Playlist cover art

【厳選⛄️favo#003】Jan 2026|RUFF NEKKサウンドスケッチBOOK+α

I will carefully select and add them. 厳選して追加していきます 和音祭用に作り始めた和物にどハマりしてそっち系多めになっております
5:49Song Image
[Masterpiece ULTRA-DRIVING DUBSTEP Avant-garde JAZZ AMBIENT IDM first, cinematic noir collage: CLASSICAL, ALT-BEBOP, psychedelic/dope groove by world-class IDM/DUB jam band] [Tempo 190BPM] [harmony: lead by SUPER-TECHNICAL ACOUSTIC-GUITAR & PIANO; moody/aesthetic/complex/bittersweet/LUXE] [arrangement: constantly evolve, build to a epic climax] [HARMONY GUIDE: drunken-beat timing; Ebmaj9(#11)→Dm11→Dbmaj7(13) tritone-slip; quartal voicings (4th stacks); hidden neo-soul slides; altered dominants (V7alt) resolving to maj9; deep sub-bass counterpoint; warm tape saturation texture] [80-PIECE-orchestra: SUPER-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORN SECTION provides powerful stabs and lush harmonies, while an epic STRING SECTION] [drums: complex polyrhythms/live jazz drumming, with excessively varied fills that enhance the structure] [Bass: slap, octave pops controlled, low end locking with kick transient]
5:13Song Image
[Masterpiece ULTRA-DRIVING tech house Avant-garde JAZZ AMBIENT IDM first, EXPERIMENTAL noir collage: CLASSICAL, ALT-BEBOP, psychedelic/dope groove by world-class IDM/DUB jam band] [Tempo 130BPM] [harmony: lead by TECHNICAL ACOUSTIC-GUITAR & PIANO; moody/aesthetic/complex/bittersweet/LUXE] [arrangement: constantly evolve, build to a epic climax] [HARMONY GUIDE: drunken-beat timing; Ebmaj9(#11)→Dm11→Dbmaj7(13) tritone-slip; quartal voicings (4th stacks); hidden neo-soul slides; altered dominants (V7alt) resolving to maj9; deep sub-bass counterpoint; warm tape saturation texture] [80-PIECE-orchestra: SUPER-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORN SECTION provides powerful stabs and lush harmonies, while an epic STRING SECTION] [drums: complex polyrhythms/live jazz drumming, with excessively varied fills that enhance the structure] [Bass: slap, octave pops controlled, low end locking with kick transient]
7:08Song Image
[Masterpiece ULTRA-DRIVING tech house Avant-garde JAZZ AMBIENT IDM first, EXPERIMENTAL noir collage: CLASSICAL, ALT-BEBOP, psychedelic/dope groove by world-class IDM/DUB jam band] [Tempo 130BPM] [harmony: lead by TECHNICAL ACOUSTIC-GUITAR & PIANO; moody/aesthetic/complex/bittersweet/LUXE] [arrangement: constantly evolve, build to a epic climax] [HARMONY GUIDE: drunken-beat timing; Ebmaj9(#11)→Dm11→Dbmaj7(13) tritone-slip; quartal voicings (4th stacks); hidden neo-soul slides; altered dominants (V7alt) resolving to maj9; deep sub-bass counterpoint; warm tape saturation texture] [80-PIECE-orchestra: SUPER-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORN SECTION provides powerful stabs and lush harmonies, while an epic STRING SECTION] [drums: complex polyrhythms/live jazz drumming, with excessively varied fills that enhance the structure] [Bass: slap, octave pops controlled, low end locking with kick transient]
6:42Song Image
[Masterpiece ULTRA-DRIVING FRENCH ELECTRO x Avant-garde JAZZ deepest AMBIENT first, virtuosic collage: CLASSICAL, ALT-BEBOP, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL IDM/DUB jam band] [Tempo 81BPM] [harmony: lead by moody ACOUSTIC GUITAR; TECHNICAL/aesthetic/smooth/bittersweet/LUXE/HOOK-GRADE/VIP] [arrangement: constantly evolve, build to epic climax] [HARMONY GUIDE: SAMPLING-FRIENDLY-super-drunken-beat; Ebmaj9(#11)→Dm11→Dbmaj7(13) tritone-slip; quartal voicings (4th stacks); hidden neo-soul slides; altered dominants (V7alt) resolving to maj9; deep sub-bass counterpoint; warm tape saturation texture] [80-PIECE-orchestra: HOOK-GRADE-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums: ultra-Skilled complex polyrhythms/live jazz drumming] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient], ‑piano
6:32Song Image
[Masterpiece ULTRA-MELLOW FRENCH ELECTRO x Avant-garde JAZZ deepest AMBIENT first, virtuosic collage: CLASSICAL, ALT-Bossa, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL IDM/DUB jam band] [Tempo 66BPM] [harmony: lead by moody ACOUSTIC GUITAR; chill-out/aesthetic/smooth/bittersweet/LUXE/HOOK-GRADE/VIP] [arrangement: constantly evolve, build to epic climax] [HARMONY GUIDE: SAMPLING-FRIENDLY-super-drunken-beat; Ebmaj9(#11)→Dm11→Dbmaj7(13) tritone-slip; quartal voicings (4th stacks); hidden neo-soul slides; altered dominants (V7alt) resolving to maj9; deep sub-bass counterpoint; warm tape saturation texture] [80-PIECE-orchestra: HOOK-GRADE-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums: ultra-Skilled complex polyrhythms/live jazz drumming] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
