2:21

Paradise Suite
v4.5-all
steel drums, breezy male vocals, world, tropical house, sun-kissed melodies, laid-back rhythm
2:34

A Woman’s Work Ain’t Never Done
v4.5-all
energetic brass sections, funk, trippy effects, groovy, female vocals, psychedelic funk, wah-wah guitars, groovy bass lines
3:47

Rescue in the Kingdom
v4.5-all
guzheng, modern classic, sad, male vocals, cello, mellow, slow and sad, chinese drum, classic, pentatonic scale, slow, mellow male vocals, piano
4:56

Back to Earth
v4.5-all
cosmic soundscapes, slow, slow-evolving textures, emotional, male and female duet, nostalgic, ambient, space ambient, flutes, saxophone, a big drum
2:47

Ocean Savior
v4.5-all
upbeat and sunny melodies, jangly guitars, indie surf rock, carefree female vocals, beachy vibes, rock
2:53

Lights, Camera, Legacy
v4.5-all
heroic male vocals, emotional, epic cinematic, sweeping orchestral, vocal, orchestral
4:59

Under the Bed
v4.5-all
female vocals, female vocals with soaring choir harmonies, gregorian chorale, ecclesiastical atmosphere with an epic sense of reverence, rich organ undertones, slow and majestic pace
4:04

Holy Groove
v4.5-all
chillwave, danceable, male vocals, male vocals with a laid-back groove and shimmering synths over a pulsing bassline, light reverb and layered harmonies add a dreamy texture, pop
3:59

New Shepherd in Town (Remix)
v4.5-all
A gentle, pulsing bed of warm synths opens the track, joined by crisp finger snaps and mellow electric piano, Layers gradually build: subtle bass, airy pads, and restrained beats, The chorus features lush harmonies, fluid synth lines, and textural guitar, finishing on a spacious outro
2:35

Groove Is Back
v4.5-all
lounge, funk, soulful, male vocals, lively brass section, soul, infectious bassline, upbeat funk, joyful
3:44

Finally the Rain
v4.5-all
piano rock, pop, happy, melodic hooks, male vocals, pop sensibility, rock, heartfelt
4:06

The Rainbow's end (Remix)
v4.5-all
A synth-driven intro introduces lush pads and a tight, dynamic beat, Crisp hi-hats and electronic percussion layer under warm bass, The verses use minimal instrumentation, amplifying suspense, The chorus expands with punchy chords and subtle melodic accents, building energy throughout
7:24

Uplifting atmospheric worship ballad with ethereal vocals and sweeping orchestral arrangements (male and female duet)
3:21

Whiskey Hearts
v4.5-all
soulful, and mournful organ swells, rock, raw, classic, blues-rock, female vocals, raw emotion, steady drum shuffle, classic 60s vibe with gritty electric guitar riffs
3:12

Slide Down Together
v4.5-all
harmony vocals, male and female vocals, smooth guitars, rock, smooth, laid-back, country rock, harmony
2:32

Paisley Groove Parade
v4.5-all
and shimmering synths, the live feel is amplified by crowd call-and-response sections, handclaps, punchy brass accents, glam, flamboyant, live concert vibe with male vocals; a high-energy performance driven by syncopated basslines, eclectic, and irresistibly danceable, male vocals, and funky guitar riffs dripping with wah-wah, the texture is bold, funk
1:52

Shine Bright
v4.5-all
hip-hop, storytelling, bright, male vocals, lyrical, male vocals with a dynamic beat and smooth piano undertones; rhythmic verses with a hook-heavy chorus
4:19

Goodbye After Two Decades
v4.5-all
melodic; minimal piano chords, vocal, sultry, with a breathy, calm, and gentle acoustic guitar arpeggios, the vocals should glide smoothly, soft string swells, female vocal, intimate delivery that feels both vulnerable and resolute
3:04

