy, rhythmic shuffle, heavier distortion, powerful riffs, reverb, feedback, guitar distortion, fuzzed-out sound, deep sonic explorations, unpolished sound, fuzzy guitar tones, reverb-laden tone, blues-style riffs, despair, macabre, dramatic, intense, tribal beat, heavy 808's

Viking pagan folk, Nordic bardcore, shamanistic war chant, Finnish accent vocals, syllable-timed delivery, acoustic battle hymn, tribal drums, frame drum pounding, hurdy-gurdy drone, throat singing undertones, Mongolian overtone influences, tagelharpa, bone flute, male baritone to guttural roar, raw emotional delivery, group chanting responses, 4/4 time, D minor, 100 BPM building to 120, ritualistic crescendos, bonfire atmosphere, epic cinematic folk, aggressive dynamics, cathedral reverb on choir, dry close-mic on lead, war cry energy, ‑Modern pop, ‑EDM, ‑synthesizers, ‑auto-tune, ‑pitch correction, ‑trap beats, ‑808 bass, ‑drum machines, ‑electric guitar, ‑clean production, ‑polished vocals, ‑sweet harmonies, ‑major key, ‑upbeat cheerful, ‑radio friendly, ‑jazz, ‑swing, ‑country, ‑reggae, ‑dubstep, ‑lo-fi bedroom, ‑overcompressed, ‑children's vocals, ‑whisper vocals, ‑breathy delivery, ‑smooth R&B, ‑falsetto, ‑operatic soprano, ‑robotic vocoder, ‑American accent, ‑British accent, ‑clean English pronunciation

Legendary heroic epic cinematic score, vast and awe-inspiring, slow-burn tension building into powerful crescendos, deep orchestral strings, heavy brass, monumental choir, controlled but emotional pacing, sense of scale and inevitability, philosophical and reflective rather than aggressive, dark-to-hopeful tonal arc, minimal but impactful percussion, timeless and mythic atmosphere, evoking survival, balance, and existential gravity rather than triumph, cinematic like a final revelation rather than a battle

VST knob adjustments, slow filter sweeps, high-pass automation, low-pass resonance modulation, subtle detune, unison stacking, glide portamento, layered saws and supersaws, soft sync oscillators, FM depth tweaks, LFO on amplitude and pan, envelope attack/decay shaping, reverb tail modulation, delay feedback automation, saturation bus processing, sidechain compression to kick, transient shaping on percussive synths, stereo widening, harmonic layering, micro pitch modulation, modulation matrix routing, subtle phaser on pads, slow evolving arpeggiator, granular texture layers, soft clipping on master, pad motion with slow filter LFO, parametric EQ sweeps, stereo imaging automation, evolving oscillator mix, analog emulation warmth, vast chord progression, many melodies and rhythmic variations, harmonized vocals, beautiful ethereal airy female vocals, aching vocals, long held notes vocal, multiple melodies interacting in vocals, multiple female vocal voices harmonize, ‑-noise, ‑-hiss, ‑-harsh distortion, ‑-clipping, ‑-overcompression, ‑-aggressive mastering, ‑-loudness war, ‑-glitch effects, ‑-abrasive textures, ‑-sudden drops, ‑-abrupt transitions, ‑-chaotic arrangement, ‑-tempo creep, ‑-sudden tempo changes, ‑-jarring volume jumps, ‑-harsh high frequencies, ‑-muddy low end, ‑-boomy bass, ‑-boxy mids, ‑-thin or buried leads, ‑-overcrowded instrumentation, ‑-random FX spam, ‑-gimmicky risers, ‑-festival EDM drops, ‑-excessive sidechain pumping, ‑-cheap synth leads, ‑-metallic saws, ‑-brittle top end, ‑-static looping, ‑-mechanical feel, ‑-lifeless dynamics, ‑instantaneous vst knob turn, ‑sudden instrument changes, ‑sharp saw lead, ‑trumpet synth

A dark cabaret, cinematic chanson, and acoustic folk piece in D or E minor, Melancholic piano opens amid faint seagulls and ship horns; fingerpicked classical guitar and pizzicato bass join, Verses are sparse, with baritone vocal center stage, Choruses swell: bowed bass, brushed snare or tambourine, distant accordion, and haunting ethereal soprano harmonies, Bridge brings solo cello, emotional and reverb-laden, Outro weaves cello, airy soprano, and ambient noise, gently fading, Wide stereo spread, clear mid vocal, lush textures, careful frequency separation throughout

Russian melancholy with bashkirian vibe, indie-electronic folk, youthful female falsetto vocals, live performance rawness and intimacy, Modal pentatonic melodies inspired by Bashkir quray flute—long drawn-out breathy phrases, ornamented lines, free rhythm, Ethereal haunting atmosphere, vulnerable confessional delivery with subtle rebellious defiance, Electronic synth drones and atmospheric pads under introspective vocals, Raw live feel with audible breath and presence, sophisticated Eastern European folk harmonies, Unsettled modal mood, youthful tenderness meets cultural depth, ‑mainstream pop, ‑polished production, ‑clean vocals, ‑upbeat cheerful, ‑conventional major-key harmony, ‑radio-friendly hooks, ‑trap beats, ‑aggressive loud, ‑overly synthetic EDM, ‑smooth R&B, ‑commercial overproduction, ‑auto-tuned perfection, ‑happy major melodies