4:03Song Image
[Masterpiece ULTRA-MELLOW FRENCH ELECTRO x Avant-garde JAZZ deepest AMBIENT first, virtuosic collage: CLASSICAL, ALT-Bossa, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL IDM/DUB jam band] [Tempo 66BPM] [harmony: lead by moody ACOUSTIC GUITAR; chill-out/aesthetic/smooth/bittersweet/LUXE/HOOK-GRADE/VIP] [arrangement: constantly evolve, build to epic climax] [HARMONY GUIDE: SAMPLING-FRIENDLY-super-drunken-beat; Ebmaj9(#11)→Dm11→Dbmaj7(13) tritone-slip; quartal voicings (4th stacks); hidden neo-soul slides; altered dominants (V7alt) resolving to maj9; deep sub-bass counterpoint; warm tape saturation texture] [80-PIECE-orchestra: HOOK-GRADE-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums: ultra-Skilled complex polyrhythms/live jazz drumming] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
5:44Song Image
[Masterpiece ULTRA-DOPE HIPHOP/FUNK/BREAKS x Avant-garde JAZZ deep AMBIENT first, virtuosic collage: CLASSICAL, ALT-Bossa, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL IDM jam band] [Tempo 55BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; chill-out/aesthetic/smooth/bittersweet/LUXE/HOOK-GRADE/MAD/BK] [arrangement: constantly evolve, build to epic climax] [HARMONY GUIDE: SAMPLING-FRIENDLY-drunken-beat; Ebmaj9(#11)→Dm11→Dbmaj7(13) tritone-slip; quartal voicings (4th stacks); hidden neo-soul slides; altered dominants (V7alt) resolving to maj9; deep sub-bass counterpoint; warm tape saturation texture] [81--PIECE-orchestra: HOOK-GRADE-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums: ultra-Skilled complex polyrhythms/live jazz drumming] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
4:32Song Image
[Masterpiece ULTRA-DOPE HIPHOP/FUNK/BREAKS x Avant-garde JAZZ deep AMBIENT first, virtuosic collage: CLASSICAL, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL IDM/TECH/ELECTRO jam band] [Tempo 55BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; chill-out/aesthetic/smooth/bittersweet/LUXE/HOOK-GRADE/MAD/BK] [arrangement: constantly evolve, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [81--PIECE-orchestra: HOOK-GRADE-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums: ultra-Skilled complex polyrhythms/live jazz drumming] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
5:19Song Image
[Masterpiece ULTRA-DOPE HIPHOP/FUNK/BREAKS x Avant-garde JAZZ deep AMBIENT first, virtuosic collage: CLASSICAL, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL IDM/TECH/ELECTRO jam band] [Tempo 55BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; chill-out/aesthetic/smooth/bittersweet/LUXE/HOOK-GRADE/MAD/BK] [arrangement: constantly evolve, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [81--PIECE-orchestra: HOOK-GRADE-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums: ultra-Skilled complex polyrhythms/live jazz drumming] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
5:34Song Image
[Masterpiece ULTRA-DOPE HIPHOP/FUNK/BREAKS x Avant-garde JAZZ deep AMBIENT first, virtuosic collage: CLASSICAL, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL IDM/TECH/ELECTRO jam band] [Tempo 55BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; chill-out/aesthetic/smooth/bittersweet/LUXE/HOOK-GRADE/MAD/BK] [arrangement: constantly evolve, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [81--PIECE-orchestra: HOOK-GRADE-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums: ultra-Skilled complex polyrhythms/live jazz drumming] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
4:58Song Image
[Masterpiece ULTRA-DOPE HIPHOP/FUNK/BREAKS x Avant-garde JAZZ deep AMBIENT first, virtuosic collage: CLASSICAL, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL IDM/TECH/ELECTRO jam band] [Tempo 55BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; chill-out/aesthetic/smooth/bittersweet/LUXE/HOOK-GRADE/MAD/BK] [arrangement: constantly evolve, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [81--PIECE-orchestra: HOOK-GRADE-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums: ultra-Skilled complex polyrhythms/live jazz drumming] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
6:30Song Image
[ULTRA-DOPE-NOIR Masterpiece PLUNDERPHONICS x Avant-garde JAZZ deep AMBIENT first, virtuosic collage suite: CLASSICAL, chill-out/psychedelic/dope groove by world-class virtuosic EXPERIMENTAL IDM/TECH/ELECTRO jam band] [Tempo 130BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; aesthetic/SYNTH/bittersweet/LUXE/HOOK-GRADE] [arrangement: constantly evolve, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [81--PIECE-orchestra: HOOK-GRADE-GLOSSY HORNS, WOODWINDS, STRINGS, virtuosic/hyper-melody, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums: ultra-Skilled complex polyrhythms/live jazz drumming] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient], ‑mispronounced words, ‑awkward phrasing, ‑slurred words, ‑monotone delivery, ‑gratuitous hype, ‑excessive build-up, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections
