articles of faith volume V

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add extremely heavily distorted gut-punching guitar

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming, noisy feedback and harmonics with loud sudden bursts of distortion, Loose but driving rhythm section—driving melodic bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but catchy, tense and scrappy, No pop polish, no metal, add cello and/or violin, add moog analog synthesizer, add theremin, add synth

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add acoustic guitar, add sitar, add piano

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add acoustic guitar, add harmonica, add sitar

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add piano, add acoustic guitar, add kazoo

Make sound like 90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming, noisy feedback and harmonics with loud sudden bursts of distortion, Loose but driving rhythm section—driving melodic bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but catchy, tense and scrappy, No pop polish, no metal, add cello and/or violin, add moog analog synthesizer, add theremin, add synth

Make sound like Archers of Loaf, 90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of distortion, Loose but driving rhythm section—busy bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but catchy, tense and scrappy, No pop polish, no metal, add cello and/or violin, add moog, add theremin, add xylophone, add piano

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add acoustic guitar, add sitar

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add extra extra extra heavy guitars

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add whistling

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add theremin

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add sci-fi theremin

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add sci-fi spacey sounding theremin to add a weird otherworldly quality

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add acoustic guitar, add banjo, add 1960s sci-fi space-age theremin

90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming and sudden bursts of super-heavy distortion and feedback, Loose but driving rhythm section—simple driving bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but super-catchy, tense and scrappy, No pop polish, no synths, no metal, add cello and/or violin, add 1970s British science-fiction theremin and moog synthesizer

Make sound like 90s indie rock with a raw, slanted feel, Angular, slightly dissonant electric guitars with jangly strumming, noisy feedback and harmonics with loud sudden bursts of distortion, Loose but driving rhythm section—driving melodic bass lines and punchy, imperfect drums that feel played live, not locked to a grid, Male vocals delivered half-sung, half-shouted with dry, detached attitude and bursts of urgency, Moderate-to-fast tempo (120–140 BPM), Abrupt dynamic shifts between restrained verses and explosive choruses, Lyrics feel fragmented, ironic, and emotionally restless, Production is mid-fi and gritty—natural room sound, minimal effects, no gloss, College-rock energy, noisy but catchy, tense and scrappy, No pop polish, no metal, add cello and/or violin, add moog analog synthesizer, add theremin, add synth, make this song punk-grass with clawhammer banjos, upright bass, wash-board, and jug