[genre: plushy cyberpunk, bashkirian glitch-folk, skunk funk, indie-electronic] [style: j37 tape saturation, toy-box bit-crushing, quray-inspired synth-flute, ethereal drones] [groove: unquantized swagger, 25% human latency, free-rhythm modal pulse, incalzando surge] [voice: little chicken (high-pitched nasal plushie growl, vulnerable falsetto clucks, shamanic wail)] [featured: circuit-bent kalimba, taiko drums, quray-style breathy synth, frame drums] [motive: 360-degree feather-panning, vertical pitch sweeps, click-clack] [lead: detuned toy-piano (plucked, wooden, haunted, 19th-century gothic)] [bass: plush-fuzz bass (heavy, squelchy, sub-pressure resonance)] [kit: massive taiko ensemble, squishy percussion, industrial clock-clicks] [acoustics: binaural 3d spatial audio, wide holographic soundstage, phase-aligned] [production: -3db headroom, no brickwall limiting, transparent dynamic range, deep low-end punch] [mastering: studio master, 24-bit fidelity, 48khz, analog tape glue]

electric blues, grunge, swamp rock, gothic rock, chicago blues, raw, edgy sound gritty power chords, the use of distortion and feedback, tremolo picking, slide guitar, and a sense of raw, untamed energy, visceral, energetic tone, slide guitar hints, long drawn whining soulful vocals, slow southern draw voice, slow raspy gravel old soulful southern draw voice, deep soul, weeping guitar solo ending, irish, bagpipes, heavy 808's, rebellious attitude, raw sound, minimalism, aggressive energy, unrefined tone, twangy, rhythmic shuffle, heavier distortion, powerful riffs, reverb, feedback, guitar distortion, fuzzed-out sound, deep sonic explorations, unpolished sound, fuzzy guitar tones, reverb-laden tone, blues-style riffs, despair, macabre, dramatic, intense, tribal beat, heavy 808's

[Genre: Dark Ambient, Experimental Doom Jazz] [Style: Hypnotic Morphing Textures, Vintage 1970s Grain] [Groove: Grave, Sostenuto] [Featured: Processed Electric Guitar, Rickenbacker Bass, Acoustic Kit, Mellotron M400] [Motive: Resonant Swell Panning] [Lead: Moog Synth (Filtered, Harmonic-Swell)] [Filler: Prophet-5 Pads (Low Velocity, FM-textures, Ghostly-Wash)] [Bass: Rickenbacker (Deep, Subterranean-Pattern, Heavy-Weight)] [Kit: Massive Studio (Timpani-Accents, Crushing-Crashes)] [Acoustics: Dry Isolated Stems, Wide Stereo] [Spatialization: Front-to-Back Depth, Binaural Positioning] [Mastering: Warm Analog Harmonics, High-Fidelity Studio Master] [Textures: Morphing Spectral-Wash, Organic Grain, Resonant Bloom]

[Genre: Psychedelic Blues, Hard Rock] [Style: 1970s Analog Studio Texture] [Groove: Grave, Incalzando] [Voice 1: Male, High-pitched, Gritty, Soulful, Robert Plant style] [Featured: Electric Guitar, Hammond B3 Organ, Heavy Drum Kit] [Motive: Hammond Pedal Bass, Leslie Speaker Swell] [Lead: Gibson Les Paul, Vintage Tube Overdrive, Dynamic Wah] [Bass: Hammond B3 Foot-Pedals only, 16ft and 8ft Drawbars, Rotary Low-end, Pure Sine Sub-harmonic, No Electric Bass Guitar, Organic Organ Bass Tones] [Kit: Ludwig Amber Vistalite, Massive Reverb, Squeaky Kick Pedal] [Acoustics: Wide Stereo, Phase-Aligned, 3D Depth, Natural Room Reverb] [Mastering: Tape Saturation, 15ips Magnetic Reel, Vacuum Tube Warmth, No Digital Limiting, High Dynamic Range, Analog Noise Floor, EQ: Mid-Forward, Rolled-off Highs]

Deep dubstep, trap, psychoacoustic subbass, hypnagogic air texture noise, beat sample, halftime swing, 220bpm, clipping, hard bass compression, modular synth subbass, tr-808, extended cut, live radio mix, two hour set, subbass texture, lfo effects, high low mixing

[Form: 4/4, Ultra-Minimal, Extended Form, Non-Cadential, Perceptual-Time-Distortion] [Instrumental: Baby Scratch, Back-Projection, MPC-Style Turntable Sequencing, Quantized Gesture Grid, Slow Attack, Front-Loaded Transients, Hand-Triggered Cuts, Mono Centered, Dry Capture, Tight Release, No Cinematic] [Instrument: Electric Violin, Yamaha Silent Violin SV255 / SV250, Mid-Projection, Post-Classical Minimalism, Solid-Body Presence, SM57 / KM184, Single-Note Articulation Only, No Strumming, Minimal Melody, Dry Capture, Fast Transient, Short Decay, De-Mud, Clarity-First] [Vocal: Female, Mezzo-Soprano, Command Spoken, Forward-Projection-Dominant, SM7B / RE20, Dry, Tight Vowels, De-Mud, Clarity-First], ‑no bloom, ‑no shimmer, ‑no cinematic

German spoken-word fairy tale narration (NOT sung), Cozy whimsical cinematic underscore, 84 BPM, G minor, Lead: old male storyteller, warm, gravelly, soft spoken, clear diction, playful timing, Music bed: music box motif, soft acoustic guitar, upright bass, brushed drums, gentle strings, fireplace crackle + subtle foley, Keep narration dominant, music supportive; natural pauses and small chuckles, Use section tags in lyrics; dynamic swells only between phrases, Mix: close-mic voice upfront, light plate reverb, warm EQ, wide soft background