7:28Song Image
[ULTRA-DOPE Masterpiece PLUNDERPHONICS x Avant-garde JAZZ deep AMBIENT first, virtuosic collage suite: CLASSICAL, chill-out/psychedelic/dope groove by world-class virtuosic EXPERIMENTAL-NOIR IDM/TECH/ELECTRO jam band] [Tempo 130BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; aesthetic/bittersweet/HOOK-GRADE] [arrangement: constantly evolve/catharsis, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [HOOK-GRADE-81-PIECE-orchestra: GLOSSY HORNS, WOODWINDS, STRINGS, PIANO, virtuosic/melodic, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums+synthesizers: ultra-Skilled complex/live jazz feeling] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient], ‑mispronounced words, ‑awkward phrasing, ‑slurred words, ‑monotone delivery, ‑gratuitous hype, ‑excessive build-up, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections
6:17Song Image
[ULTRA-DOPE Masterpiece PLUNDERPHONICS x Avant-garde JAZZ deep AMBIENT first, virtuosic collage suite: CLASSICAL, chill-out/psychedelic/dope groove by world-class virtuosic EXPERIMENTAL-NOIR IDM/TECH/ELECTRO jam band] [Tempo 130BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; aesthetic/bittersweet/HOOK-GRADE] [arrangement: constantly evolve/catharsis, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [HOOK-GRADE-81-PIECE-orchestra: GLOSSY HORNS, WOODWINDS, STRINGS, PIANO, virtuosic/melodic, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies, while epic STRING SECTION] [drums+synthesizers: ultra-Skilled complex/live jazz feeling] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient], ‑mispronounced words, ‑awkward phrasing, ‑slurred words, ‑monotone delivery, ‑gratuitous hype, ‑excessive build-up, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections
6:19Song Image
[ULTRA-DOPE Masterpiece PLUNDERPHONICS x Avant-garde JAZZ deep AMBIENT first, virtuosic collage suite: CLASSICAL, chill-out/psychedelic/dope groove by world-class virtuosic EXPERIMENTAL-NOIR IDM/TECH/ELECTRO jam band] [Tempo 130BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; aesthetic/bittersweet/HOOK-GRADE] [arrangement: constantly evolve/catharsis, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [HOOK-GRADE-81-PIECE-orchestra: GLOSSY HORNS, WOODWINDS, STRINGS, PIANO, virtuosic/melodic, intricate/technical counter-melodies] [massive/soulful glossy HORNS provide powerful stabs & lush harmonies] [MINIMOOG/ARP: EPIC NOTES] [drums+synthesizers: ultra-Skilled complex/live jazz feeling] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient], ‑mispronounced words, ‑awkward phrasing, ‑slurred words, ‑monotone delivery, ‑gratuitous hype, ‑excessive build-up, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections
5:56Song Image
[ULTRA-DOPE Masterpiece PLUNDERPHONICS/ALT-POP x Avant-garde JAZZ deep AMBIENT first, virtuosic collage suite: CLASSICAL, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL-NOIR TECH-HOUSE/ELECTRO jam band] [Tempo 130BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; aesthetic/bittersweet/HOOK-GRADE] [arrangement: constantly evolve/catharsis, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [HOOK-GRADE-81-PIECE-orchestra: GLOSSY HORNS, WOODWINDS, STRINGS, PIANO, MINIMOOG, ARP, Marimba, virtuosic/melodic, intricate/technical counter-melodies] [massive glossy HORNS provide powerful/soulful stabs & lush harmonies] [drums+synthesizers: ultra-Skilled complex/live jazz feeling] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient], ‑mispronounced words, ‑awkward phrasing, ‑slurred words, ‑monotone delivery, ‑gratuitous hype, ‑excessive build-up, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections
7:21Song Image
[ULTRA-DRIVING Masterpiece NU-DISCO x SYNTHWAVE x PLUNDERPHONICS/ALT-POP x Avant-garde JAZZ deep AMBIENT first, virtuosic collage suite: CLASSICAL BOMB, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL-NOIR TECH-HOUSE/modern-funk jam band] [130 BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; aesthetic/bittersweet] [arrangement: constantly evolve/catharsis, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [HOOK-GRADE-81-PIECE-orchestra: GLOSSY HORNS, STRINGS, PIANO, MINIMOOG, ARP, virtuosic/melodic, intricate/technical counter-melodies] [massive glossy HORNS provide powerful/soulful stabs & lush harmonies] [drums+synthesizers: ultra-Skilled complex/live jazz feeling] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
