Traditional / Public Domain Arrangement

Use a lazy, soft Tokyo-kawaii LoFi EDM style, Keep the original Scarborough Fair melody exactly intact, Vocals: young Japanese female voices in warm mid-range, dry and close, no falsetto, no high pitch, no whisper tone, no airy breath, Use electronic sounds only: lo-fi synth keys, soft chiptune accents, tiny toy-like percussion, light side-chain pads, minimal kick, Mood is bright, cute, small-room, unhurried

Style: Up-tempo big-band swing, Intro = instrumental only (no vocals, no ad-libs, no scatting), Three young female K-pop vocalists with kawaii tone trade very short lines and do clear call-and-response, No jazz-style phrasing, no improvisation, no scatting — keep the melody clean and faithful, Voices: A bright/sparkly, B sweet/whispery, C cute/husky, Trio harmonies only in chorus, with light idol-style ad-libs between lines (not in intro), Overall: cute, energetic, high-tone idol swing with strict melody retention

A Latin pop song with a moderate tempo and a melancholic mood, The instrumentation includes a clean electric guitar playing arpeggiated chords, a bass guitar providing a walking bass line, and a drum kit with a soft, brushed snare sound, A string section provides sustained chords and melodic counterpoints, contributing to the emotional depth, The lead female vocal is soft and expressive, utilizing a breathy delivery and occasional vibrato, The song features a clear verse-chorus structure with an instrumental bridge, The production emphasizes a warm, spacious sound with a focus on vocal clarity and a balanced mix of instruments, The key is minor, contributing to the overall somber yet romantic atmosphere, The tempo is around 80-90 BPM

Style: Up-tempo lo-fi city pop reinterpretation of a traditional melody with a modern K-pop kawaii vibe, Warm vinyl texture, sparkly synth keys, muted funk guitar, soft sidechain pads, and a danceable groove, Three young female vocalists sing in a breathy, cute–cool K-pop tone with relaxed phrasing in the intro, Keep the melody clean and dreamy, no embellishments, Mid-section should lift the energy: brighter synths, stronger beat, layered trio harmonies, and short call-and-response vocals, Final section should feel more excited but still stylish and airy, Overall: kawaii, urban, danceable lo-fi city pop with a clear K-pop-style buildup

Style: High-energy J-pop with instrumental intro, interlude, and ending, Intro, interlude, and ending are instrumental only; no human voice, Drum-led intro sets tempo around 165 BPM, with bass and instruments entering gradually, Interlude keeps tempo and groove continuous, briefly thinning layers before rebuilding, Ending is instrumental; no vocals after the final lyric, Verses and chorus use fast acoustic piano arpeggios, tight bass locked with the kick, and clean rhythmic electric guitar, Subtle violin accents may enhance climactic moments, Use real, natural human female voices only; absolutely no male voices, Three young female vocalists sing in Japanese using lyric-based call-and-response by alternating lines, At climactic points, all three may sing together with controlled dynamics, Vocals sing ONLY the exact written lyrics; no extra vocal sounds, All accents and build-ups are created by instruments, Dynamics evolve through arrangement and instrumentation, not vocals, ‑Male vocals, ‑male voice, ‑male backing vocals, ‑spoken words, ‑spoken count-in, ‑vocal ad-libs, ‑vocal shouts, ‑call-outs, ‑hey, ‑yeah, ‑yo, ‑woo, ‑ah, ‑oh, ‑uh, ‑huh, ‑scatting, ‑humming, ‑chanting, ‑beatboxing, ‑crowd noise, ‑audience vocals, ‑non-lyric vocal sounds, ‑robotic vocals, ‑vocaloid-style vocals, ‑any vocals during intro, ‑interlude, ‑or outro

Begin with a brief, delicate solo piano only, quiet and restrained, evoking the opening gesture of Mendelssohn’s Wedding March without direct quotation, After this introduction, allow a gradual orchestral swell inspired by classical wedding procession textures: strings, light brass, and soft timpani, maintaining elegance rather than grandeur, Vocals enter after the orchestral rise, small in volume, intimate and close-miked, blending gently into the arrangement rather than leading it, The overall mood is ceremonial yet subdued, refined, lyrical, and emotionally controlled, prioritizing balance and clarity over drama

A female vocalist sings a melancholic melody over a sparse arrangement, The song is in a minor key, with a slow tempo, The primary instrument is a plucked string instrument, possibly a ukulele or mandolin, playing a simple arpeggiated pattern, There are also sustained string pads providing harmonic support, The vocals are delivered with a soft, breathy quality, featuring occasional vibrato, The production is clean, with the vocals prominent in the mix, The song structure is verse-like, with repetitions of the main melodic phrase, The overall mood is somber and reflective

