6:30

Sleep My Love
v4.5-all
Female emotional vocal with intimate midrange clarity, drop B tuning, heavy dark alternative metal, slow to mid tempo around 75-95 BPM, thick low-end chugging riffs with controlled and tight sub frequencies, deep sustained bass presence but dynamically reduced during dense sections, minimal but heavy drum groove with clear transient definition, massive kick and snare with space but preserved headroom, clean ambient guitar intro with gentle high-frequency roll-off, atmospheric dark synth layers subtly blended and not overpowering, moody reverb and delay with controlled decay and no excessive tail build-up, gradual dynamic build from soft verse to heavy chorus with maintained headroom, dynamic contrast maintained throughout 5-minute arrangement, slight instrumental pullback around mid-to-late section to refresh clarity, sensual but melancholic tone, modern heavy production with stable long-form mastering, focused midrange presence, controlled low-end response across entire track, tight
3:41

Fallen
v4.5-all
Female or androgynous screaming vocal, BPM 188–192, high-speed raw punk metal with 1990s underground Japanese visual kei vibe, Loose aggressive distorted guitars with rough downstroke riffs and strong midrange presence, gritty picked bass with controlled low-end, fast d-beat drums with raw snare tone and balanced kick, occasional blast-like intensity but still punk-driven, Minimal polish dirty garage band sound, shouted gang vocals and chaotic feedback guitar solo, reckless energy, Tight dry mix with minimal ambience, midrange-focused guitars, restrained cymbals, smooth highs, reduced sub-bass, no V-shaped EQ, consistent tonal balance and stable mastering throughout the track
4:40

Moonstone
v4.5-all
Female vocal, 1990s Japanese visual kei dark rock style, melancholic dramatic atmosphere, minor key, clean chorus-effect guitar arpeggios intro, distorted melodic guitar riffs with 90s tone, prominent melodic bassline, live-sounding rock drums with emotional fills, tempo 185–200 BPM, dynamic soft verse to explosive chorus, expressive vocal with vibrato, short melodic guitar solo with bends, slight gothic undertone, raw 90s rock production aesthetic, balanced band mix, bass tight not overpowering, punchy kick not boomy, snare with strong midrange, avoid scooped mids, avoid bass-heavy mastering, avoid harsh treble, consistent tonal balance, stable mix entire song, no late-song tonal shift, analog rock mix, [Mix-Intent: Isolate Stems, Maximize Separation]
4:04

Seductive Queen
v4.5-all
[Mix-Intent: Isolate Stems, Maximize Separation]
[Mix-Intent: Preserve Midrange Clarity]
[Mix-Intent: Controlled High Frequencies]
[Mix-Intent: Balanced Analog Rock Mix]
[Mix-Intent: Stable Mastering]
Female vocal, 1990s Japanese visual kei punk metal style, tempo 170–185 BPM, minor key with dramatic chord shifts, distorted guitar riffs with sharp attack and strong upper-mid focused tone, guitar-driven mix with forward midrange presence, melodic but aggressive bassline with controlled low-end, driving punk-inspired drum beat with punchy snare and restrained cymbals, emotional expressive vocal with slight grit and strong midrange presence, occasional shouted lines slightly blended behind the lead, short chaotic guitar solo with bends and controlled feedback, dark rebellious tone, tight aggressive band performance, analog 90s rock production warmth, midrange-forward mix, upper-mid guitar emphasis, reduced sub bass, controlled cymbal brightness, balanced rock mastering
3:02

The Damned
v4.5-all
Female vocal aggressive hardcore shout with raw energy, minimal clean singing, crossover hardcore punk fused with thrash metal, tempo 185–210 BPM, fast palm-muted thrash riffs with tremolo picking, d-beat and rapid double-time drumming, short intense song structure, gang shout chorus backing vocals, hardcore half-time breakdown section, raw aggressive production, direct punchy sound, mosh-pit energy rebellious attitude, balanced band mix with clear guitar bass separation, bass tight not overpowering, punchy kick not boomy, snare strong midrange attack, avoid scooped mids, avoid bass-heavy mastering, avoid harsh treble boost, consistent tonal balance entire song, stable mix from start to finish, no late-song tonal shift, [Mix-Intent: Isolate Stems, Maximize Separation]
4:44