3:55Song Image
[ULTRA-DRIVING Masterpiece NU-DISCO x SYNTHWAVE x PLUNDERPHONICS/ALT-POP x Avant-garde JAZZ deep AMBIENT first, virtuosic collage suite: CLASSICAL BOMB, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL-NOIR TECH-HOUSE/modern-funk jam band] [130 BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; aesthetic/bittersweet] [arrangement: constantly evolve/catharsis, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [HOOK-GRADE-81-PIECE-orchestra: GLOSSY HORNS, STRINGS, PIANO, MINIMOOG, ARP, virtuosic/melodic, intricate/technical counter-melodies] [massive glossy HORNS provide powerful/soulful stabs & lush harmonies] [drums+synthesizers: ultra-Skilled complex/live jazz feeling] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
6:01Song Image
[ULTRA-DRIVING Avant-garde JAZZ DISCO x Deep AMBIENT DARKWAVE Masterpiece x PLUNDERPHONICS/ALT-POP first, super-virtuosic collage suite: CLASSICAL BOMB, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL-NOIR TECH-HOUSE/modern-funk jam band] [130 BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; aesthetic/bittersweet] [arrangement: constantly evolve/catharsis, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [HOOK-GRADE-81-PIECE-orchestra: GLOSSY HORNS, STRINGS, PIANO, MINIMOOG, ARP, virtuosic/melodic, intricate/technical counter-melodies] [massive glossy HORNS provide powerful/soulful stabs & lush harmonies] [drums+synthesizers: ultra-Skilled complex/live jazz feeling] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
6:15Song Image
[ULTRA-MELLOW Avant-garde JAZZ DISCO x Deep AMBIENT DARKWAVE Masterpiece x PLUNDERPHONICS/ALT-POP first, super-virtuosic collage suite: CLASSICAL BOMB, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL-NOIR TECH-HOUSE/modern-funk jam band] [130 BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; aesthetic/bittersweet] [arrangement: constantly evolve/catharsis, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [HOOK-GRADE-81-PIECE-orchestra: GLOSSY HORNS, STRINGS, PIANO, MINIMOOG, ARP, virtuosic/melodic, intricate/technical counter-melodies] [massive glossy HORNS provide powerful/soulful stabs & lush harmonies] [drums+synthesizers: ultra-Skilled complex/live jazz feeling] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
5:33Song Image
[ULTRA-MELLOW Avant-garde JAZZ DISCO x Deep modern soul Masterpiece x PLUNDERPHONICS/BRASS-ROCK first, super-virtuosic collage suite: CLASSICAL BOMB, psychedelic/dope groove by world-class virtuosic EXPERIMENTAL-NOIR TECH-HOUSE/modern-funk jam band] [130 BPM] [harmony: lead by EPIC Flamenco/ACOUSTIC GUITAR; aesthetic/bittersweet] [arrangement: constantly evolve/catharsis, build to epic climax] [HARMONY GUIDE: polyrhythmic tension; constant modulation; chord extensions > 11th; diminished whole-tone scales; rapid root movement; math-rock angularity; rhythmically displaced stabs; unexpected resolution to relative minor; cerebral & tight] [HOOK-GRADE-81-PIECE-orchestra: GLOSSY HORNS, STRINGS, PIANO, MINIMOOG, ARP, virtuosic/melodic, intricate/technical counter-melodies] [massive glossy HORNS provide powerful/soulful stabs & lush harmonies] [drums+synthesizers: ultra-Skilled complex/live jazz feeling] [Bass: TECHNICAL slap, octave pops controlled, low end locking with kick transient]
5:12Song Image
[77BPM ULTRA-NOIR PLUNDERPHONICS/REGGAE LIVE x SUPER Psychedelic UNDERGROUND DEEP-JAZZ/ALT-POP/IDM HYPER-PROGRESSIVE AFROBEATS TEXTURES x DRIVING EUPHORIA BRASS-ROCK/BE-BOP/avant-garde-JAZZ GROOVE, grand romantic/hope suite] [VIBE: Perfectly accurate Patois pronunciation, mystical voice quality, moment of sunrise, tears & sweat, Sacred Rave, Spiritual Awakening, POST-CLUB CATHARSIS] [INSTRUMENTATION: TECHNICAL ACOUSTIC-GUITAR/PIANO/LIVE Baritone SAXOPHONE, FENDER RHODES MARK I through Tube Amp, VINTAGE MOOG SUB BASS, ROLAND TB-303 Acid squelch with varying resonance, PROPHET-5 Warm Analog Pads, TR-909 Dirty Kick with tape saturation] [MIXING: AUDIOPHILE MASTERING, -14 LUFS TARGET, WIDE STEREO IMAGE, PRISTINE HIGHS >12kHz, TIGHT LOW-END 30Hz-60Hz focus, ANTI-MUD EQ CUTS at 250Hz, PARALLEL COMPRESSION on Drums, MID-SIDE EQ processing for spatial width] [MUST: LAYERS EVOLVING EVERY 4 BARS, SUDDEN COMPLEX POLYRHYTHMS IN PERCUSSION/LIVE-JAZZ-DRUM, GHOST NOTES, VELOCITY SENSITIVITY MAX]
5:04Song Image
