
Adrian and the Planets that Refused to Align
A bunch of songs inspired by poems I wrote.
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16 songs
5:48

If the Dead Came Back to Life
v4.5-all
Introspective alt-rock with muted clean electric guitar arpeggios, tense minor-key piano, and restrained live drums brushing the snare before a half-volume emotional peak, Bass stays warm and steady, then opens into overdriven guitars, layered harmonies, delay throws, and a wide, compressed chorus lift
5:19

I Blame My Naivety
v4.5-all
bass guitar solo, glitch pop, drumming, alt-pop, deep kick, rock fusion, sweet voice
4:26

I Learned to Be a Fool
v4.5-all
melodic guitars, echoes, haunting whispers, dirty bass, alternative rock pop, bass and drums, chill vibes
4:09

I am a Tragic Hero
v4.5-all
clean vocals on chorus, rock'n roll, beat-driven, punk blues, fingerpicked guitar, fast piano, female soul voice, expansive
6:09

eerie synths, deep cello, epic melody, high-register chants, soft electronic beats, pirate metal, impactful drops, punchy rhythm, smooth harmonies, male vocals for Verses 1 2 3 & 4, duet male and female for Chorus, female vocals for Intro & Outro
3:56

dynamic build-ups, pop soul, deep double bass, heavy metal guitar, vocal effects, low female voice, vocal harmony, strong beats
5:18

strong beats, nightdrive, deep voice, bass-heavy, layered production, steel drums, epic heavy metal, odd folk sounds
5:27

If Only You Were Mine
v4.5-all
epic heavy metal, male and female voices, church choir for Chorus, loud bass, sax, plucky guitar
4:36

If Perfection Existed
v4.5-all
Dreamy indie pop with a caught-in-the-head rush: clean chorus guitar arpeggios, muted electric piano, and a pulsing sub-bass under crisp live drums with tight snare and airy tom fills, Delayed vocal doubles, subtle tape saturation, and wide synth pads create tension, with a bright, hooked chorus and a stripped, intimate verse
3:47

deep female voice, chill breakcore, subtle guitar riffs, smooth transitions, dynamics, bass-boosted, ambient house, soft melody
4:24

smooth transitions, bass-boosted, dynamics, somber, deep male voice, screamo for parts of the Chorus, heavy metal for most of it
4:10

big choir, introspective tone, terrifying, orchestral strings, powerful choruses, female solo for Verse 2 Intro & Outro
7:59

My Light Wanders
v4.5-all
powerful guitar riffs, epic heavy metal, drums and bass, male and female voice, mysterious atmosphere, echo vocals
4:50

Blessed by the Beast
v4.5-all
Accusatory brooding alt-rock with dark indie-pop undertones: clean electric guitar arpeggios, low-tuned bass, restrained live drums that swell into crashing toms and distorted chorus guitars, Minor-key synth pads, faint tape saturation, tense vocal harmonies, and a wide reverb tail on the final refrain
4:58

Each Verse different has a different of 7 vocals, choir, soul, spiritual, minor key, echoes, orchestra

