
CLOUDSOFA
Soft lo-fi grooves, shoegaze haze, city-pop sparkles and dreamy electro comfort with a quirky twist.
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25 songs
4:53

Seven Skips
v4.5+
Genre: Nerdcore + Shoegaze + Breaks, Tempo: ~95 BPM, minor key, Ethereal shoegaze guitars drenched in Cat Fuzz pedal with hazy pads, Glitched breakbeats and steady bass drive the groove, Yubi De Piano cuts sharp hooks, Otamatone echoes playfully, Pyrofon bursts accent, Yaybahar adds deep ambience, Bridge is stripped—only Yaybahar drone, faint guitar, glitch; drums rebuild slowly, Outro in reverb haze, Yubi De Piano motif, Vibe: Laid-back summer road trip, open-hearted and serene, Enjoyment of the journey, details of landscape, accepting whatever comes with dry humor and ease, Story: Two strangers meet and travel without a plan, drifting across small towns, lakes, and canyons, Every moment taken as it comes—no rush, just shared simplicity, Vocals: Relaxed and deadpan in verses, near-spoken, calm delivery—embracing every event without fuss, Choruses looser and melodic but staying easy, not dramatic, Bridge nearly whispered, intimate and simple
4:18

Small Milestone
v4.5+
Space lo-fi × chill electronica, Wide ambient pads, gentle vinyl hiss, distant synth textures, Ceramic udu drum for earthy, pulsing rhythm; melodic low shamisen lines weaving soft counter-melody, Calm baritone vocals, introspective, warm, Subtle sidechain “breathing” effect, ethereal synth lift in chorus, Story: quiet victory after effort, not grand celebration but inner glow, Lyrics explore small milestones, confidence, peace, Bridge opens into dreamy reverb pads, bell synth drifting like a slow sea, Outro fades with shamisen, vinyl hiss, and single sustained udu tone, Story: It's that subtle, but deeply felt, sense of satisfaction that comes after a small win, It’s not about grand celebrations, but about that quiet moment to yourself when you realize you've accomplished something you worked hard for, It's the feeling of a personal milestone reached, giving you the boost of confidence and proof that you're moving in the right direction
3:55

Know/Don’t
v4.5+
Dual-mode filter-funk × lo-fi alt-pop (108 BPM), Groove: round felted kick, brushed-aluminum snare, brass hats; lazy swing; vinyl crackle, Low end: rubbery sidechained synth bass; maple-neck electric bass doubles in choruses, Harmony: analog polysynth (saw) through ladder filter; dusty Wurlitzer e-piano; ash baritone guitar (flatwounds) with slow tremolo, Lead/FX: human lead answered by soft talkbox/vocoder fills only; band-pass sweeps, tape delay, spring reverb; choruses open and widen, Vocals: primary male baritone (B2–D4) velvet, close-mic, behind the beat, minimal vibrato; secondary female alto (G3–C5) hushed/intimate, light thirds and short replies, Vibe: witty × bittersweet, night-drive warmth, Story: fast friendship → layers peel → core beliefs clash; when we truly know each other, we realize we don’t fit — once we know, we don’t, Mix: gentle glue comp, warm mids, deep mono sub, wide guitars/pads, ducked delays between phrases
4:05

With Cup
v4.5+
Modern R&B groove at 95 BPM, Deep 808 bass, lo-fi jazz drums, soft Rhodes piano, airy ambient synths, warm pad, and shimmering glass harmonica, The arrangement stays minimal, slow, and spacious throughout — no build-ups, no dynamic rises, no percussive swells, Female vocals: soft, whispery, warm, low-mid register, No projection, no vibrato, no humming, no vocalizations between lines, Voice should stay deep in the mix, gently blended with instruments, never dominant, Between verses, allow full instrumental space, No humming, no filler vocals, no spoken or melodic ad-libs, Let instruments lead during silences, Overall mood is intimate, dreamy, nocturnal — like warm tea and streetlights at night, Keep everything quiet, calm, and slow, Silence is part of the music
2:54