Synthetic Spell
v4.5-all
[Mix-Intent: Isolate Stems, Maximize Separation]
[Mix-Intent: Preserve Midrange Clarity]
[Mix-Intent: Controlled High Frequencies]
[Mix-Intent: Balanced Analog Rock Mix]
[Mix-Intent: Stable Mastering]
Female vocal, 1990s Japanese visual kei aggressive rock style, minor key with dramatic chord progressions, tempo 165–180 BPM, distorted guitar riffs with strong upper-mid focused tone and classic 90s character, guitar-driven mix with forward midrange presence, melodic bassline supporting the guitars with controlled low-end, driving drums with punchy snare and restrained cymbals, dynamic contrast between tense verses and explosive chorus with preserved headroom, emotional expressive singing with vibrato and intensity, occasional raw shout behind the lead vocal, short dramatic guitar solo with sustain and bends, dark romantic tone with slight gothic edge, analog 90s rock production warmth, midrange-forward mix, upper-mid guitar emphasis, reduced sub bass, controlled cymbal brightness
4:06

SAVE ME
v4.5-all
Female vocal, 1990s Japanese visual kei punk metal style, tempo 170–185 BPM, raw distorted guitar with sharp attack, driving punk-style drums with energetic fills, minor key with dramatic chord shifts, melodic aggressive bassline, emotional vocal with slight grit and occasional shouts, short chaotic guitar solo with bends and feedback, dark seductive rebellious mood, raw 90s analog rock production aesthetic, balanced band mix, bass tight not overpowering, punchy kick not boomy, snare with strong midrange, avoid scooped mids, avoid bass-heavy mastering, avoid harsh treble, consistent tonal balance, stable mix entire song, no late-song tonal shift, analog rock mix, [Mix-Intent: Isolate Stems, Maximize Separation]
3:54

Heavenly
v4.5-all
Female vocal (dark, low register with emotional intensity, capable of sharp punk edge), dark gothic punk with hardcore elements, tempo 150–170 BPM, bass-driven main riff with chorus effect, raw distorted guitar layers but not overpowering the bass, punchy aggressive drums with strong snare, hardcore-inspired breakdown section, minimal but atmospheric reverb, dark, moody, underground club atmosphere, slightly 90s gothic punk influence with modern heavy production, energetic but oppressive vibe
5:49

Cherish
v4.5-all
Female emotional vocal, slow ballad alternative rock, tempo around 70-85 BPM, minor-to-major emotional progression, clean electric guitar with delay and reverb, dreamy atmospheric synth pads in the background, soft piano accents, deep warm bass supporting the melody, minimal drums in verses, expanding in chorus, ambient texture building gradually, intimate, romantic, tender mood, cinematic atmosphere, no metalcore elements, modern polished production, focus on emotional vocal expression
3:54

Falling Silence
v4.5-all
Female vocal, 2000s Japanese visual kei inspired rock sound, dark emotional atmosphere, minor key with dramatic chord progressions, tempo around 180–195 BPM, sharp distorted guitars with clear attack and raw edge, strong melodic bassline driving the song, tight punchy rock drums with energetic hi-hat patterns and fills, melancholic theatrical vocal delivery with expressive vibrato and emotional phrasing, occasional aggressive shouted lines, underground 2000s aesthetic, distorted guitars sharp but not modern metal tone, balanced band mix with clear separation of guitar bass and drums, bass tight not overpowering, punchy kick drum not boomy, snare sharp with natural midrange impact, full midrange presence, avoid scooped mids, avoid bass heavy mastering, avoid harsh treble boost, consistent tonal balance across entire song, stable mix from start to finish, no late-song tonal shift, analog rock mix character, controlled frequency balance, [Mix-Intent: Isolate Stems, Maximize Separation]
4:28

Rondeau(Acoustic Version)
v4.5-all
acoustic version, stripped-down acoustic arrangement, organic instruments