‑male voice, ‑male vocal tenor, ‑baritone, ‑bass singer vocal bass, ‑low vocal harmony a cappella choir, ‑choral a cappella gospel choir, ‑mixed choir

Style: High-energy J-pop with classical instrumental intro, interlude, and ending, focused on clarity, precision, and mature rhythmic drive, Violin, flute, contrabass, Intro, interlude, and ending are instrumental only; no human voice, Drum-led intro sets tempo around 160–165 BPM, with bass and instruments entering gradually, Interlude maintains tempo and groove, briefly reducing layers before rebuilding, Ending is fully instrumental; no vocals after the final lyric, Verses and chorus feature fast acoustic piano arpeggios, tight bass locked with the kick, and clean, rhythmic electric guitar, Subtle violin accents may be used sparingly for structural emphasis, never for sweetness or sentimentality, Use real, natural human female voices only, No male voices, Three young female K-pop vocalists sing in Japanese with a natural mid-range focus, No exaggerated high-pitched delivery

A bright, slightly languid Japanese City Pop × Urban Groove at 118 BPM, Clean percussion, punchy bass, tight rhythm guitar and warm analog synths build the groove, Distinct melodic vocal phrases alternate crisply between singers, each entry sharply defined, Arrangement shifts: verses use palm-muted guitar, bridge introduces bell tones, synth strings subtly lift the pre-chorus, and vintage reverb adds delicate width only in select moments, Every section refreshes the texture—dynamic, never uniform, always clear and forward, ‑scat vocals, ‑vocal scatting, ‑wordless vocals, ‑non-lexical vocals, ‑nonsense syllables, ‑vocal improvisation, ‑improvised vocals, ‑vocal ad-libs, ‑vocal filler sounds, ‑vocal warm-up sounds, ‑doo-wop vocals, ‑la la la vocals, ‑na na na vocals, ‑ah ah vocals, ‑oh oh vocals, ‑spoken intro, ‑count-in vocals, ‑intro vocalization, ‑breathing sounds, ‑mouth sounds, ‑vocal noises, ‑background chatter

Dry jazz-ska-punk arrangement, Open with drums, violin, and heavy upright bass, Preserve the original melody, structure, tempo, harmony, and vocal phrasing exactly, No melodic, harmonic, rhythmic, or structural changes, No ad-libs or reinterpretation, Vocal style: Energetic kawaii female trio vocal, Three distinct voices singing in strict unison only, No harmony, no stacking, no call-and-response, Bright, lively, youthful tone with clear articulation, Energetic and confident, not playful, childish, or exaggerated, No emotional acting, Instrumentation: Heavy, percussive upright bass, Short, dry drums with strong snare, Clean off-beat ska guitar stabs, Sparse rhythmic piano or organ, Optional muted brass accents, no solos, Violin used rhythmically only, no melodic leads, Sound and mix: Very dry, close-miked sound, No reverb, delay, or ambient effects, Clear separation; energy from attack and precision, Rules: No reharmonization, No backing vocals beyond the trio, Keep everything min

This high-energy dance track races at 150 BPM with a mechanical, looping drum pattern and pulsing synth bass, underpinned by choppy, muted guitar stabs for a restrained punk feel, Three female Young Asian girls vocals trade raw, monotone lines—one low and throaty, one midrange and dry, one higher and brittle—all detached, unsmiling, and weary, Each drop and build stays taut—never exploding, always pressing forward with restless energy, No vocal doubling, no auto-generated backing voices, No sustained reverb or delay on vocals or instruments, Dry, close-miked sound across all elements, Clear instrument separation with minimal layering, Each instrument occupies a distinct frequency range, No wall-of-sound mixing, no excessive compression, All vocals must be dry, clearly separated, and intelligible, ‑voice effect, ‑rap, ‑spoken word, ‑talk singing, ‑whisper vocals, ‑shouting, ‑screaming, ‑growl vocals, ‑vocal fry, ‑male vocals, ‑child choir, ‑mixed gender chorus, ‑heavy vibrato, ‑operatic singing, ‑classical bel canto projection, ‑gospel ad libs, ‑dark or ominous tone, ‑horror atmosphere, ‑cinematic tension build, ‑dramatic orchestration, ‑trap, ‑hip hop, ‑edm, ‑dubstep, ‑future bass, ‑reggaeton, ‑dembow, ‑techno, ‑house, ‑swing jazz, ‑big band brass solos, ‑ska punk shouting style, ‑distortion heavy guitars, ‑metal, ‑hardcore punk, ‑overdriven bass, ‑excessive reverb, ‑long echo tails, ‑lo fi degradation, ‑vinyl crackle, ‑melody rewrite, ‑new melodic hooks, ‑key modulation, ‑time signature change