2:07

2:04

2:21

1:58

2:23

3:13

2:52

3:22

2:46

2:18

2:42

2:44

2:49

3:18

2:29

2:06

2:07

2:02

3:48

寺の割引ブルース
v4.5-all
traditional japanese, acoustic, minimal instrumentation with koto and shakuhachi
2:47

寺の割引ブルース
v4.5-all
traditional japanese, acoustic, minimal instrumentation with koto and shakuhachi
1:38

チンポジブルース
v4.5-all
funky, groovy, minimalistic instrumentation with a strong bassline and rhythmic guitar
2:29

チンポジブルース
v4.5-all
funky, groovy, minimalistic instrumentation with a strong bassline and rhythmic guitar
2:59

Midyear Headache Blues
v4.5-all
funky, groovy with a tight bassline and syncopated guitar riff
2:58

Midyear Headache Blues
v4.5-all
funky, groovy with a tight bassline and syncopated guitar riff
3:05

御門訴のブルース
v4.5-all
Moody Japanese alt-rock ballad, mid-tempo, Clean guitar arpeggios and warm bass under hushed male vocals in the verse; drums enter with a lazy swing, Chorus opens with wider, gritty guitar layers and doubled vocals, Subtle synth pad for atmosphere, short feedback-soaked guitar fill before the last chorus, ending on a held vocal note that rings into reverb
3:26

絆創膏チャレンジ
v4.5-all
Fast, bouncy J-pop with bright guitars, busy pop-punk drums, and fizzy synth hooks, Male vocals, playful and slightly bratty in the verses; chorus explodes with gang shouts and octave doubles, Short breakdown with claps and vocal chops before the last hook to keep it under 3 minutes and super replayable
3:05

国境の島ブルース
v4.5-all
Mid-tempo Japanese rock with a slightly ironic edge; crunchy rhythm guitars and warm bass underpin tight drums, male vocals laid-back on the verses and lifted, shout-along style on the hook, Short organ stabs color the choruses, with gang vocals echoing key phrases, Final chorus adds octave-doubled lead and a brief, noisy guitar tail-out
2:42

国境の島ブルース
v4.5-all
Mid-tempo Japanese rock with a slightly ironic edge; crunchy rhythm guitars and warm bass underpin tight drums, male vocals laid-back on the verses and lifted, shout-along style on the hook, Short organ stabs color the choruses, with gang vocals echoing key phrases, Final chorus adds octave-doubled lead and a brief, noisy guitar tail-out

