Severance

Tool-style progressive rock with polyrhythmic drums, layered distorted guitars, and dark ambient textures, Tribal percussion forms the backbone—earthy, primal rhythms that pulse like a heartbeat beneath electric dissonance, The atmosphere is ritualistic and cinematic, combining industrial elements with haunting synth layers and distorted low-end textures, Male vocals shift from deep chant to guttural roar—never screamed, but delivered with raw, controlled intensity, The tone is spiritual and apocalyptic, like a sacred text set on fire, Lyrics evoke a metaphysical awakening through pain, silence, and flame, This is the sound of exorcism through rhythm—heavy, hypnotic, and transformative

Tool-style progressive rock with a bass-led groove and layered distorted guitars, Polyrhythmic tom-heavy drums create a hypnotic, tense rhythm, Vocals should be deep and holy tener, sung with weight and authority—like a prophet delivering a warning, No falsetto, No screaming, No emotional inflection, Just focused, serious tone, Lyrics are metaphorical and spiritual, exploring systemic control and internal collapse, Keep it short—2 to 3 minutes with a quick intro, verse, chorus, short bridge, and final chorus, The overall tone is ritualistic, mechanical, and heavy—like awakening inside a cold, humming machine

Mid-tempo progressive rock with layered distorted guitars, deep bass groove, and polyrhythmic tom-heavy drums, Intro features fast, low, distorted spoken whisper—no melody, ends before verse, Vocals: Deep male tener, Sharp, jagged, staggered phrasing, Flat tone, No falsetto, no vibrato, no pitch rise, no screaming or growling, Delivery is cold, spiritual, and confrontational—like a prophet bearing sacred decay, Verse vocals are slow and heavy, Chorus is mantra-like: short, repeated phrases with no emotion, Bridge uses ambient textures—rain, hums, mechanical resonance—with spoken or hollow vocal delivery, Final chorus grows louder but never emotional, No melodic climbing, Vocals remain grounded and hypnotic, Tone should feel ritualistic, mechanical, and sacred, Lyrics explore inheritance, decay, legacy, and power as a spiritual weight, The crown is not worn—it consumes, End with whispered outro, breath only

Progressive alt-metal with a heavy bass-led groove and melodic electric guitar, Drums are mid-tempo, tom-forward, and ritualistic, Vocals must be male, baritone or deep tenor, delivered with forceful, percussive grit—no falsetto, no harmonies, no growling, Vocal tone should feel like controlled fury: a prophet speaking through clenched teeth, Lyrical theme is metaphorical: enforced sanctity, synthetic motherhood, divine rebellion, No ambient intro—start immediately with vocals

Song begins with distorted monk chants of “Ohm” layered over the sound of passing electricity—like a ritual glitching into motion, The atmosphere is sacred, damaged, and mechanical—like a church built from failed circuits, Instrumentation is bass-heavy, mid-tempo, with clean but gritty melodic guitar and tom-focused polyrhythmic drums, The rhythm should feel hypnotic, tense, and restrained—more pulse than power, Vocals must be male, in a baritone or deep tenor range, delivered with a jagged, percussive phrasing—sharp and clipped, Some lines should stop short, breaking rhythm deliberately, No falsetto, No harmonies, No growling, No long melodic runs, Vocals should feel like words being carved, not sung—raw, honest, and emotionally controlled, Lyrics are minimalist, sacred, and physical—about collapse without spectacle, A quiet end, A failed design, Let it feel sacred, but never soft, No ambient intro delay—begin with monk chant

Progressive alt-metal track with clean male vocals — tense, sharp, and emotionally restrained, No growling or gravel, Vocal tone should be clear and surgical, inspired by the delivery style of Maynard James Keenan during Lateralus and Trent Reznor’s introspective work, Instrumentation includes dark ambient synths, distorted bass, and slow-burning guitar patterns, Drums should be rhythmic and meditative, with subtle tribal influence, The song structure is linear and chorus-free, gradually building in intensity, Mood: cerebral, cold, unraveling, Theme: generational inheritance, legacy as burden, spiritual rejection of lineage, Focus on clarity, atmosphere, and poetic tension

Progressive alternative metal track with a dark, ritualistic atmosphere, A male voice in a higher register delivers spoken word with dynamic shifts — start woth whispers, moving into calm, deliberate cadence, and rising into urgent mantra-like chants, The tone should be intense but not overly angry — controlled, hypnotic, and ceremonial, more like an incantation, Instrumentation should evolve gradually with deep bass, tribal percussion, atmospheric guitars, and layered distortion that builds tension and dissolves into release, The overall mood is haunting, immersive, and defiant, echoing the ritual cadence and progressive intensity of Tool

“Dark instrumental intro, The word back is a fading scream, Heavy emphasis on the sound of electricity: buzzing currents, crackling static, ionized pulses, A single fading scream woven into the atmosphere, distant and ghostly, Light, minimal drums for tension, with subtle atmospheric layers in the background, No piano, no traditional instruments, The focus is on raw electrical sound design — tense, otherworldly, transcendent, and cinematic, ”

Tool-style progressive rock with polyrhythmic drums, layered distorted guitars, and dark ambient textures, Tribal percussion forms the backbone—earthy, primal rhythms that pulse like a heartbeat beneath electric dissonance, The atmosphere is ritualistic and cinematic, combining industrial elements with haunting synth layers and distorted low-end textures, Male vocals shift from deep chant to guttural roar—never screamed, but delivered with raw, controlled intensity, The tone is spiritual and apocalyptic, like a sacred text set on fire, Lyrics evoke a metaphysical awakening through pain, silence, and flame, This is the sound of exorcism through rhythm—heavy, hypnotic, and transformative