
Moving Under Light
This collection is a heartfelt homage to the work of Talking Heads, David Byrne, and Brian Eno — especially the albums "Remain in Light" and "My Life in the Bush of Ghosts".
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13 songs
3:11

Tense, mechanical Art Rock meets Post-Punk Funk with minimal groove rock edge, Clean staccato rhythm guitar interlocks with tom-heavy, bone-dry drums and flat analog bass lines, Minimal synth hits, bursts of noise, and brief ambient stabs punctuate angular, offbeat patterns, Male vocals are semi-spoken, chant-like, riding rhythm over melody, with clipped group shout-backs, Choruses use hooky, repetitive chants and strong group attacks; no harmonic lift, Outro is a relentless instrumental locked groove: dry drums, sparse deconstruction, and choppy vocal loops fading to silence
2:54

Plugged in
v4.5
Tense, mechanical Art Rock meets Post-Punk Funk with minimal groove rock edge, Clean staccato rhythm guitar interlocks with tom-heavy, bone-dry drums and flat analog bass lines, Minimal synth hits, bursts of noise, and brief ambient stabs punctuate angular, offbeat patterns, Male vocals are semi-spoken, chant-like, riding rhythm over melody, with clipped group shout-backs, Choruses use hooky, repetitive chants and strong group attacks; no harmonic lift, Outro is a relentless instrumental locked groove: dry drums, sparse deconstruction, and choppy vocal loops fading to silence
3:13

Plugged in (V2)
v4.5
Tense, kinetic Art Rock fused with Post-Punk Funk, built on clean staccato rhythm guitar, bone-dry tom-heavy drums, and rubbery analog bass, Sparse synth stabs and sudden noise bursts slice through angular vocal phrasing, Semi-spoken vocals alternate with clipped group shouts, Choruses rely on hypnotic repetition, no harmonic lift — just pressure, The outro breaks down into a locked instrumental groove: stripped percussion, chopped vocal loops, and fragmented textures dissolving into silence
3:31

Frenetic, polyrhythmic Art Rock driven by Afrobeat-inspired grooves and Post-Punk tension, Clean staccato guitars lock tightly with dry, tom-heavy percussion and elastic analog basslines, Semi-spoken lead vocals cut sharply through layered rhythms, joined by chant-like backing lines and looped mantras, Choruses unfold in three vocal layers, interlocked with no harmonic lift — pure kinetic pressure, The structure loops and builds, culminating in a final hypnotic spiral of voice and groove, propelled by clipped phrases and dense vocal layering
3:19

A tight, syncopated Afrobeat-inspired groove anchors the rhythm section over sparse, funky bass and jagged clean guitars, while minimalist synths weave angular motifs, Thin, glassy art rock textures create hypnotic, detached repetition, with odd-meter accents and shifting dynamics driving a surreal, philosophical atmosphere
3:39

Minimal, mechanical art rock with hypnotic funk undercurrents, Built on a constant syncopated bassline and dry tom-driven drums, the groove moves forward like a machine, Verses are spoken with a flat, detached voice; choruses erupt into angular sung lines with clipped male responses, Treated brass or synth lines swirl in and out like dissonant warnings, The atmosphere is cold, surreal, and circular — a system in motion, indifferent to the human inside
3:05

Soft Revisions
v4.5
The track opens with sparse, pulsing bass and crisp minimal drums, overlaid with glassy synth pads, Disjointed funk guitar and robotic textures fade in as spoken word vocals loop hypnotically, Unexpected percussive clicks, tape loops, and processed found sounds add surreal detail, while the arrangement evolves clinically in cycling patterns, maintaining a cool, detached groove throughout
2:54

The Signal (V2)
v4.5
A tense, atmospheric intro layers minimalist polyrhythms on muted percussion, merging Afrobeat grooves with angular postpunk bass, Art rock textures rise via reverb-heavy guitars and analog synths, Baroque strings weave through hypnotic new wave pulses, culminating in stark, meditative breakdowns that ebb between ambient indie passages and haunting instrumental interplay
3:52

Slow-burning post-punk dirge with heavy, locked-in bass and minimal drums, The atmosphere is dense and claustrophobic, driven by saturated guitar pulses and slow rhythmic accents, Vocals are low, monotone, almost spoken, with slight tension in the phrasing, Ambient drones and mechanical textures hover in the background, The groove is deliberate, weighted, and unrelenting — more Joy Division than jazz, more tension than harmony
3:23

Tense, mechanical Art Rock meets Post-Punk Funk with minimal groove rock edge, Clean staccato rhythm guitar interlocks with tom-heavy, bone-dry drums and flat analog bass lines, Minimal synth hits, bursts of noise, and brief ambient stabs punctuate angular, offbeat patterns, Male vocals are semi-spoken, chant-like, riding rhythm over melody, with clipped group shout-backs, Choruses use hooky, repetitive chants and strong group attacks; no harmonic lift, Outro is a relentless instrumental locked groove: dry drums, sparse deconstruction, and choppy vocal loops fading to silence
3:33

Minimal, mechanical art rock with hypnotic funk undercurrents, Built on a constant syncopated bassline and dry tom-driven drums, the groove moves forward like a machine, Verses are spoken with a flat, detached voice; choruses erupt into angular sung lines with clipped male responses, Treated brass or synth lines swirl in and out like dissonant warnings, The atmosphere is cold, surreal, and circular — a system in motion, indifferent to the human inside
2:50

The track opens with a syncopated bassline and dry, tom-heavy drums, establishing a pulsing Afrobeat Funk groove, Mid-verse, soft snaps and electronic claps add detail, Analog synth swells, pitch-shifted brass hits, and filtered pads blend with ambient loops, while deep bass punctuations create a hypnotic, artful blend of funk, experimental rock, art rock, and post punk
3:58

Frenetic, polyrhythmic Art Rock driven by Afrobeat-inspired grooves and Post-Punk tension, Clean staccato guitars lock tightly with dry, tom-heavy percussion and elastic analog basslines, Semi-spoken lead vocals cut sharply through layered rhythms, joined by chant-like backing lines and looped mantras, Choruses unfold in three vocal layers, interlocked with no harmonic lift — pure kinetic pressure, The structure loops and builds, culminating in a final hypnotic spiral of voice and groove, propelled by clipped phrases and dense vocal layering