[55BPM SUPER Psychedelic UNDERGROUND DEEP-JAZZ/HIPHOP/IDM ULTRA-NOIR AFROBEATS TEXTURES x HYPER-PROGRESSIVE REGGAE/PLUNDERPHONICS LIVE x DRIVING EUPHORIA BRASS-ROCK/BE-BOP/avant-garde-JAZZ GROOVE, grand romantic/hope suite] [VIBE: Perfectly accurate Patois pronunciation, mystical voice quality, moment of sunrise, tears & sweat, Sacred Rave, Spiritual Awakening, POST-CLUB CATHARSIS] [INSTRUMENTATION: TECHNICAL ACOUSTIC-GUITAR/PIANO/LIVE Baritone SAXOPHONE, FENDER RHODES MARK I through Tube Amp, VINTAGE MOOG SUB BASS, ROLAND TB-303 Acid squelch with varying resonance, PROPHET-5 Warm Analog Pads, TR-909 Dirty Kick with tape saturation] [MIXING: AUDIOPHILE MASTERING, -14 LUFS TARGET, WIDE STEREO IMAGE, PRISTINE HIGHS >12kHz, TIGHT LOW-END 30Hz-60Hz focus, ANTI-MUD EQ CUTS at 250Hz, PARALLEL COMPRESSION on Drums, MID-SIDE EQ processing for spatial width] [MUST: LAYERS EVOLVING EVERY 4 BARS, SUDDEN COMPLEX POLYRHYTHMS IN PERCUSSION/LIVE-JAZZ-DRUM, GHOST NOTES, VELOCITY SENSITIVITY MAX], ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing, ‑generic stock loops
5:06Song Image
[DEEP DREAMY ALT-R&B/DISCO-BREAK Masterpiece FRENCH ELECTRO first, MELLOW CINEMA AOR core, avant-garde-JAZZ engine, Melancholic GROOVE by WORLD-CLASS IDM ELECTRO/FUNK JAM BAND] [VIBE: NOIR/pain, Studio Master Hi Fidelity] [Tempo 77BPM] [harmony: lead by moody/aesthetic Rhodes piano, complex/bittersweet] [arrangement: constantly evolve, build from to a epic climax] [80-PIECE-orchestra: virtuosic/hyper-melodic/weaving intricate counter-melodies] [massive/soulful glossy HORN SECTION provides powerful stabs and lush harmonies, while an SUPER-epic STRING SECTION] [drums: lyrical/complex polyrhythms/live jazz drumming, with excessively varied fills that enhance the structure] [Bass: slap chopper, octave pops controlled, low end locking with kick transient] [HARMONY GUIDE: modal-minor body (Dorian/Phrygian); line-cliché (m9→maj7→7→6); backdoor Cmaj7(#11)→D7(13)→Valt→i; brief #11 pivots; rootless 3/7/9/13; tasteful chromatic approaches; cadence often avoids root (9th/6th hold) & stylish chaos]
7:34Song Image
SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
6:03Song Image
SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
7:21Song Image
SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
6:54Song Image
SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
7:14Song Image
SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
5:50Song Image
SUPER-EPIC-NOIR JAPANESE TRADITIONAL GAGAKU-BREAK/DOPE-DUB WORLD MUSIC LIVE, PSYCHE COLLAGE-SUITE; SWEET-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] ULTRA DEEP-Jazz/ILLBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU Shamisen DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
5:49Song Image
SUPER-EPIC ULTRA DEEP-AMBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
6:53Song Image
SUPER-EPIC ULTRA DEEP-AMBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
7:49Song Image
SUPER-EPIC ULTRA DEEP-AMBIENT first, DOPE-DUB core, ALT-GAGAKU-BREAKS x CINEMATIC/EXPERIMENTAL WORLD-MUSIC LIVE, avant-garde PSYCHEDELIC COLLAGE-SUITE; DEEP-MELLOW-Shamisen/MELODIC-Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Master-class Groove, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody, AMAZING JEWELS EVERYWHERE, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
7:10Song Image
SUPER-EPIC ULTRA DEEP-AMBIENT first, DOPE-DUB core, ALT-GAGAKU-BREAKS x CINEMATIC/EXPERIMENTAL WORLD-MUSIC LIVE, avant-garde PSYCHEDELIC COLLAGE-SUITE; DEEP-MELLOW-Shamisen/MELODIC-Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Master-class Groove, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody, AMAZING JEWELS EVERYWHERE, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
7:23Song Image
SUPER-EPIC ULTRA DEEP-AMBIENT first, DOPE-DUB core, ALT-GAGAKU-BREAKS x CINEMATIC/EXPERIMENTAL WORLD-MUSIC LIVE, avant-garde PSYCHEDELIC COLLAGE-SUITE; DEEP-MELLOW-Shamisen/MELODIC-Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Master-class Groove, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody, AMAZING JEWELS EVERYWHERE, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing
7:45Song Image
[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Glossy Evil Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 4:00 HARD STOP] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]
7:36Song Image
