
The Setlist - Vol #2
The Setlist with Exidious Hosted on: https://discord.gg/tra-studio Date: 14/01/2026 Volume #2
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27 songs
4:24

110 BPM, blues rock, swagger rock, storytelling delivery, Cage the Elephant influence, conversational narrative vocals, insistent relentless groove, sharp hooky guitar riff, driving bass, punchy drums, Robert Plant meets Matt Shultz delivery, wry humor, dark comedy, self-aware swagger, tight rhythmic flow, minimal psychedelic touches, direct production, 70s blues rock meets modern storytelling swagger, ‑(victim mentality), ‑(self-pity), ‑(overly serious), ‑(polished pop), ‑(celebratory triumph), ‑(soaring vocals), ‑(wailing), ‑(synths), ‑(bright production), ‑(clean vocals)
3:29

An unpredictable experimental electronic rock anthem erupts with aggressive live drums, chaotic noise rock guitars, pitch-shifted screeches, and sporadic bursts of brass big band hits, Glitchy synths and printer noise samples flicker through frenetic sections, fueling rapid-fire technical speed rap, Sudden dynamic drops and manic energy shifts keep the symphonic textures kaleidoscopic and pulses bouncing wildly
4:46

5:01

3:53

Heavy blues rock meets grunge, 80 bpm, duet, male baritone speak-singing with extreme dynamics and female operatic soprano, drop-C sludgy rhythm guitar with drop-D lead accents, thick prominent bass, behind-the-beat doom drums with tribal accents, mournful organ atmosphere, slow deliberate tempo, bittersweet tribute balancing grief and celebration, sustained chord ending resolving to silence, ‑(vocal intro), ‑(humming intro)
2:59

A high-energy instrumental track in the melodic metal genre, slightly progressive, featuring a driving tempo of approximately 130 BPM, The primary instrumentation includes heavily distorted electric guitars, a prominent bass guitar, and a powerful drum kit, The song opens with a medium-fast, intricate guitar riff, establishing a complex melodic and rhythmic foundation, The drums provide a relentless double bass pedal rhythm part of the piece, punctuated by snare hits and cymbal crashes, The bass guitar follows the guitar riffs, adding depth and low-end power, with a little funkyness, The song structure is characterized by a series of distinct, high-gain guitar riffs that transition seamlessly, maintaining a consistent aggressive energy, Vocals are deep and heavy but not screamed, The production emphasizes a clear, punchy mix, with the guitars occupying a wide stereo field and the drums providing a solid, impactful foundation, The overall mood is intense and aggressive, ‑metalcore, ‑trash metal
4:04

After Dark
v4.5
Gritty grunge textures kick off with a raw, distorted electric guitar riff and punchy bass, Drums enter with a loose, aggressive groove and dynamic shifts, Verses strip down to minimal guitar and soft-spoken vocals, while choruses erupt in volume and layered guitar feedback
3:36

5:29

The gothic symphonic metal track opens with reverb-laden guitars with echoing delay, quickly joined by mournful violin and heavy drums at 95 BPM, The track is in minor key, Verses feature powerful, gothic female vocals and violin, Choruses intensify with layered strings, epic guitars, and booming drums, A soaring, dramatic violin solo bridges to a thunderous, climactic finale, Dark, spiritual textures and defiant energy pulse throughout
5:15

3:36

5:34

Opening with distant epic doom metal and ethereal binaural choirs, the track slowly introduces electric cellos and resonant gongs to build a vast, cosmic film score atmosphere, Two electric guitars and bass create powerful, dark, ethereal, sombre, disonant, churning textures as the drums shift between slow, thunderous rhythms and syncopated fills, Gothic symphonic layers emerge, led by female vocals seamlessly blending mesosoprano vibrato passages with dramatic operatic flair, then plunging into guttural death metal growls during intense climaxes, Grand, metallic riffs, cinematic crescendos, and layered percussions evoke drama and astral beauty throughout this hybrid cosmic metal epic, The style of singing is spoked or narrated, but the chorus are singed morphing from opera to death metal, inspired in Tyler Bates music
5:25

Gritty electric guitar riffs launch the blues rock track, accompanied by a driving bass line and punchy drums, Verses highlight expressive guitar licks and soulful organ accents, while the chorus explodes with energetic rhythms and harmonized lead lines, A smoking guitar solo electrifies the bridge before a tight, dynamic finale
7:12

5:14

4:53

At a steady 90 BPM, this gothic symphonic metal and alternative rock fusion track opens with dark atmospheric synths and a moody ambient choir backdrop, Heavy guitar riffs drive the verses as powerful, smoky female vocals soar over sweeping symphonic choir layers, Dynamic shifts emphasize intensity, blending sustained orchestral textures with brooding guitar and rhythm, maintaining the dark, immersive atmosphere throughout
4:49

7:02

Opens with dense, downtuned guitars and polymetric drums, layering technical post-metal riffs beneath swirling black and pagan metal atmospheres, Whispered male vocals punctuate brooding verses, weaving with bursts of virtuosic female soprano, Jazz-influenced breaks introduce syncopation and extended harmonies as strings—violins and cellos—add haunting textures, Choruses erupt in gothic opera, blending a lamenting, dissonant tenor choir with sweeping orchestral accompaniment, deepening the unsettling mood
4:24

122 BPM, new wave, hard rock, dance punk, sharp chorus-effect guitars, compressed funk-influenced bass locked with precise electronic-influenced drums, dark synth stabs, growling raspy baritone vocals with sneering delivery, British accent, London inflection, early 80s production, raw energy, tight arrangement, ‑(metal vocals), ‑(screamed vocals), ‑(acoustic guitar), ‑strings, ‑(overly polished production), ‑(modern production), ‑(death metal growls), ‑(clean vocals), ‑(American accent)
5:56

4:14

[Genre: Industrial Rock]
[Tempo: Midtempo]
[Key: A Minor]
[Mood: Gritty, Dissonant, Tense]
[Energy: Smoldering with Bursts]
[Instruments: Distorted guitar, analog synths, digital fragments, sub-bass, noise textures]
[Vocals: Nasal male voice, half-sung with expressive strain]
[Production: Lo-fi grit, stereo-panned fx, layered, compressed dynamics, analog/digital interplay]
[Breakdown: Opening with glitchy fragments and stereo hum, building toward a bass-heavy drop with raw guitar lines]


