Back to the Hearth
v4.5-all
male vocals, exploding into soaring, punchy bass drops, and layered male vocals alternating between english and korean, the track builds tension in verses with sparse, dubstep, 80s hi-energy with a blend of deep dubstep, featuring dynamic synth arpeggios, moody beats, euphoric choruses filled with shimmering pads and heartfelt vocal delivery, deep
1:31

Internet Overload
v4.5-all
fast, hyperactive energy, fake, bright, mashup, energetic tempo, edm, abrupt transitions, skittery hi-hats, glitchy effects, chaotic internet-core/dariacore-inspired, wobbly 808s, bright synth stabs, vocal, overcompressed sub-bass, crunchy claps, chopped pitch-shifted vocals, rap, loud, blown-out distorted drums
3:14

Ghosts in the Strobe
v4.5-all
reggae, dub, vocal, low, hip-hop, deep, skeletal drum programming, hypnotic, saturated, electro, swing, hypnotic space-echo effects, tape-saturated textures, and ghostly vocal fx creating a spirit-house mood, rap, eerie detuned synth stabs, dancehall, atmospheric analog pads, sparse bouncing verses, haunted dancehall / electro-dub / trip-hop fusion with deep sub-heavy bass
2:45

Man Cave Escape
v4.5-all
pop punk, bright synth layers, emo pop punk with punchy distorted guitars, and an electronic bridge; male vocals, electronic, rap, bright, emo, tight drums
2:04

Bar Blues Chronicles
v4.5-all
clean, rhythmic delivery with emotional undertones, resonant, deep, male vocals, lo-fi, warm, rap, clean production, focus on a smooth, soft hi-hats, deep 808s layered under warm, reverb-soaked chords, chopped and screwed meets trap with lo-fi elements, and occasional vinyl crackle, male vocals: warm
3:36

Man Got the Groove
v4.5-all
and bhangra-inspired rhythms create a haunting yet groovy soundscape; male vocals with a hypnotic delivery, bhangra, horrorcore, electronic, glitch, groovy, funk, industrial machine samples, vaporwave, jazz, industrial, darkwave, cinematic electronic with glitchy textures; layers of synth pads
1:51

Dreams in E
v4.5-all
vocal, trap, rap, hard-hitting 808s with atmospheric pads and staccato hi-hats; female vocals bring a mix of vulnerability and confidence, balancing melodic singing with rhythmic rap delivery
4:29

Club King
v4.5-all
male vocals, disco, driving bassline and shimmering synths with funky guitar riffs, vocoder effects, vocal
2:31

Shine On, Baby
v4.5-all
female vocals with tight rhythmic grooves, bright brass accents, punchy basslines, infectious energy, pop, funk, female vocals, empowering, and layered vocal harmonies for a bold
2:54

Ride the Tide
v4.5-all
upbeat rhythm, pop, layered harmonies, 60s british pop, classic, jangly guitars, rock
3:33

Gridiron Groove
v4.5-all
funk, rock, blues-infused rock with touches of r&b, and funk, psychedelic guitar riffs, football, soul, vocal, r&b, heavy bassline, and swirling organ textures, male vocals with a gritty, soulful edge, blues
3:35

Cosmic Groove Machine
v4.5-all
groovy, funk, and energetic brass sections, groovy bass lines, trippy effects, psychedelic funk, wah-wah guitars
3:12

Neon Kingdom
v4.5-all
male vocals, yamaha disklavier grand piano, glam rock, electric piano, piano-driven glam rock, electric, theatrical male vocals, vibrant 70s flair, mellotron and arp synthesizer, rock
3:11

Riding Down 52nd Street
v4.5-all
Male vocals over blistering bebop combo: bright alto sax leads, walking upright bass, splashy ride cymbal, and angular piano stabs, Tempo is brisk with tight hits and trading fours between sax and vocal scats, Choruses explode with shout-style backing vocals; brief sax break in the bridge ramps tension before a final, breathless hook, bebop, world, male vocals, rhythmic, saxophone