SUPER-Surprising Unpredictable-Structure/Broken-Rhythm Experimental Avant-Garde GAGAKU first, ALT JAPANESE TRADITIONAL koto-DUB core, AMBIENT/GAGAKU-DOPE-BREAKS WORLD MUSIC engine, COLLAGE SUITE; ULTRA-NOIR/BITTERSWEET/DRIVING DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE-Play of Masters Like a sudden storm Technical Koto Runs Shakuhachi Amazing Technique, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Live Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Taiko drum, Dry Acoustics, Close Miking, Amazing quality, AM3 STUDIO Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4) [SHAMISEN trading licks with O-Daiko drum, FUE, Sho] Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive artistic catharsis, ‑BAD-audio-quality, ‑cheesy EDM drops; supersaw stacks; trap‑hat spam; phasey wideners; over‑compression/limiter pumping, ‑MUDDY AUDIO, ‑BAD ENDING, ‑EASY LOOP, ‑POP, ‑NORMAL INTRO, ‑pops, ‑EASY-chords, ‑general-MUSIC, ‑normal-chord-LOOP, ‑too-much, ‑too-much-BUILD-UP, ‑too serious, ‑too long, ‑bored, ‑normal-rhythm patterns, ‑NO-LOVE, ‑HATE, ‑UNHAPPY, ‑ANGER, ‑DISRESPECT, ‑CHEAP, ‑peanut, ‑insignificant, ‑NORMAL FUSION, ‑uninspired, ‑generic, ‑lifeless, ‑robotic, ‑soulless
6:44Song Image
SUPER-Surprising Unpredictable-Structure/Broken-Rhythm Experimental Avant-Garde GAGAKU first, ALT JAPANESE TRADITIONAL koto-DUB core, AMBIENT/GAGAKU-DOPE-BREAKS WORLD MUSIC engine, COLLAGE SUITE; ULTRA-NOIR/BITTERSWEET/DRIVING DEEP-Jazz AMBIENT DARK-ORIENTAL PSYCHE O-Daiko GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE-Play of Masters Like a sudden storm Technical Koto Runs Shakuhachi Amazing, Virtuoso Shamisen/SLAP-BASS, Hichiriki vs Tenor Saxophone, Master-class Groove, Heavy Syncopation, Ghost Notes Taiko drum, Dry Acoustics, Close Miking, Amazing quality, AM3 STUDIO Chaos, Tuning Noises, Call & Response Interplay, Improvisational Jam Session, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4) [SHAMISEN trading licks with O-Daiko drum, FUE, Sho] Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, TOP QUALITY FOR ALL, total comprehensive artistic catharsis Dark yet not cold quiet yet not lonely simple but total, ‑BAD-audio-quality, ‑cheesy EDM drops; supersaw stacks; trap‑hat spam; phasey wideners; over‑compression/limiter pumping, ‑MUDDY AUDIO, ‑BAD ENDING, ‑EASY LOOP, ‑POP, ‑NORMAL INTRO, ‑pops, ‑EASY-chords, ‑general-MUSIC, ‑normal-chord-LOOP, ‑too-much, ‑too-much-BUILD-UP, ‑too serious, ‑too long, ‑bored, ‑normal-rhythm patterns, ‑NO-LOVE, ‑HATE, ‑UNHAPPY, ‑ANGER, ‑DISRESPECT, ‑CHEAP, ‑peanut, ‑insignificant, ‑NORMAL FUSION, ‑uninspired, ‑generic, ‑lifeless, ‑robotic, ‑soulless
3:26Song Image
[Unexpected structure Masterpiece: ULTRA-Aggressive DRIVING Piano/SAX SWELL Avant-garde JAZZ DEEP AMBIENT IDM first, cinematic noir collage: CLASSICAL, BEBOP, psychedelic masters' groove by world-class EXPERIMENTAL TECHNO/DUB jam band, SAMPLING-FRIENDLY/HOOK-GRADE-MELODIES, POST DJ-CULTURE] [Tempo 1125BPM] [Global: Mix Audiophile grade, anti mud] [arrangement: constantly evolve, build from to a epic climax] [HARMONY GUIDE: modal-minor body (Dorian/Phrygian); line-cliché (m9→maj7→7→6); backdoor Cmaj7(#11)→D7(13)→Valt→i; brief #11 pivots; rootless 3/7/9/13; tasteful chromatic approaches; cadence often avoids root (9th/6th hold)& stylish chaos] [MINIMOOG/ARP EPIC JEWELS] [MUST: miracle 88 keys rollercoaster EPIC melodies Transform every note into a cinematic GALAXY] [80-PIECE-orchestra: virtuosic/hyper-melodic/weaving intricate counter-melodies] [massive glossy HORN SECTION] [epic STRING SECTION] [SLAP Bass & drums: lyrical/complex polyrhythms/live jazz feeling/excessively varied notes]
3:44Song Image
[ULTRA Unexpected structure: Avant-garde JAZZ DEEP AMBIENT first, ULTRA-Aggressive DRIVING Piano SWELL cinematic noir collage: FRENCH ELECTRO, CLASSICAL, BEBOP, psychedelic masters groove by world-class EXPERIMENTAL IDM/TECHNO/DUB jam band, SAMPLING-FRIENDLY/HOOK-GRADE-MELODIES, POST DJ-CULTURE] [Tempo 22126BPM] [Global: Mix Audiophile grade, anti mud] [arrangement: constantly evolve, Master Class Dialogue build to epic climax] [MINIMOOG/ARP EPIC JEWELS] [MUST: miracle 88 keys rollercoaster EPIC melodies Transform every note into a cinematic GALAXY] [80-PIECE-orchestra: virtuosic/weaving intricate counter-melodies] [massive glossy HORN SECTION] [epic STRING SECTION] [SLAP Bass & drums: lyrical/complex polyrhythms/live jazz feeling/excessively varied notes] [HARMONY GUIDE: fluid Neo-Soul logic; Quartal voicings (So What style); Negative Harmony mirrors; lush maj9(#11) pads; chromatic mediant shifts; rhythmic displacement; friction of m2 intervals; cadence dissolves into silent luxe]
7:59Song Image