Lazy-hop lo-fi with cozy textures and domestic absurdity, Use soft drums and fuzzy bass, Replace hi-hats with creaky floorboards, cardboard knocks, and dice rolling in a bowl, Add toy piano plinks, spoon-in-mug chimes, and pitch-shifted electric toothbrush hums, Layer reversed tape peeling, thermos bubbling, and couch spring squeaks as ambient textures, Vocals: Female or androgynous, dry and clearly audible — sarcastic, lazy, and present, Include whispered ad-libs like “ugh, ” “later, ” or soft sighs, Mix should feel horizontal, weird, and comfortably unmotivated, ‑lofi, ‑boom bap
3:23

Sleepstatic
v4.5
Create a slow, chaotic lullaby with soft detuned synths, lo-fi textures, and glitchy ambient layering, Include tape hiss, occasional digital stutters, and domestic night noises (fridge hum, static, distant ticking), Blend vocoded whispers and breathy background harmonies, Rhythm should drift and loop imperfectly, like a brain spiraling into sleep, No strong drums — only pulsing textures and twitchy ambient FX, Let the chorus bloom and decay like a half-formed thought, Female vocal, tired and calm, Use microglitches and melody fragments to create a sense of soft mental collapse, Feature a ghostlike lead melody played on an unusual acoustic instrument — such as hulusi, singing bowl, tagelharpa, or bowed saw, The instrument should sound airy, imperfect, slightly detuned or metallic — something half-forgotten and strangely human, weaving in and out like breath or memory fragments, ‑piano, ‑cinematic piano, ‑solo piano, ‑classical piano, ‑bright piano
2:49

Jaw harp rhythmic hook, deep tech house beat, conch shell accents, distorted analog bass, aggressive percussive layers, high tempo, Baryton male vocal, playful and childlike, with “seal language” sound effects (e, g, [blub blub – seal sound], [splash splash – water], [hup hup – playful seal bark]) as actual sound effects, not sung, Vibe: fun, curious, drifting, lighthearted, like a young seal enjoying the ocean and living in the moment, The song should feel bouncy, relaxed, and full of wonder, with a catchy, chant-like chorus
3:07

Evening Walk
v4.5+
Trip-hop / Downtempo, 75 BPM, Deep, warm sub-bass with soft saturation, Lo-fi vinyl drum kit—muted kick, brushed snare, crisp closed hi-hats, Occasional taiko and otsuzumi drum hits for dramatic accents, Shamisen lead—sharp percussive plucks and occasional melodic phrases, Nokan flute for high, tense textures, Hyōshigi clappers for scene transitions, Use ma (intentional pauses) before beat returns, Layer smooth Rhodes piano chords and airy analog pad for atmosphere, Light vinyl crackle and ambient reverb tail for space, Minimal, slow bassline groove locking with shamisen rhythm, Occasional joruri-style spoken phrases processed with long reverb/delay, No aggressive modern EDM elements—focus on hypnotic, cinematic mood blending authentic kabuki ensemble with modern trip-hop feel, ‑EDM, ‑trap, ‑pop, ‑aggressive vocals, ‑auto-tune, ‑gospel, ‑anthemic
4:47

No Sky Lanterns
v4.5+
100 BPM world-electronic sci-fi fusion built around a solo ceramic udu drum — loud, close-miked, deep bass thumps and sharp slaps with rich resonance, Subtle analog “wua-wua” filter sweeps on every beat, At key builds/drops, huge cinematic bass calls — deep, metallic, mechanical-organic blasts with slow pitch bend (alien foghorn/Reaper-like), perfectly synced to bar lines, Surround with minimal retro-futuristic pads, soft neon arpeggiators, and a warm analog bassline kept low so udu dominates, Occasional shimmering hi-hats, sparse FX, Scene: a lone street performer plays in a futuristic night market as a colossal unseen presence approaches, each bass call shaking the ground, Vocal: low male, smooth but slightly gritty, intimate and calm, tension rising subtly when bass calls hit — storyteller tone, no melodrama
5:02

