1:33

「納豆ブレイクの夜明け」 🎵 空耳ソングⅤ
v4.5-all
Reggae Punk, Tempo: The verses begin with a slightly slower reggae rhythm, then switch to a punk-style fast-paced tempo in the chorus, or accelerate, The bridge slows the tempo for a moment, adding a slightly floating, dub-like element, before exploding again in the chorus, Vocal Style: Main: A slightly dismissive, conversational style with little intonation (similar to reggae toasting), Chorus: A complete change to a powerful, shout-like style, Chorus: "Shut up, men!": A chorus that sounds like multiple people shouting, The drums have a reggae one-drop rhythm, Bass: Basic: Mainly a thick, sticky reggae bass line, Emphasize the root note and create a deep groove, In the verse, a dub-like effect is applied, and in the bridge, an undulating phrase like a bass solo is used
1:33

「納豆ブレイクの夜明け」 🎵 空耳ソングⅤ
v4.5-all
Reggae Punk, Tempo: The verses begin with a slightly slower reggae rhythm, then switch to a punk-style fast-paced tempo in the chorus, or accelerate, The bridge slows the tempo for a moment, adding a slightly floating, dub-like element, before exploding again in the chorus, Vocal Style: Main: A slightly dismissive, conversational style with little intonation (similar to reggae toasting), Chorus: A complete change to a powerful, shout-like style, Chorus: "Shut up, men!": A chorus that sounds like multiple people shouting, The drums have a reggae one-drop rhythm, Bass: Basic: Mainly a thick, sticky reggae bass line, Emphasize the root note and create a deep groove, In the verse, a dub-like effect is applied, and in the bridge, an undulating phrase like a bass solo is used
3:58

Funky Funky Soramimi Groove 空耳Ⅳ
v4.5-all
Funk / P-Funk (Parliament-Funkadelic style), Up-tempo, groovy, catchy, and comical, The tight rhythm is complemented by the vibrant horn section, The playful sound complements the humorous "misheard" lyrics, The vibe is reminiscent of 1970s and early '80s funk and disco-funk, The live feel makes you want to dance, The lead vocals are thick and powerful, The chorus section frequently features thick chorus work by multiple members, Sticky slap bass, Tight, crisp drums, Cutting-based electric guitar, Electric piano (Rhodes and Wurlitzer), Trumpet, trombone, tenor saxophone, Conga, cowbell, shaker
5:13

Funky Funky Soramimi Groove⓶ 空耳Ⅳ
v4.5-all
Funk / P-Funk (Parliament-Funkadelic style), Up-tempo, groovy, catchy, and comical, The tight rhythm is complemented by the vibrant horn section, The playful sound complements the humorous "misheard" lyrics, The vibe is reminiscent of 1970s and early '80s funk and disco-funk, The live feel makes you want to dance, The lead vocals are thick and powerful, The chorus section frequently features thick chorus work by multiple members, Sticky slap bass, Tight, crisp drums, Cutting-based electric guitar, Electric piano (Rhodes and Wurlitzer), Trumpet, trombone, tenor saxophone, Conga, cowbell, shaker
3:42

空耳アワーソングⅢ B(君が代導入ver.)
v4.5-all
Mixture of rock/funk metal, the fun of the mismatch between Japanese and English (misheard lyrics), a humorous style that mixes multiple musical elements, Intro: (BPM 60-80) / Begins with a solemn Japanese-style melody, catching the listener off guard with a misheard recitation of "Kimigayo, " A/B verse: High tempo (BPM 150-160) / The funk-rap tempo rises sharply, and the vocals pile up at a rapid pace, The drums and bass create a tight groove, Chorus: Continues high tempo / A simple "shouting" section, C verse: Maintains tempo / Latin-funk percussion instruments are intensified, creating a comical scene change, Bridge: Slows down / Trackdown, then settles into a bassline-driven groove, The strange string of words at the end is sung sarcastically, Outro: Tempo increases / Chaos The chorus melody is repeated, and the instruments and vocals compete with each other in a disjointed way before coming to a sudden halt (ending with a chaotic sound effect)
3:10

