5:53

4:25

No Saint Here
v4.5
A dark, cinematic trip hop piece blending Tom Waits-style raspy vocals with dusty, downtempo breakbeats, Features manipulated samples from 1970s giallo film scores by Morricone and Nicolai—including reversed orchestral swells and pitch-shifted harpsichord motifs, as if 45 rpm vinyl were played at 33 1/3, The track layers tremolo Rhodes, detuned vibraphones, and analog hiss for a haunting noir ambiance, Each section drifts between fragmented sample loops, sparse rhythm, and smoky vocal narratives for a hypnotic, surreal atmosphere
9:29

Drop D tuned dual electrics unleash thick, gritty riffs with dark harmonic textures, Bass doubles and anchors the heaviness alongside pounding rock drums, Metal grooves and brutal percussion drive each section, forging an unrelenting, heavy Seattle grunge sound
2:43

5:04

3:43

Start with [Protest Punk] [Cinematic Rock] [Tense] [Slow Build] [Ambient Threat] [Ethereal Female Vocals]
Then shift into [Hard Rock] [Anthemic] [Call-and-Response Vocals] [Distorted Bass]
Layer with [Marching Drums] [Group Shouts] and [Melodic Screambacks] in the chorus
Bridge brings in [Industrial Elements] [Megaphone Vocals] [Crowd Noise Samples]
Throughout the track, weave in [Ethereal Female Vocals]—floating above the chaos like a warning or a memory, especially during intros, bridges, and outro
Final chorus explodes into [Wall of Sound] [Arena Rock Energy] [Soaring Harmonies]
Outro falls into [Reverb-heavy] [Slow Fading Echoes] [Choral Reprise] [Ghostlike Vocals]
1:54

3:44

Lip Service
v4.5
A high-octane dance floor anthem inspired by big beat, featuring a thunderous four-on-the-floor house beat, hyperactive tribal percussion, and gritty electronic textures, Blazing horn stabs and distorted synth leads clash with energetic funk guitar riffs, The powerful, raspy female vocal—reminiscent of Lisa Kekaula—commands each section with fierce attitude and soulful fire, Verses build tension, while explosive choruses erupt in a carnival of rhythm and layered vocals
3:13

Contemporary alternative, grunge, punk, harmozing choruses, alternative hip hop
4:02

Blues, metal, overdriven detuned bass with fuzz, Bass player uses Aggressive fingerstyle using Melodic fills and bluesy runs with Rhythmic precision, baritone blues vocals, prominent hammond organ
5:23

dreamy, slow psychedelic, space, trippy, Psychedelic, Psychedelic, Psychedelic, Psychedelic, Psychedelic, Psychedelic, Psychedelic, Psychedelic, Psychedelic, Psychedelic, space, deep space, slow
3:39

Alt-rock ballad with orchestral elements and emotional tension, Electric guitar with fuzzy, overdriven texture, playing slowly and heavily, like footsteps through ash, Cello and violins take a leading melodic role, not just background, The arrangement should reflect a dialogue — even a conflict — between the guitar’s raw distortion and the expressive, crying cello, The strings are not sweet; they are powerful, aching, and alive, Include a central instrumental break (violin/cello + guitar) that feels like a dance or duel between the two worlds, The vocal should remain low, fragile, and honest, female voice with slight rasp, no gloss, Think Daughter and meg elsier meets Hans Zimmer in a forgotten rehearsal room
4:39

A live acoustic concert performance blending Spanish-flamenco fingerpicking with cinematic balladry, Rich, resonant male vocals deliver an emotional farewell, layered over expressive nylon-string guitar, Ambient crowd noise flows throughout the track, enhancing the intimate, raw atmosphere, Sparse reverb and dynamic pauses accentuate the heartache, as the vocalist pleads for his love to carry his soul with her, The performance feels spontaneous and vulnerable, like a storyteller on stage under dim golden lights
3:09

acoustic nu metal, emotional male vocals, raw, introspective, melancholic verses, intense chorus, atmospheric, vulnerable
5:19

The Green Decree
v4.5
Bard Metal, Melodic, Tavern Rock, Heavy Keyboards, Drinking
3:16

high-energy electronic track blending 90s rave, industrial and breakbeat hardcore, Imagine The Prodigy meets Pendulum in a dystopian nightclub, Features distorted basslines, aggressive breakbeats, punk-style shouted vocals, and eerie synth hooks, Tempo: 145 BPM, Dark, rebellious and explosive
3:02