Sidewalk Cinema
v4.5+
[Style] Upbeat city-pop × light bossa-pop; sunny, playful
[Tempo/Key] 116 BPM, A major
[Groove] Kick 1+&2; rim 2/4; hats straight 8ths (off-beat accents); congas tumbao; shaker 16ths
[Bass] Picked J-bass with root-5-6 chromatic approaches; short slides; tight, percussive
[Gtr] Clean Strat: palm-mute 8ths in verses; open add9 voicings in chorus; brief octave fills
[Keys] Rhodes stabs/9-13 voicings; piano doubles hook; light Juno pad
[Hook] 4-note whistle/soft-flute motif (post-chorus 4b)
[Harmony] Verse/Ch: Amaj7–F#m7–Bm7–E9; Pre: Dmaj7–C#m7–F#7(b9)–Bm7–E9; Bridge: F#m7–B7–Emaj7–C#m7–F#7–Bm7–E9–Amaj9
[Form] Intro 2b pickup → V1 16b (no kick) → Pre 8b → Ch 16b (full kit+tamb) → Post 4b hook → V2 → Pre → Ch2 → Bridge 8b (half-time rim+nylon) → Final Ch (ad-libs) → Outro tag
[Vox] Airy female, syncopated, close; doubles in chorus; tiny scats; no belting
[Mix] Bright rim; bass lightly sidechained to kick; gentle glue; mild tape warmth, ‑rock, ‑metal, ‑dubstep, ‑hard trap
4:10

I Told You So
v4.5+
I Told You So: sly alt-pop × late-night minimal groove (105 BPM, 4/4), Drums: tight 808 kick, soft clap/snare, syncopated hats; sparse fills, Bass: warm sub with gentle glides, Keys: glassy EP m7 chords, Hook: plucky mono-synth 2-bar earworm, Guitar: clean muted funk stabs on offbeats, Texture: low chopped-vox, faint vinyl hiss swells, Vocals: female mezzo (A3–C5) — verses half-spoken with smirk; pre breathy; chorus sung, relaxed; doubled thirds; no runs/rap, Chorus cue: “Don’t wanna say I told you so… but I told you so, ”, Structure: intro hook→V1→pre→chorus→V2→pre→chorus→bridge (bass+clap drop)→final chorus w/ light ad-libs, Mix: dry lead, round sub, soft plate on hook, gentle sidechain, ‑trap, ‑big-room EDM, ‑dubstep/wubstep, ‑metal, ‑hard rock guitars, ‑gospel/choir, ‑orchestral strings, ‑cinematic swell, ‑anthem, ‑ballad, ‑emo-rap
2:00

Alive Today
v4.5
Start with slow, lo-fi zombie funk: dusty drums, off-beat lurching rhythm, gritty detuned bass, breathy groans and body-part foley (tongue plop, bone creak, wet shuffle), Vocals: slurred, muttered, slightly off-key, Verses feel decayed and sleepy — minimal instrumentation, like undead lo-fi hip hop, Suddenly, the chorus explodes: hyper-clean electro-funk with disco-pop energy, Add punchy slap bass, synth brass stabs, upbeat claps, and clean motivational vocals like an overenthusiastic gym coach, Bridge shifts to funky gospel revival with layered harmonies and rising tempo, Final chorus blends both styles: zombies chanting, alive vocals cheering, crowd-chant climax, Use FX to mark transformation (whoosh, sparkle, breath intake), Overall tone: theatrical, absurd, high-energy, A dead world hijacked by a bouncy infomercial, ‑Rock, ‑Orchestral
3:30