空耳アワーソングⅢ A(君が代導入ver.)
v4.5-all
Mixture of rock/funk metal, the fun of the mismatch between Japanese and English (misheard lyrics), a humorous style that mixes multiple musical elements, Intro: (BPM 60-80) / Begins with a solemn Japanese-style melody, catching the listener off guard with a misheard recitation of "Kimigayo, " A/B verse: High tempo (BPM 150-160) / The funk-rap tempo rises sharply, and the vocals pile up at a rapid pace, The drums and bass create a tight groove, Chorus: Continues high tempo / A simple "shouting" section, C verse: Maintains tempo / Latin-funk percussion instruments are intensified, creating a comical scene change, Bridge: Slows down / Trackdown, then settles into a bassline-driven groove, The strange string of words at the end is sung sarcastically, Outro: Tempo increases / Chaos The chorus melody is repeated, and the instruments and vocals compete with each other in a disjointed way before coming to a sudden halt (ending with a chaotic sound effect)
4:29

I Need A 湯浅ソーグⅡ
v4.5-all
Southern All Stars-style J-POP/City Pop (Reggae Flavor), A fusion of humor and melancholy, a playful choice of words, and mismatched scene descriptions, Medium tempo, resort-style reggae pop, Tempo: 100-110, Drums: Reggae-specific rim shots and one-drops, Bass: Bouncy reggae bass line, Guitar: Cutting guitar takes center stage, Electric piano (Rhodes), organ (Hammond), and percussion: essential, Congas, bongos, and shakers are used extensively to create a tropical atmosphere, and timbales fill-ins are also included, Saxophone, trumpet, chorus: Some comical interjections and harmonies, Vocals: A unique intonation and a lot of falsetto are used to emphasize the parts that sound misheard
4:25

I Need A 湯浅ソーグ
v4.5-all
Southern All Stars-style J-POP/City Pop (Reggae Flavor), A fusion of humor and melancholy, a playful choice of words, and mismatched scene descriptions, Medium tempo, resort-style reggae pop, Tempo: 100-110, Drums: Reggae-specific rim shots and one-drops, Bass: Bouncy reggae bass line, Guitar: Cutting guitar takes center stage, Electric piano (Rhodes), organ (Hammond), and percussion: essential, Congas, bongos, and shakers are used extensively to create a tropical atmosphere, and timbales fill-ins are also included, Saxophone, trumpet, chorus: Some comical interjections and harmonies, Vocals: A unique intonation and a lot of falsetto are used to emphasize the parts that sound misheard
3:30

WHAT TIME IS IT NOW?
v4.5-all
Electro-swing, pop rock, comic song, party song, up-tempo, humorous "word play" song, The A-melody sounds English, the B-melody sounds Japanese, and the chorus breaks down the language barrier, A fast tempo of around 130-140 BPM, Electro swing is even faster, with a feel closer to dance music, A fast tempo of around 130-150 BPM, Electro swing is even faster, with a feel closer to dance music, Drums: A four-on-the-floor rhythm with a tight, catchy beat, The bouncy rhythm of electro swing and flashy synth drum sounds, Bass: A funky line that drives the rhythm while moving melodically, The synth bass creates a sense of groove, E-Guitar: Light backing with a focus on cutting, Supports the rhythm section, Synthesizer: The main sound of the song, Catchy lead synths and sound effects are often used, Flashy sounds like brass, comical accordions, and sound effects like old gramophones, Repeated short riffs on saxophone &trumpet, Vocals: Fast rap, narrative, and misheard parts: Funny pronunciation
3:53

