これがSunoだ！

Japanese Spoken Word Performance, Rakugo Storytelling Style, Comedic Tone, Single Male Narrator, Warm Room Acoustics, Live Audience Laughs and Applause, heavy reverb, wet echo, bathroom acoustics, tiled room, shower stall, public bathhouse, No Background Music, Realistic Mic Presence, Natural Conversational Timing and Pauses, Clear Japanese Enunciation, Tempo Around 95BPM, Modern Everyday Theme About Family, Work, and Life, Ending with an Ironic or Humorous Twist

Japanese Spoken Word Performance, Rakugo Storytelling Style, Comedic Tone, Single Male Narrator, Warm Room Acoustics, Live Audience Laughs and Applause, No Background Music, Realistic Mic Presence, Natural Conversational Timing and Pauses, Clear Japanese Enunciation, Tempo Around 95BPM, Modern Everyday Theme About Family, Work, and Life, Ending with an Ironic or Humorous Twist

Doo-Wop, Male Growl Bass Vocal, smooth nostalgic harmonies, playful call-and-response backing vocals echoing the DJ’s words, warm upright bass, bright piano with light swing touch, crisp hand claps, soft tambourine shimmer, gentle shuffle rhythm, vintage radio ambience with mic warmth and vinyl hiss, humorous yet sentimental tone, expressive phrasing reflecting gratitude and self-mockery, mid-tempo(120BPM) groove, ending with spoken farewell fading softly like an old broadcast

VOCALOID, scratch sound, cute girl's voice, techno, female vocals, breathy voice, erotic voice, breathy singing voice, sexy whispering voice, whispering voice, DJ scratch sound, Cute girl voice VOCALOID, High-tech DJ scratch

A Japanese pop song with a driving beat and a female vocalist, The song features a synth bass, a drum machine, and a synth melody, The chord progression is simple and repetitive, creating a hypnotic effect, The female vocalist sings in a clear, high-pitched voice, with occasional vocalizations and ad-libs, The song has a danceable feel, with a strong emphasis on rhythm and groove, The production is clean and polished, with a good balance between the instruments and vocals, The song is in a major key and has a fast tempo

This song is about a unique time-traveling girl with psychic powers who plays alone, Set in a cool and unique world, it features "RIN-chan, " a dreamy girl with mysterious sensibilities, psychic powers, and a slightly nasal, childlike voice, It's a slightly sad sci-fi fantasy song about a girl who travels through the past and future to uncover hidden truths, acting in secret, and using her intellect to solve mysteries and discover the truth behind them, Filled with screams, laughter, and a laid-back, all-female beatboxing sound, this song features a variety of cute girl vocals (breath, nasal, erotic, whispery, sexy whisper, and intelligent, cool girl voices) that never get boring, The rhythm and melody are composed of all the sounds made by the human body, including finger snapping, hand clapping, and high-tech tap dancing

Create a SKA × Hip-Hop × Rap × Orchestra style Special Intro: Start with a horse racing fanfare sound before the music begins, Style: SKA × Hip-Hop × Rap × Orchestra Vocal: Extremely cute female voice with playful tone, occasional whisper voice for contrast Tempo: 120–130 BPM (energetic, bouncy) Key: C Major (bright and fun) Chord Progression (inspired by “Heaven and Hell” suite): • Intro: C – G – Am – F • Verse: C – F – G – C • Pre-Chorus: Dm – G – C – Am • Chorus: F – G – C – Am – Dm – G – C Instruments: • Trumpet • Trombone • French Horn • Violin • Cello • Drums (ska rhythm + hip-hop groove) Effects: Light reverb for orchestral depth Mood: Fun, quirky, energetic, with a playful racing vibe Keywords: Horse racing, fanfare, music celebration, BIG DREAM, comradeship

Flowcore, dubstep beats, glockenspiel, synth lead, synth bass, 140 bpm

[Genre-bending avant-garde fused nocturne + kawaii nu-metal + idol pop + house + glitch hop, 300 BPM chaotic hyper-speed mashup]Insane Japanese-Korean-English trilingual cyber-madness, Extreme tempo shifts 150→300→drop to silence→ blast again, Distorted detuned shamisen vs crushing down-tuned 8-string djent riffs, aggressive rap-scream verses, glitchy micro-edited breaks, hard gabber kicks, broken amen snares, distorted 808s sliding everywhere, Vocal style: hysterical female shouting mixed with monk chanting and demonic growls, Electric violin, Layers: Buddhist sutra → sudden vulgar English → psychotic laughter → throat singing → airhorn, Sound palette: wet flesh-slapping percussion, vinyl crackle over blast beats, sudden dead silence, reversed reverb tails, bit-crushed children’s choir, metal pipe clangs, notification pings pitched into melody, Atmosphere: digital hell × extreme religious ecstasy × internet brainrot overload