Inbox Blossom
v4.5+
Fast-tempo jazzy hip-hop (122–128 BPM) with upright acoustic bass, crisp jazz piano, and tight hip-hop beats driving the pulse, Melodic koto riffs, energetic shakuhachi solos, taiko drum grooves, and sharp shamisen accentuate each section, Urban sound FX—metro doors, vending beeps—weave in, Rhythmic, expressive rap vocals in English with some Japanese, playful and vivid, cut across dynamic verses and choruses, The arrangement is cinematic, dense with vibrant tonal contrasts, ending abruptly after the final chorus without instrumental stretch
3:04

Slow, elegant jazz ballad inspired by Nina Simones, Armstrong, and early Sinatra, Minimal instrumentation: upright bass, soft brushed drums, gentle piano, light horns, Vocal delivery is intimate, expressive, and reflective — not theatrical, Verses are sung with subtle phrasing, like internal thoughts put to melody, Chorus builds slightly in volume and warmth, but stays smooth and grounded, Bridge is nearly spoken-sung, almost confessional, This song isn’t angry — it’s calm, final, and emotionally free, No vocal runs, no showmanship — just a voice owning its space, The tone is introspective but confident, like a quiet goodbye to guilt, Nothing to prove, nothing to fight for — just truth, stated clearly
3:39

Slow cinematic ballad with ambient textures and soft piano, The vocals are low, tired, and emotionally restrained — like someone telling a painful truth they’ve already survived, No drama, no vocal flourishes, Just calm, quiet grief, Verse: Flat, honest tone, Sparse piano only, Chorus: Slightly warmer, layered harmony, but still subdued, Bridge: Whispered or near-spoken, Almost no music, Final Chorus: More grounded — not louder, just firmer, Full piano + ambient return, No drums, No crescendo, Just memory, A song about betrayal by a parent and surviving the emotional wreckage
3:37

Style: Slow jazz / soul ballad
Vocal: Female, soft and emotional, intimate tone
Instruments:
Jazz piano (soft, warm)
Upright bass (gentle, supportive)
Light brushed drums (slow swing feel)
Optional: soft saxophone or muted trumpet (background only)
Vocal delivery notes:
Whisper-like phrasing in verses
Smooth legato on chorus
Emphasis on emotional restraint — no belting
Slight dynamic rise on the second chorus
Lyrics to use:
A slow-burning soul confession about surviving a sibling's shadow — and what healing sounds like when the past never quite lets go
4:49

A Soft Hunch
v4.5+
Worn-tape folk-ambient × quiet cyber-noir (98 BPM, 4/4, gentle swing), Groove: soft-mallet kick on 1&3, brushed-felt snare on 2&4, subtle finger snaps; vinyl crackle bed with low-frequency flutter, Harmony: dusty Rhodes piano chords (warm, slightly detuned), mournful cello pads, distant felted-piano arpeggios, Leads: single, clear glass harmonica note held on verse ends; bowed vibraphone with long decay, Vocals: single female alto, close-miked, intimate, almost whisper-sung; no vibrato; breathy consonants, FX: faint room tone, echo-fades on phrases, subtle reversed sounds, a single, short-wave radio tuning blip, Vibe: introspective, melancholic, quietly convinced, Story: Why we believe in ghosts and unprovable things, Not because of evidence, but because of a soft inner certainty—a feeling that’s stronger than data, It’s about a silent, human truth that science can’t measure, Hook: “It’s just a soft hunch, but I can feel it, ”
4:47

Afterglow, Midnight
v4.5+
Deep Lounge × Deep Jazzy House × Dub Techno atmos (118 BPM, 4/4, D minor), Groove: round felted kick; brushed-nickel snare (maple shell); bronze hats with light swing; gourd shaker, Low end: upright bass (spruce top) doubled by sine sub w/ gentle sidechain, Harmony: Rhodes (steel-tine) 7ths/9ths; analog-poly dub stabs → tape delay + spring; hollow-body jazz guitar (maple, flatwounds) palm-mutes, Lead/FX: Harmon-muted trumpet & tenor sax (sparse); Ondes Martenot (ribbon glides, vowel-like) → spring + dotted-eighth echo, Vibe: halogen glow, rain outside, late-booth privacy, tender × tense, Vocals: female alto or androgynous (G3–C5), close-mic, intimate, behind the beat; no belting/ad-libs, Story: midnight ping → photo from last night; reply: “Afterglow, Midnight”; simple promise for tomorrow; first kiss returns, Mix: warm lows, silk highs, light tape wear; dub echoes tasteful; no big risers, ‑big-room EDM, ‑dubstep, ‑wubstep, ‑trap, ‑rock guitars, ‑metal, ‑orchestral strings, ‑cinematic swell, ‑anthem, ‑gospel/choir, ‑ballad, ‑emo-rap
4:01