WHAT TIME IS IT NOW?2
v4.5-all
Electro-swing, pop rock, comic song, party song, up-tempo, humorous "word play" song, The A-melody sounds English, the B-melody sounds Japanese, and the chorus breaks down the language barrier, A fast tempo of around 130-140 BPM, Electro swing is even faster, with a feel closer to dance music, A fast tempo of around 130-150 BPM, Electro swing is even faster, with a feel closer to dance music, Drums: A four-on-the-floor rhythm with a tight, catchy beat, The bouncy rhythm of electro swing and flashy synth drum sounds, Bass: A funky line that drives the rhythm while moving melodically, The synth bass creates a sense of groove, E-Guitar: Light backing with a focus on cutting, Supports the rhythm section, Synthesizer: The main sound of the song, Catchy lead synths and sound effects are often used, Flashy sounds like brass, comical accordions, and sound effects like old gramophones, Repeated short riffs on saxophone &trumpet, Vocals: Fast rap, narrative, and misheard parts: Funny pronunciation
4:25

Fading Away 空耳Ⅵ A
v4.5-all
Ballad/Acoustic Pop, Slow Tempo (around 60-75 BPM), Relaxed rhythm with a clear beat, Mood: wistful, sentimental, nostalgic, A tranquility that suits a night view or a rainy day, Keys such as C minor and G minor evoke a sense of depth and sadness, Gentle, delicate, whispered voice with a bit of breath, Rather than shouting loudly, the singer sings as if quietly letting out the sadness in her heart, The verse in particular sounds like she's speaking, In the chorus, she releases a little emotion, raising the pitch and volume slightly, However, rather than "raising" the image, it's more like "expanding the resonance, " Outro Fade-out: The vocal volume gradually decreases, and the final line, "Iterarily, no, ", ends with a faint, sigh-laced whisper
5:22

Fading Away 空耳Ⅵ B
v4.5-all
Ballad/Acoustic Pop, Slow Tempo (around 60-75 BPM), Relaxed rhythm with a clear beat, Mood: wistful, sentimental, nostalgic, A tranquility that suits a night view or a rainy day, Keys such as C minor and G minor evoke a sense of depth and sadness, Gentle, delicate, whispered voice with a bit of breath, Rather than shouting loudly, the singer sings as if quietly letting out the sadness in her heart, The verse in particular sounds like she's speaking, In the chorus, she releases a little emotion, raising the pitch and volume slightly, However, rather than "raising" the image, it's more like "expanding the resonance, " Outro Fade-out: The vocal volume gradually decreases, and the final line, "Iterarily, no, ", ends with a faint, sigh-laced whisper
3:40

もしもしマヨネーズ 空耳ソングⅦ A
v4.5-all
City Pop (80s Funk Pop), Groovy and mysterious, A slightly cool, mature vibe, like a midnight drive, Medium tempo (around 100-110 BPM), Sung coolly, as if conveying a serious message, The Japanese pronunciation is similar to English, and rhythm is emphasized, Electric Guitar: Mainly cutting, The groove is created in the A and B verses with single-note riffs and funky cutting with mutes, The chorus features thick chords to create excitement, Bass: A vibrant, powerful tone, A groovy line that drives the entire song, with movements that pay attention to the offbeats forming the core of the rhythm, Drums: Tight and precise playing, The snare is light, the hi-hat is choppy, and the four-on-the-floor rhythm creates a groove, The fills are kept simple, with not many, Keyboards/Synth: Responsible for color and mystery, The A verse features moody Rhodes chords, In the chorus, synth-brass-like tones reinforce the melody and add a touch of elegance
3:39

もしもしマヨネーズ 空耳ソングⅦ B
v4.5-all
City Pop (80s Funk Pop), Groovy and mysterious, A slightly cool, mature vibe, like a midnight drive, Medium tempo (around 100-110 BPM), Sung coolly, as if conveying a serious message, The Japanese pronunciation is similar to English, and rhythm is emphasized, Electric Guitar: Mainly cutting, The groove is created in the A and B verses with single-note riffs and funky cutting with mutes, The chorus features thick chords to create excitement, Bass: A vibrant, powerful tone, A groovy line that drives the entire song, with movements that pay attention to the offbeats forming the core of the rhythm, Drums: Tight and precise playing, The snare is light, the hi-hat is choppy, and the four-on-the-floor rhythm creates a groove, The fills are kept simple, with not many, Keyboards/Synth: Responsible for color and mystery, The A verse features moody Rhodes chords, In the chorus, synth-brass-like tones reinforce the melody and add a touch of elegance