3:16

Chuck Brown, Jimmy Castor, 1974, Soul Train funk, 1970s, acid rock, analog warmth, tight groove, p-funk, funk rock, fuzz bass guitar, distorted guitars, funky drums, male vocals
3:46

powerful female vocals, Piano, Dreamy, Trance, Symphonic, pop
3:13

3:09

3:39

Assertive acoustic strums and punchy snare-heavy beats drive swaggering Southern Rock verses, with gritty bass and playful fiddle, Bold female vocals, stacked harmonies, and dynamic drums dominate choruses, Harmonica-fiddle breaks add rowdy, empowering energy throughout
4:32

Kick off with relentless, palm-muted guitar riffs, gritty bass locked to a double-time drum attack—incorporating snare and cymbal crashes, Vocals are raw and sinister, The chorus hits harder with angry pleading vocals, A frenetic solo shreds before a brutal, abrupt outro
2:19

Voice Type: Baritone, High-Energy Rapper
Tone/Timbre: Deep, Booming, Gravelly, Raspy, Resonant, Powerful
Delivery/Style:
* Extremely High Energy, Explosive Delivery
* Rapid-fire Rapping, Fast Paced
* Loud Projection, Animated, Dynamic Cadence
* Distinctive Growls, Grunts, Ad-libs ("Woo-Hah!", etc, )
* Unique Flow, Complex Rhythms, Sometimes Staccato Phrasing
* Character Voices/Impressions sometimes used
* Clear Articulation (despite speed)
* Jamaican Patois Influence (sometimes)
Emotional Quality: Energetic, Intense, Hypnotic, Commanding, Aggressive (sometimes), Wild, Charismatic, Unpredictable
Era/Genre: 90s/2000s Hip Hop Vocalist, East Coast Hip Hop, Hardcore Hip Hop, ‑autotune
4:04

Synthwave, Cyberpunk, retro, fast-paced, driving guitars, melismatic, fast-paced
2:33

Lo-Fi Grunge, experimental-synth, Distorted Rhythm Guitar, Sarcastic Deadpan Vocals, 432hz, Sub Bass, alternative rock
3:39

Fragile
v4.5+
This track should channel a minimalist post-punk atmosphere with a steady Em-based guitar riff in clean tone, layered with subtle chorus, A sparse electronic drum-machine beat pulses at 85 bpm, maintaining an introspective mood, Verses drift with open, spacious chords that echo into the mix, while choruses expand into emotionally charged refrains that hint at longing and quiet revolt, Vocals are delivered in a whisper with understated urgency—each word weighed, each phrase lingering over cosmic imagery and existential solitude, The arrangement is supported by warm analog bass, ambient synth pads, and melodic lead guitar accents that highlight emotional transitions without breaking the song’s contemplative flow, The overall mix should remain raw yet immersive, inviting listeners to feel rather than just hear, ‑r&b, ‑country
5:08

Genre: Theatrical Metalcore | Style: Dark, melodic, haunting, drop-C, Pierce the Veil–inspired vocals
Vocal balance: Verses are sung with high emotional tone, choruses screamed with layered harmonies and grit
Tone: Tempting, poetic, dangerous — like a siren offering silence to the suffering
4:22

glitch punk, chopped and screwed, neo psychedelica, trippy hypnogogic, trashed production, hyperpop, tropical house
4:07

Monster
v4.5
rattle and hum style, children's choir chorus, smoky female vocals
5:33

The Archivist’s Hymn
v4.5+
An intimate shoegaze–baroque pop fusion ballad where detuned glide guitars and sustained reverb clouds intertwine with harpsichord-like textures and orchestral swells, The low, near-whisper baritone lead rides over a warm, droning bass and soft, brushed percussion, while the background blooms into a dense wall of sound, Whammy bar bends and feedback swells provide emotional lift, creating a contrast between fragile vocal intimacy and a rich, resonant instrumental expanse
3:32