Rewoven Plains
v4.5+
At 92 BPM in Dm, this track fuses shoegaze, polyrhythmic rap, and Tuvan throat funk, It opens with 4 bars of dense, reverbed guitars and granular wind FX, An off-kilter hip-hop beat with 3:2 and 5:4 rhythmic interplay begins as rap enters, bass blending throat drone, warm sub, and mellow funk plucks sidechained to the kick, Dreamy, delayed guitar swells and airy pads set a melancholic texture; synths flicker with reversed chords and bird-call motifs, Choruses intertwine baritone rap and layered throat drones over vast shoegaze walls, Bridges shift focus to overtone throat drones and abstract FX, The final chorus peaks with lush stacked vocals and enveloping guitar, fading to throat drone and birdsong, ‑Pop, ‑EDM festival, ‑Big-room, ‑Electro-house, ‑Acoustic folk, ‑Orchestral cinematic
3:22

122 BPM, Dm, Afrobeat × Tribal House × Cosmic Synthwave, Groove: tribal kit (24" kick, djembe, conga, shakers, talking drum), Bass: funky sub groove + analog synth bassline, Synths: retro polysynth pads, cosmic arp bells, FM stabs, bright analog lead, Vox: female vocal, clear enunciation, upfront, subtle reverb, light doubles only, Foley: cosmic wind, low space rumbles, singing bowls, reversed cymbals, Acoustic spice: bamboo flute, kalimba w/ reverb, Form: intro cosmic wind+kalimba → verse tribal groove+retro pads+vocal → pre build drum rolls+arp swell → chorus full tribal beat+cosmic synth wall+vocal hook → airy arp break → verse2 denser perc+flute → chorus expanded+bird FX+retro leads → bridge stripped pad+bowls → final chorus stacked layers → outro cosmic fade, Theme: drifting on a cosmic island under crystal skies
4:05

74 BPM, Bm, Lo-Fi Synthwave × Bubble Pop × Retro-Sci Ambient, Groove: lazy half-time beat with tape hiss, soft felt kick, wooden rim snaps, gentle compressor pump, Bass: warm reese on rubber-coated strings with slow filter drift, Keys: felt-hammer electric piano and Cristal Baschet sparkles through warbled cassette delay; poly-synth arps drift like orbit telemetry, Guitar: hollow-body maple with tape echo and space-reverb tails, Perc: ceramic udu thumps, recycled-metal hats, aluminum mesh snare, Leads: Yaybahar drones and glass-harmonica swells shaped like gravity waves, FX: thruster hum, radar blips, intercom beeps, seat-belt click, low radio static, Vox: male baritone half-asleep, close-mic and dry, as if humming inside a small spacecraft, Form: ambient intro → lo-fi verse → soft chorus → instrumental drift → tape fade, Emotion: serene isolation, calm wonder between routine and infinity, ‑rock, ‑metal, ‑EDM, ‑trap, ‑hyperpop, ‑orchestral, ‑cinematic, ‑folk
4:54

