Alt / Art Rock - Stella Sypher

Dark post-punk / gothic rock at ~95 BPM with relentless, tom-heavy tribal drums drenched in gated reverb—floor toms up front, sparse dry cymbals, Melodic, chorused/flanged bass circles a minor ostinato, building menace, Guitar is clean, sparse—occasional high harmonics, chimes, and stabs, with chorus and delay, no riffs or solos, Analog poly-synths drive emotion: slow-attack pads, subtly modulated glassy arps weaving tension, Vocals are deep, detached, theatrically phrased, Atmosphere remains cold and ceremonial; layers and texture deepen as song progresses, rarely relying on volume shifts

A raw noise-laced indie rock track with leading Fender Jazzmaster and jagged bends, swirling feedback-textured synth pad exciter, and off-center melodic basslines, Verses float with detuned Rhodes and electric piano, raspy half-spoken male vocals with distinct edgy tone, and loose-brushed, swinging then dragging drums, Choruses burst with layered vocal dissonance, analog Yamaha synth warbles, staggered percussion, ringing guitar harmonics, muted sax stabs, and glitchy koto-like synths, Pentatonic ghosts and twisted kayōkyoku traces flicker in dense tape hiss, pedal loops, and warped ambiance—a cinematic, bittersweet mix, restless and restrained

A fierce funk-infused world fusion rock anthem with desert psychedelia and revolutionary grit, Arpeggiated oud cuts through with sharp, syncopated kanun riffs over a pounding groove of slap bass, distorted darbuka, and gritty frame drums, Aggressive female vocals spit poetic lines and rhythmic chants, shifting between defiant spoken word, howled refrains, and layered call-and-response, Electric guitars explode with wah-drenched licks and choppy power chords, echoing urgency and raw swagger, Slap bass and filtered oud lock into a polyrhythmic groove, flanked by distorted vocal snippets, chaotic kanun solo under rising guitar feedback and warped ney delay, A bold, hypnotic fusion of Middle Eastern textures and anarchic funk rock, wild, hallucinatory, and rebellious to the core

industrial Rock, spoken-rap, 1955 Les Paul Junior, guitar distortion, raw angry riffs, art rock, existential, Music Man Sabre Bass, expressive basslines, tension building, Yamaha DX7 synths shimmer, identity loss, warped, cor anglais cuts, progressive percussion build, agressive snare taps and broken beats from a Drum Workshop kit, reverb, tempo acceleration, rising chaos, instrumental virtuosity, fragmentation, defiant but clean vocals, controlled singing, melodic phrasing, art rock fusion, rebellious bass, technically complex, high creative expression, fiercely alive, human emotion, instrumental improvisation, rich layering

This gothic ballad opens with sparse, reverb-soaked upright piano and mournful bowed double bass, Baritone guitar adds tremolo and delay-drenched textures, brushed drums pulse like a heartbeat, Hammond organ swells and harmonium drones deepen the atmosphere, The bridge strips back to sine waves and ambient hiss, then swells into a decayed, drawn-out finale, Vocals are close-mic’d, cracked, half-sung, and hauntingly intimate throughout, producing a cinematic, candlelit soundscape