ULTRA Quality EXPERIMENTAL IDM-BREAKS SUITE / Gospel Choir SCAT, REAL HIPHOP SOUL, LATIN JAZZ-FUNK, BREAKBEATS & MELLOW CINEMATIC DESIGN [Tempo: SWEET-INTRO shift from 50BPM up to a CREATIVE-peak of 200BPM -6:20] HYPER-SKILLED-SCRATCH [MAIN : marimba, VIBRAPHONE, CELLO, RHODES, RAW MC-VOCAL DUO & PIANO = WORLD-CLASS-ULTRA-orchestra JAM BAND, TECHNICAL-HUSKY SEXY VOCALs, = a highly technical, improvised solos' EXPERIMENT, dialogues with an ethereal and expressive DJs-FX] [Vocal Vibe: technical, dynamic but never cheesy, no forced hype] [ULTRA STRING SECTION creates dramatic, SUPER-cinematic swells] NICE build-up, layered, SAMBA, AFRO, Melting into one dynamic ensemble of virtuoso soloists performing, a world-class 333-men-orchestra, The foundation is a tight, high-quality groove fusing LIVE BAND with the deep, hypnotic pulse of AFRO-TRIBAL DRUM, The entire suite is punctuated by the razor-sharp precision of super-technical improvisational scratch & features GUESTs' EXPERIMENTAL SOLO, ‑cheesy VOCAL, ‑exaggerated, ‑BAD QUALITY, ‑BAD NOISE, ‑uncool, ‑lo-fi, ‑hiss, ‑rumble, ‑muffled sound, ‑muddy, ‑overly compressed, ‑clipping, ‑digital artifacts, ‑abrupt ending, ‑sudden cutoff, ‑fade out too early, ‑static arrangement, ‑no progression, ‑looping, ‑repetitive, ‑monotonous, ‑cheesy pop, ‑synth-pop, ‑children's music, ‑nursery rhyme, ‑heavy metal, ‑punk, ‑country, ‑folk, ‑cheesy synth, ‑thin drums, ‑weak bass, ‑out of tune, ‑mumble rap, ‑boring, ‑uninspired, ‑generic, ‑lifeless, ‑robotic, ‑soulless, ‑TOO-LOUD, ‑TOO-POP
5:12Song Image
[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 5:55 HARD STOP] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]
6:13Song Image
[ULTRA EPIC COLLAGE-ART BREAKBEATS SUITE: avant-garde JAZZ/DUB TECH-HOUSE/FRENCH-ELECTRO POST-CLASSICAL TRAP/BRASS-ROCK HYBRID, SUPER-SMOOTH MELLOW FUNK] ULTRA AUDIO PHILE DJ's DJ Masterpiece SOUND DESIGN EXPERIMENTS; GLOSSY ORCHESTRAL BAND, SURPRISING Unpredictable configuration Master-class Groove, HIGH-OCTANE HYPER-DRIVING ATMOSPHERE, super technical SOLOS (synth/horns), DIRTY ANALOG TAPE SATURATION, HEAVY SIDECHAIN PUMPING, PRECISE TRANSIENT SHAPING, WIDE STEREO IMAGE, SUB-BASS WALL OF SOUND, INDUSTRIAL TEXTURES, CINEMATIC BUILD-UPS, EXPLOSIVE DROPS, MECHANICAL PRECISION, DARK EUPHORIA [LIVE JAZZ DRUMING] [HARMONY ARC: Fast-changing Jazz chords; Analog warmth with Digital clarity; modal‑minor body (Dorian/Phrygian); rootless 3/7/9/13; lead by a moody, aesthetic Rhodes piano, bittersweet voicings] [VIBE: Unexpected structure Masterpiece; underground Groovy cinematic‑noir; EVIL modern glossy horns; CLASSICAL, orchestral color; BAD-BOY CHIC, euphonic motifs, Night GROOVES, SENSUAL]
3:43Song Image
[ULTRA EPIC COLLAGE-ART BREAKBEATS SUITE: avant-garde JAZZ/DUB TECH-HOUSE/FRENCH-ELECTRO POST-CLASSICAL TRAP/BRASS-ROCK HYBRID, SUPER-SMOOTH MELLOW FUNK] ULTRA AUDIO PHILE DJ's DJ Masterpiece SOUND DESIGN EXPERIMENTS; GLOSSY ORCHESTRAL BAND, SURPRISING Unpredictable configuration Master-class Groove, HIGH-OCTANE HYPER-DRIVING ATMOSPHERE, super technical SOLOS (synth/horns), DIRTY ANALOG TAPE SATURATION, HEAVY SIDECHAIN PUMPING, PRECISE TRANSIENT SHAPING, WIDE STEREO IMAGE, SUB-BASS WALL OF SOUND, INDUSTRIAL TEXTURES, CINEMATIC BUILD-UPS, EXPLOSIVE DROPS, MECHANICAL PRECISION, DARK EUPHORIA [LIVE JAZZ DRUMING] [HARMONY ARC: Fast-changing Jazz chords; Analog warmth with Digital clarity; modal‑minor body (Dorian/Phrygian); rootless 3/7/9/13; lead by a moody, aesthetic Rhodes piano, bittersweet voicings] [VIBE: Unexpected structure Masterpiece; underground Groovy cinematic‑noir; EVIL modern glossy horns; CLASSICAL, orchestral color; BAD-BOY CHIC, euphonic motifs, Night GROOVES, SENSUAL]
6:01Song Image
[ULTRA EPIC COLLAGE-ART BREAKBEATS SUITE LIVE: avant-garde JAZZ/DUB TECH-HOUSE/FRENCH-ELECTRO POST-CLASSICAL TRIPHOP/BRASS-ROCK HYBRID, SUPER-SMOOTH MELLOW MODERN FUNK GROOVE] [ULTRA AUDIO PHILE DJ's DJ Masterpiece SOUND DESIGN EXPERIMENTS by 81-piece GLOSSY ORCHESTRAL JAM BAND] SURPRISING Unpredictable configuration Master-class Groove, super technical SOLOS (synth/horns), DIRTY ANALOG TAPE SATURATION, HEAVY SIDECHAIN PUMPING, PRECISE TRANSIENT SHAPING, WIDE STEREO IMAGE, SUB-BASS WALL OF SOUND, ULTRA ORGANIC TEXTURES, CINEMATIC BUILD-UPS, EXPLOSIVE DROPS, DARK EUPHORIA to amazing Catharsis [LIVE JAZZ DRUMING] [HARMONY ARC: Fast-changing Jazz chords; Analog warmth with Digital clarity; modal‑minor body (Dorian/Phrygian); rootless 3/7/9/13; lead by a moody, aesthetic Rhodes piano, bittersweet voicings] [VIBE: Unexpected structure Masterpiece; underground Groovy cinematic‑noir; EVIL modern glossy horns; CLASSICAL, orchestral color; BAD-BOY CHIC, euphonic motifs, Night GROOVES, SENSUAL]
5:42Song Image
