3:12

3:44

4:20

Endless Means Forever
v4.5-all
Warm contemporary gospel ballad, female vocals; gentle piano and organ pad in the verses, choir harmonies blooming in the chorus, light drums and bass entering on the second hook; subtle guitar swells and tambourine lift the bridge into a key-change final chorus, leaving a lingering reverb tail on the last line, gospel
4:21

Endless Means Forever (Remix)
v4.5-all
Warm contemporary gospel ballad, male vocals; gentle piano and organ pad in the verses, choir harmonies blooming in the chorus, light drums and bass entering on the second hook; subtle guitar swells and tambourine lift the bridge into a key-change final chorus, leaving a lingering reverb tail on the last line, gospel
2:55

No Matter What
v4.5-all
Warm modern pop ballad with gentle piano and soft acoustic guitar, subtle pads swelling in the chorus, male vocals up close and intimate; verses stay tender and conversational, chorus blooms with stacked harmonies and a steady, heartbeat kick, bridge strips back to near a cappella then returns with a lifted, anthemic final hook
3:34

All My Days I'll Praise You
v4.5-all
Modern gospel worship, male vocals, Warm piano foundation with gentle organ pads and soft choir stacks, Verses intimate and close-mic, then chorus lifts with roomy drums, bass, and call-and-response ad-libs, Bridge pushes into a key change and bigger harmonies, ending with a quiet, heartfelt tag, gospel, male vocals
4:33

Love That Never Runs Out
v4.5-all
Modern gospel ballad with male vocals; starts with soft piano and warm organ pads under intimate lead, then builds with steady drums, bass, and subtle guitar, Chorus blooms into big congregational energy with stacked harmonies and call-and-response ad-libs; bridge lifts with key change, toms, and claps, ending on a held vocal tag over a spacious, reverent outro, gospel, male vocals
4:39

Hold Me in Your Hands
v4.5-all
Warm contemporary gospel with male vocals; gentle piano and organ foundation, subtle choir pads, First verse intimate over sparse keys, then drums and bass lift into a big, call-and-response chorus, Second verse adds organ swells and a small choir, bridge climbs with key change and clapping, ending in a joyful, layered refrain that invites a congregation to sing along, male vocals