Faultlines v.2
v4.5+
A percussive EDM remix at 122 BPM with primal energy and modern bass design, Female alto vocals (A3–D5), rich and resonant, remain the lead—shifting between spoken word, chant-like refrains, and rapid-fire alt-rap, Arrangement follows EDM arc: intro starts sparse with drone, low tribal kick, and throat hum; first chorus blooms into layered percussion and sub-bass drop, Verses stay lean with kick, rim click, and shaker, letting rap phrasing lead, Bridge strips down to taiko + sub-kick, then explodes into a heavy drop with stacked tribal drums, chant loops, and sidechained bass, Final chorus is full-bodied with chants, stomps, hi-hat shuffle, and pulsing pads, Percussion layers: deep tribal kick, floor toms, stomps, powwow loop, congas, rim clicks, and shakers—driven but not cluttered, Bass is heavy and sidechained, synths minimal and percussive, Tone is sacred, raw, and body-moving, blending ancestral rhythm with EDM drop structure
3:50

INSIDE OF YOU
v4.5+
A futuristic electronic soundscape blending lush, atmospheric synths with deep, wobbly bass and glitchy textures, Emotional, soulful female vocals float above the production, carrying themes of vulnerability and longing, The track shifts between intimate, delicate verses and explosive, textured drops, layering chopped vocal samples, shimmering pads, and percussive, off-kilter beats, The mood is dreamy yet intense — a fusion of R&B-inspired melody and experimental future bass energy, evoking feelings of yearning, regret, and emotional release
5:59

Ørang*
v4.5+
odd time signatures, Algorave Psybient, trippy, polyrhythms, ominous, gloomy, organic, complex rhythms, climactic, disturbing, foreboding, dynamic drums, shouting, ambient, math-bass, progressive, experimental, trance-rock, male-dry vocals swaying between singing and restrained screaming, The hunt is afoot
4:27

Foggy City Lights.
v4.5+
80-85 bpm, g-major, vaporwave, steady pulsing beat, airy female vocals, soft and ethereal, high register but clear enough to understand, atmospheric, reverb, atmospheric synths
3:20

Mr. Spindle
v4.5+
[Style: Dark, hypnotic funk-metal dirge led by upright-sounding bass with bowed, rubbery tone, Slow tempo, lurching groove with sparse tom-heavy drums, Guitar is eerie, textural, adding scratches and dissonant stabs instead of riffs, Vocals are nasal, muttered, and monotone, narrating a surreal character story in grotesque detail, The mood is unsettling and theatrical, like a circus sideshow in slow motion, Minimal chorus, hypnotic repetition, Mix is bass-forward, raw, and claustrophobic with occasional warped effects, ]
3:24

Tell me now
v4.5
Female vocal, sensual, provocative, expressive, moody, minimal techno, abstract, minimal, hard drop, mythical rave, edm, clean production
2:53

Badder Then We
v4.5+
#Genre: Drum & Bass, Jungle
#Mood: Aggressive, Dark, Hype
#Vocal: Gritty, Chanted
#BPM: 172
#Structure: Intro-Drop-Verse-Chorus-Drop-Outro
Raw soundclash dnb riddim, Heavy rolling jungle breaks with sharp snares and deep sub-bass, Dancehall stabs and sirens for war tune energy, Minimal melody, pure militant groove, Built for patois MC shellings and reload drops — rave destroyer
5:59

Psy-funk meets glitch-hop in a grotesque carnival kitchen where Zalixor stirs a mushroom stew of mind control, Gritty slap bass grooves melt under syrupy synths, chopped syllables drip with innuendo, and every drop oozes with slimy charm, The vocals shift between whispered menace, stuttered seduction, and warped falsetto hallucination, Drops are gooey, glitchy, and sinister, filled with fungal squelches, spore pops, and percussive plaps, It’s a trip, a meal, a kiss, and a curse—all in one sticky sonic bite
4:58

Seductive Gothic Female voice, Acapella, Industrial, Hardstyle, Interlude, Nero Step, Death Step, Djent, Space Rock, Drum and Bass, Electronic, Synthwave, Robostep, Sci Fi Sound, Glitch step, Epicor
2:49

GET MOPPING SMURF!!
v4.5-all
Kinetic indie rock kicks off with jangly guitars and pulsing new wave synth arpeggios riding over a tight, driving bassline, Sharp, syncopated drums fuel anxious momentum, Female vocals bring art punk energy, wiry guitar layers intensifying and peaking with tension on each chorus







