72 BPM, Dm — Zen Ambient / Organic Meditation / Ritual Drone Fusion, Groove: slow breath-paced rhythm with soft wood clicks and occasional temple drum pulse; felt mallet rolls fade into silence, Perc: bullroarer swings L↔R, shallow gong swells, seed shakers, bamboo sticks, Bass: sub-sine drone gliding 1→5 OM-like resonance, Pads: layered analog + acoustic drones detuned ±7 cents for beating effect, Keys: crystal harmonica tones + Rhodes sustain pads, Melodic: Tibetan singing bowls (E, A, D), shakuhachi phrases in pentatonic mode, handpan arpeggios panned wide, FX: bamboo leaves, stream, wind chimes, distant birds, Vox: low baryton male throat-singing chant overtone style on “Ammmmm / Hmmmm, ” breath-led rhythm; no female or high-register layers, Mood: ancient peace × grounded clarity × vibration of earth, Mix: natural 8 s reverb tail; bowls+bass centered, wind and bullroarer wide; focus on resonance — stillness as groove, ‑metalcore, ‑rock, ‑pop, ‑EDM, ‑dubstep, ‑trap, ‑phonk, ‑hip hop, ‑funk, ‑jazz, ‑orchestral, ‑lo-fi, ‑cinematic
3:52

92 BPM, D♯ minor — Alt-Pop × Shoegaze × Dream Rock × Glitch Lounge
A driving alt-pop anthem fusing edgy synth layers with washed baritone guitars, detuned Rhodes and heavy lo-fi drums — a fusion of BLENDER-style energy and slow-motion haze, The verses stay tense and dynamic with pulsing analog bass and syncopated beats under lazy, shimmering pads, The chorus expands into a soaring, harmonically rich wall of sound — bold harmonies, glitch flickers, and reverse guitar swells creating a sense of movement through fog, Textural FX and abrupt pauses add a dreamlike sharpness, staccato hooks and ambient drops keeping the tension alive, The bridge erupts in controlled chaos — distorted echoes and granular tails collapsing into a warm, cinematic outro, Mood: driving × languid × magnetic × melancholic — a fever-dream anthem that breathes and burns at once, ‑EDM, ‑Dubstep, ‑Drum & Bass, ‑Hyperpop, ‑Metal, ‑Hard Rock, ‑Punk, ‑Funk, ‑Acoustic Pop, ‑Trap, ‑Reggaeton, ‑Country, ‑Folk
3:56

88 BPM, C major — Organic Lo-Fi × Cinematic Folk × Pastoral Jazz Fusion, Kick: felt kick with soft transient and natural decay; Percussion: brushed snare, guiro rustle, and hand-played ash drum; Bass: upright pizzicato with warm sub support; Strings: cello (human, mellow vibrato) and bassoon (dark, breathy tone); Winds: clarinet (velvety lower register) and bass clarinet (woody resonance) weaving slow counter-melodies; Additional: jaw harp pulse with earthy twang, bronze cymbals with airy shimmer, and faint cicada field ambience, Mood: warm × nostalgic × sun-kissed — dandelions swaying on a hillside while the town hums below; Mix: low end natural, mids glowing, highs soft and organic; −12 LUFS natural dynamic range, ‑hyperpop, ‑EDM, ‑trap, ‑dubstep, ‑synthwave
4:39

140 BPM, D minor — Cosmic Liquid Meditative Dubstep, Deep sub-bass forms a wide underwater-space pulse with smooth 1/4 and 1/8 LFO movement, Rounded “water-wubs” ripple in slow arcs, soft-edged and liquid, Wavetable pads swell like drifting currents, Synthetic bubble tones rise and pop softly around the rhythm, A constant ultra-low cosmic hum sits far in the background—subliminal, felt more than heard, adding dark, spacious pressure beneath the whole mix, Subharmonic resonator adds warm drifting overtones, FM tines shimmer gently; vocoder-breath pad moves softly, Halftime beat: warm kick, clean snare, relaxed hats, Entire palette electronic, fluid, cosmic, meditative, with deep wobble motion floating over a quiet, distant universe, ”, ‑acoustic, ‑world, ‑ethnic, ‑flute, ‑mallet, ‑bells, ‑handpan, ‑organic, ‑cinematic, ‑choir