[ULTRA EPIC COLLAGE-ART BREAKBEATS SUITE LIVE: avant-garde JAZZ/DUB TECH-HOUSE/FRENCH-ELECTRO POST-CLASSICAL TRIPHOP/BRASS-ROCK HYBRID, SUPER-SMOOTH MELLOW MODERN FUNK GROOVE] [ULTRA AUDIO PHILE DJ's DJ Masterpiece SOUND DESIGN EXPERIMENTS by 81-piece GLOSSY ORCHESTRAL JAM BAND] SURPRISING Unpredictable configuration Master-class Groove, super technical SOLOS (synth/horns), DIRTY ANALOG TAPE SATURATION, HEAVY SIDECHAIN PUMPING, PRECISE TRANSIENT SHAPING, WIDE STEREO IMAGE, SUB-BASS WALL OF SOUND, ULTRA ORGANIC TEXTURES, CINEMATIC BUILD-UPS, EXPLOSIVE DROPS, DARK EUPHORIA to amazing Catharsis [LIVE JAZZ DRUMING] [HARMONY ARC: Fast-changing Jazz chords; Analog warmth with Digital clarity; modal‑minor body (Dorian/Phrygian); rootless 3/7/9/13; lead by a moody, aesthetic Rhodes piano, bittersweet voicings] [VIBE: Unexpected structure Masterpiece; underground Groovy cinematic‑noir; EVIL modern glossy horns; CLASSICAL, orchestral color; BAD-BOY CHIC, euphonic motifs, Night GROOVES, SENSUAL]
5:44Song Image
[ULTRA EPIC COLLAGE-ART BREAKBEATS SUITE LIVE: avant-garde JAZZ/DUB TECH-HOUSE/FRENCH-ELECTRO POST-CLASSICAL TRIPHOP/BRASS-ROCK HYBRID, SUPER-SMOOTH MELLOW MODERN FUNK GROOVE] [ULTRA AUDIO PHILE DJ's DJ Masterpiece SOUND DESIGN EXPERIMENTS by 81-piece GLOSSY ORCHESTRAL JAM BAND] SURPRISING Unpredictable configuration Master-class Groove, super technical SOLOS (synth/horns), DIRTY ANALOG TAPE SATURATION, HEAVY SIDECHAIN PUMPING, PRECISE TRANSIENT SHAPING, WIDE STEREO IMAGE, SUB-BASS WALL OF SOUND, ULTRA ORGANIC TEXTURES, CINEMATIC BUILD-UPS, EXPLOSIVE DROPS, DARK EUPHORIA to amazing Catharsis [LIVE JAZZ DRUMING] [HARMONY ARC: Fast-changing Jazz chords; Analog warmth with Digital clarity; modal‑minor body (Dorian/Phrygian); rootless 3/7/9/13; lead by a moody, aesthetic Rhodes piano, bittersweet voicings] [VIBE: Unexpected structure Masterpiece; underground Groovy cinematic‑noir; EVIL modern glossy horns; CLASSICAL, orchestral color; BAD-BOY CHIC, euphonic motifs, Night GROOVES, SENSUAL]
4:14Song Image
[ULTRA EPIC COLLAGE-ART BREAKBEATS SUITE LIVE: avant-garde JAZZ/DUB TECH-HOUSE/FRENCH-ELECTRO POST-CLASSICAL TRIPHOP/BRASS-ROCK HYBRID, SUPER-SMOOTH MELLOW MODERN FUNK GROOVE] [ULTRA AUDIO PHILE DJ's DJ Masterpiece SOUND DESIGN EXPERIMENTS by 81-piece GLOSSY ORCHESTRAL JAM BAND] SURPRISING Unpredictable configuration Master-class Groove, super technical SOLOS (synth/horns), DIRTY ANALOG TAPE SATURATION, HEAVY SIDECHAIN PUMPING, PRECISE TRANSIENT SHAPING, WIDE STEREO IMAGE, SUB-BASS WALL OF SOUND, ULTRA ORGANIC TEXTURES, CINEMATIC BUILD-UPS, EXPLOSIVE DROPS, DARK EUPHORIA to amazing Catharsis [LIVE JAZZ DRUMING] [HARMONY ARC: Fast-changing Jazz chords; Analog warmth with Digital clarity; modal‑minor body (Dorian/Phrygian); rootless 3/7/9/13; lead by a moody, aesthetic Rhodes piano, bittersweet voicings] [VIBE: Unexpected structure Masterpiece; underground Groovy cinematic‑noir; EVIL modern glossy horns; CLASSICAL, orchestral color; BAD-BOY CHIC, euphonic motifs, Night GROOVES, SENSUAL]
4:46Song Image
[ULTRA EPIC COLLAGE-ART BREAKBEATS SUITE LIVE: avant-garde JAZZ/DUB TECH-HOUSE/FRENCH-ELECTRO POST-CLASSICAL Psychedelic TRIPHOP/BRASS-ROCK HYBRID, SUPER-SMOOTH MELLOW MODERN FUNK GROOVE] [ULTRA AUDIO PHILE DJ's DJ Masterpiece SOUND DESIGN EXPERIMENTS by 81-piece GLOSSY ORCHESTRAL JAM BAND] SURPRISING Unpredictable configuration Master-class Groove, super technical SOLOS (synth/horns), DIRTY ANALOG TAPE SATURATION, HEAVY SIDECHAIN PUMPING, PRECISE TRANSIENT SHAPING, WIDE STEREO IMAGE, SUB-BASS WALL OF SOUND, ULTRA ORGANIC TEXTURES, CINEMATIC BUILD-UPS, EXPLOSIVE DROPS, DARK EUPHORIA to amazing Catharsis [LIVE JAZZ DRUMING] [HARMONY ARC: Fast-changing Jazz chords; Analog warmth with Digital clarity; modal‑minor body (Dorian/Phrygian); rootless 3/7/9/13; lead by a moody, aesthetic Rhodes piano, bittersweet voicings] [VIBE: Unexpected structure; underground cinematic‑noir; EVIL modern glossy horns; CLASSICAL, orchestral color; BAD-BOY CHIC, euphonic motifs, Night GROOVES, VERY SENSUAL]
4:47Song Image
[ULTRA EPIC COLLAGE-ART BREAKBEATS SUITE LIVE: avant-garde JAZZ/DUB TECH-HOUSE/FRENCH-ELECTRO POST-CLASSICAL AMBIENT/TRIPHOP/BRASS-ROCK HYBRID, SUPER-DEEP SMOOTH MELLOW MODERN FUNK GROOVE] [ULTRA AUDIO PHILE DJ's DJ Masterpiece SOUND DESIGN EXPERIMENTS by 81-piece GLOSSY ORCHESTRAL JAM BAND] SURPRISING Unpredictable configuration Master-class Groove, super technical SOLOS (synth/horns), DIRTY ANALOG TAPE SATURATION, HEAVY SIDECHAIN PUMPING, PRECISE TRANSIENT SHAPING, WIDE STEREO IMAGE, SUB-BASS WALL OF SOUND, ULTRA ORGANIC TEXTURES, CINEMATIC BUILD-UPS, EXPLOSIVE DROPS, DARK EUPHORIA to amazing Catharsis [LIVE JAZZ DRUMING] [HARMONY ARC: Fast-changing Jazz chords; Analog warmth with Digital clarity; modal‑minor body (Dorian/Phrygian); rootless 3/7/9/13; lead by a moody, aesthetic Rhodes piano, bittersweet voicings] [VIBE: Unexpected structure; underground cinematic‑noir; EVIL modern glossy horns; CLASSICAL, orchestral color; BAD-BOY CHIC, euphonic motifs, Night GROOVES, VERY SENSUAL]